Acting Gay
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Author | : John M. Clum |
Publisher | : Columbia University Press |
Total Pages | : 350 |
Release | : 1992 |
Genre | : Drama |
ISBN | : 9780231075107 |
Clum (English and theater, Duke U.) examines 20th-century American and British plays that revolve around gay men, including those by Noel Coward, Arthur Miller, Tennessee Williams, Edward Albee, Harold Pinter, and Peter Shaffer. He considers the representation of bodies and acts, the closet dramas between 1930 and 1968, and recent works portraying a culture that has to do with more than sex.--Annotation © Book News, Inc., Portland, Ore.
Author | : Angelo Pezzote |
Publisher | : Kensington Books |
Total Pages | : 276 |
Release | : 2008 |
Genre | : Social Science |
ISBN | : 9780758219435 |
The author, drawing on his years of experience as a gay psychotherapist and advice columnist (AskAngelo.com), offers practical and thoughtful relationship strategies, as well as insight into such issues as coming out, dating, avoiding players, and maintaining a satisfying sex life. Original.
Author | : Sean O'Connor |
Publisher | : Bloomsbury Publishing |
Total Pages | : 274 |
Release | : 2016-10-06 |
Genre | : Performing Arts |
ISBN | : 1474288286 |
Between the trials of Oscar Wilde in the 1890s and the beginnings of legal reforms in the 1960s, the West End stage was dominated by the work of gay playwrights. Many of their plays, such as Private Lives, Blithe Spirit and The Deep Blue Sea are established classics and continue to inform our culture. In this fascinating book, covering both familiar and lesser-known works, Sean O'Connor examines the legacy of Wilde as a playwright and as a gay man, and explores in the works of Somerset Maugham, Noel Coward and Terence Rattigan the resonance of Wilde's agenda for tolerance and his creed of individuality. O'Connor contextualises these plays against the enormous social and historical changes of the twentieth century. He also examines the legal restrictions which regulated the personal lives of these writers and required them to evolve sophisticated strategies in order to express on stage, albeit obliquely, their dilemmas as gay men. From the delicate homoerotic frissons of Rattigan's early comedies to Coward's defiantly pro-sex stance, Straight Acting is a provocative and witty insight into the subtly subversive tactics of gay writers working in that apparently most conservative of forms, the 'well-made play'.
Author | : David M. Halperin |
Publisher | : Harvard University Press |
Total Pages | : 421 |
Release | : 2012-08-21 |
Genre | : Social Science |
ISBN | : 0674070860 |
No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as a truth. David Halperin, a pioneer of LGBTQ studies, dares to suggest that gayness is a specific way of being that gay men must learn from one another in order to become who they are. Inspired by the notorious undergraduate course of the same title that Halperin taught at the University of Michigan, provoking cries of outrage from both the right-wing media and the gay press, How To Be Gay traces gay men's cultural difference to the social meaning of style. Far from being deterred by stereotypes, Halperin concludes that the genius of gay culture resides in some of its most despised features: its aestheticism, snobbery, melodrama, adoration of glamour, caricatures of women, and obsession with mothers. The insights, impertinence, and unfazed critical intelligence displayed by gay culture, Halperin argues, have much to offer the heterosexual mainstream.
Author | : Ross Gay |
Publisher | : Algonquin Books |
Total Pages | : 250 |
Release | : 2023-09-19 |
Genre | : Literary Collections |
ISBN | : 1643755471 |
From bestselling author of The Book of Delights and award-winning poet, a book of lyrical mini-essays celebrating the everyday that will inspire readers to rediscover the joys in the world around us. In Ross Gay’s new collection of small, daily wonders, again written over the course of a year, one of America’s most original voices continues his ongoing investigation of delight. For Gay, what delights us is what connects us, what gives us meaning, from the joy of hearing a nostalgic song blasting from a passing car to the pleasure of refusing the “nefarious” scannable QR code menus, from the tiny dog he fell hard for to his mother baking a dozen kinds of cookies for her grandchildren. As always, Gay revels in the natural world—sweet potatoes being harvested, a hummingbird carousing in the beebalm, a sunflower growing out of a wall around the cemetery, the shared bounty from a neighbor’s fig tree—and the trillion mysterious ways this glorious earth delights us. The Book of (More) Delights is a volume to savor and share.
