Acoustic Justice

Acoustic Justice
Author: Brandon LaBelle
Publisher: Bloomsbury Publishing USA
Total Pages: 265
Release: 2020-12-10
Genre: Music
ISBN: 1501368222
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Acoustic Justice engages issues of recognition and misrecognition by mobilizing an acoustic framework. From the vibrational intensities of common life to the rhythm of bodies in movement, and drawing from his ongoing work on sound and agency, Brandon LaBelle positions acoustics, and the broader experience of listening, as a dynamic means for fostering responsiveness, understanding, dispute, and the work of reorientation. As such, acoustic justice emerges as a compelling platform for engaging struggles over the right to speak and to be heard that extends toward a broader materialist and planetary view. This entails critically addressing questions of space, borders, community, and the acoustic norms defining capacities of listening, leading to what LaBelle terms “poetic ecologies of resonance.” Acoustic Justice works at issues of recognition and resistance, place and displacement, by moving across a range of pertinent references and topics, from social practices and sound art to the performativity of skin and the poetics of Deaf voice. Through such transversality, LaBelle captures acoustics as the basis for strategies of refusal and repair.

Acoustic Jurisprudence

Acoustic Jurisprudence
Author: James E. K. Parker
Publisher: Oxford University Press
Total Pages: 273
Release: 2015
Genre: Biography & Autobiography
ISBN: 0198735804
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Acoustic Jurisprudence provides the first detailed study of the trial of Simon Bikindi, who was convicted by the International Criminal Tribunal for Rwanda of inciting genocide with his songs. Using Bikindi as a case study, the book develops the many relations between law and sound, and the importance of sound in legal practice more widely.

HEAR

HEAR
Author: Danilo Mandic
Publisher: University of Westminster Press
Total Pages: 329
Release: 2023-02-14
Genre: Social Science
ISBN: 191438637X
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Hearing is an intricate modality of sensory perception. It is continuously enfolded in the surroundings in which it takes place. While passive in its disposition, hearing is integral to the movement and fluctuations of one’s environment. At all times, hearing remains open, (in)active but attuned to the present and continuously immersed in the murmur of its background. A delicate perception that is always situated but fundamentally overarching and extended into the open. Hearing is an immanent modality of being in and with the world. Beyond the capacity of sensory perception, hearing is also the ultimate juridical act, a sense-making activity that adjudicates and informs the spatio-temporal acoustics of justice. This penultimate volume of ‘Law and the Senses’ gathers contributions from across different disciplines working on the relationship between law and hearing, the human vocalisations and non-human echolocations, the spatial and temporal conditions in which hearing takes place, as well as the forms of order and control that listening entails. Through notions and practices of improvisation and noise, attunement and audibility sonic spatiality and urban sonicity they explore, challenge and expand the structural and sensorial qualities of law. Moreover, they recognise how hearing directs us to perceiving and understanding the intrinsic acoustic sphere of simultaneous relations, which challenge and break the normative distinctions that law informs and maintains. In an attempt to hear the ambiguous, indefinable and unembodied nature of hearing, as well as its objects – sound and silence – this volume approaches hearing as both an ontological and epistemological device to think with and about law.

The Oxford Handbook of Sound and Imagination

The Oxford Handbook of Sound and Imagination
Author: Mark Grimshaw
Publisher:
Total Pages: 877
Release: 2019
Genre: Music
ISBN: 0190460164
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In this two-volume Handbook, contributors address the tendency to discuss musical imagination through terms like compositional creativity or performance technique, correcting the current bias towards visual imagination to instead highlight the many forms of sonic and musical imagination.

The Oxford Handbook of Sound and Imagination, Volume 1

The Oxford Handbook of Sound and Imagination, Volume 1
Author: Mark Grimshaw-Aagaard
Publisher: Oxford University Press
Total Pages: 877
Release: 2019-07-26
Genre: Music
ISBN: 0190460172
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Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.

Performing Human Rights

Performing Human Rights
Author: Anika Marschall
Publisher: Taylor & Francis
Total Pages: 198
Release: 2023-08-04
Genre: Performing Arts
ISBN: 1000923355
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This book enhances critical perspectives on human rights through the lens of performance studies and argues that contemporary artistic interventions can contribute to our understanding of human rights as a critical and embodied doing. This study is situated in the contemporary discourse of asylum and political art practices. It argues for the need to reimagine human rights as performative and embodied forms of recognition and practical honouring of our shared vulnerability and co-dependency. It contributes to the debate of theatre and migration, by understanding that contemporary asylum issues are complex and context specific, and that they do not only pertain to the refugee, migrant, asylum seeker or stateless person but also to privileged constituencies, institutional structures, forms of organisation and assembly. The book presents a unique mixed-methods approach that focuses equally on performance analyses and on political philosophy, critical legal studies and art history – and thus speaks to a range of politically interested scholars in all four fields.