Author | : David Roman |
Publisher | : Indiana University Press |
Total Pages | : 380 |
Release | : 1998-02-22 |
Genre | : Medical |
ISBN | : 9780253211682 |
Acts of Intervention traces the ways in which performance and theatre have participated in and informed the larger cultural politics of race, sexuality, citizenship and AIDS in the United States in the last fifteen years.
Author | : Robert Goss |
Publisher | : Harper San Francisco |
Total Pages | : 280 |
Release | : 1993 |
Genre | : Religion |
ISBN | : |
Gay activist and former Jesuit priest Goss rejects the imperial Christ of institutional religion and embraces the radical activist Jesus of the Gospels. Goss calls on church leaders to make their churches truly open to gay and lesbian Christians.
Author | : John M. Clum |
Publisher | : Palgrave Macmillan |
Total Pages | : 336 |
Release | : 2000-06-17 |
Genre | : Literary Criticism |
ISBN | : 9780312223847 |
Still Acting Gay is a revision and expansion of Clum's celebrated book, Acting Gay. The book focuses on the relationship between American and British dramas written by and about gay men and the changing gay culture those plays reflect, from the carefully enforced closet to liberation politics to AIDS to the qualified security of the present. Still Acting Gay chronicles the transition of the gay man as subject for sensational melodrama to creator of many of the most powerful and celebrated plays of the late 20th century.
Author | : Tim Bergling |
Publisher | : Harrington Park Press |
Total Pages | : 166 |
Release | : 2001 |
Genre | : Literary Criticism |
ISBN | : |
Here is a revealing look into male effeminacy: why some gay men are swishy, why other gay men are more masculine, and why effeminate men arouse anger, disgust, and disdain in both gay and straight men. Sissyphobia explores those negative feelings that are aimed at people termed fairies, faggots, flamers, and queens; men who, as author Tim Bergling puts it, "run more toward what we could term the 'Quentin Crisp school of homosexuality.'"--Publisher description.
Author | : Ben Hodges |
Publisher | : Hal Leonard Corporation |
Total Pages | : 547 |
Release | : 2003-09-01 |
Genre | : Performing Arts |
ISBN | : 147684836X |
(Applause Books). Applause Theatre & Cinema Books is proud to announce the publication of the first collected anthology of gay and lesbian plays from the entire span of the twentieth century, sure to find wide acceptance by general readers and to be studied on campuses around the world. Among the ten plays, three are completely out of print. Included are The God of Venegeance (1918) by Sholom Ash, the first play to introduce lesbian characters to an English-language audience; Lillian Hellman's classic The Children's Hour (1933), initially banned in London and passed over for the Pulitzer Prize because of its subject matter; and Oscar Wilde (1938) by Leslie and Sewell Stokes, a major award-winning success that starred Robert Morley. More recent plays include Mart Crowley's The Boys in the Band (1968), the first hit "out" gay play that was the most realistic and groundbreaking portrayal of gays on stage up to that time; Martin Sherman's Bent (1978), which daringly focused on the love between two Nazi concentration camp inmates and starred Richard Gere; William Hoffman's As Is (1985), which was one of the first plays to deal with the AIDS crisis and earned three Tony Award nominations; and Terrence McNally's Love! Valour! Compassion! (1994), which starred Nathan Lane and won the Tony Award for Best Play. The other plays are Edouard Bourdet's The Captive (1926), Ruth and Augustus Goetz's The Immoralist (1954) and Frank Marcus' The Killing of Sister George (1967). Forbidden Acts includes a broad range of theatrical genres: drama, tragedy, romance, comedy and farce. They remain vibrant and relevant today as a testament of art's ability to persevere in the face of oppression.