Bioethics and Human Rights

Bioethics and Human Rights
Author: Wanda Teays
Publisher: Rowman & Littlefield
Total Pages: 426
Release: 2023-12-12
Genre: Political Science
ISBN: 1538188619
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This third edition collection provides a contemporary survey of current international issues in bioethics and human rights for study across social science disciplines. New chapters discuss the reproductive justice in the US, immigration politics and medical duty during pandemics, climate change implications for bioethics, acoustic weaponry technologies, and vaccine politics. Following a consideration of theoretical frameworks, there three units on human rights, life and death, and public health form an in-depth look at contemporary issues in the field of bioethics. Each unit includes cutting edge analyses by international experts and thought-provoking case studies, as well as discussion and essay prompts, and Internet and film resources. Topics range from pediatric genomics, abortion (including the Dobbs decision, medical tourism, human experimentation, climate change, the Havana syndrome, the care of aging family members, truth-telling, vulnerable human subjects, health equity, healthcare in ICE detention facilities, solitary confinement, euthanasia, lethal injections and the harvesting of human organs, pandemic ethics, vaccine controversies, and more. The new, updated, and retained chapters make this book an appealing resource as a primary text, scholarly reference book, or a course supplement. Contributors:Robert Baker, Tom L. Beauchamp, Michael Boylan, Marlene Brant Castellano, Cher Weixia Chen, Zenon Culverhouse, Bernard Gert, Søren Holm, Ilhan Ilkilic, Akiko Ito, Rita Manning, Kimberly Mutcherson, Peter F. Omonzejele, Pinit Ratanakul, Alison Dundes Renteln, Maya Sabatello, Udo Schüklenk, Edward H. Spence, Bradley P. Stoner, Scott Stonington, Peter Tagore Tan, Wanda Teays, Rosemarie Tong, Carlos Verdugo-Serna, Virginia L. Warren, Cecilia (Lim) Wee

Research Handbook on Critical Legal Theory

Research Handbook on Critical Legal Theory
Author: Emilios Christodoulidis
Publisher: Edward Elgar Publishing
Total Pages: 561
Release: 2019
Genre: Law
ISBN: 1786438895
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Critical theory, characteristically linked with the politics of theoretical engagement, covers the manifold of the connections between theory and praxis. This thought-provoking Research Handbook captures the broad range of those connections as far as legal thought is concerned and retains an emphasis both on the politics of theory, and on the notion of theoretical engagement. The first part examines the question of definition and tracks the origins and development of critical legal theory along its European and North American trajectories. The second part looks at the thematic connections between the development of legal theory and other currents of critical thought such as; Feminism, Marxism, Critical Race Theory, varieties of post-modernism, as well as the various ‘turns’ (ethical, aesthetic, political) of critical legal theory. The third and final part explores particular fields of law, addressing the question how the field has been shaped by critical legal theory, or what critical approaches reveal about the field, with the clear focus on opportunities for social transformation.

Sound Objects

Sound Objects
Author: James A. Steintrager
Publisher: Duke University Press
Total Pages: 173
Release: 2018-12-06
Genre: Social Science
ISBN: 1478002530
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Is a sound an object, an experience, an event, or a relation? What exactly does the emerging discipline of sound studies study? Sound Objects pursues these questions while exploring how history, culture, and mediation entwine with sound’s elusive objectivity. Examining the genealogy and evolution of the concept of the sound object, the commodification of sound, acousmatic listening, nonhuman sounds, and sound and memory, the contributors not only probe conceptual issues that lie in the forefront of contemporary sonic discussions but also underscore auditory experience as fundamental to sound as a critical enterprise. In so doing, they offer exciting considerations of sound within and beyond its role in meaning, communication, and information and an illuminatingly original theoretical overview of the field of sound studies itself. Contributors. Georgina Born, Michael Bull, Michel Chion, Rey Chow, John Dack, Veit Erlmann, Brian Kane, Jairo Moreno, John Mowitt, Pooja Rangan, Gavin Steingo, James A. Steintrager, Jonathan Sterne, David Toop

Hearing the Crimean War

Hearing the Crimean War
Author: Gavin Williams
Publisher:
Total Pages: 329
Release: 2019
Genre: History
ISBN: 0190916745
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What does sound, whether preserved or lost, tell us about nineteenth-century wartime? Hearing the Crimean War: Wartime Sound and the Unmaking of Sense pursues this question through the many territories affected by the Crimean War, including Britain, France, Turkey, Russia, Italy, Poland, Latvia, Dagestan, Chechnya, and Crimea. Examining the experience of listeners and the politics of archiving sound, it reveals the close interplay between nineteenth-century geographies of empire and the media through which wartime sounds became audible--or failed to do so. The volume explores the dynamics of sound both in violent encounters on the battlefield and in the experience of listeners far-removed from theaters of war, each essay interrogating the Crimean War's sonic archive in order to address a broad set of issues in musicology, ethnomusicology, literary studies, the history of the senses and sound studies.