Academies And Schools Of Art In Latin America
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| Author | : Oscar E. Vázquez |
| Publisher | : Routledge |
| Total Pages | : 311 |
| Release | : 2020-05-28 |
| Genre | : Art |
| ISBN | : 1351187538 |
This edited volume’s chief aim is to bring together, in an English-language source, the principal histories and narratives of some of the most significant academies and national schools of art in South America, Mexico, and the Caribbean, from the late 18th to the early 20th centuries. The book highlights not only issues shared by Latin American academies of art but also those that differentiate them from their European counterparts. Authors examine issues including statutes, the influence of workshops and guilds, the importance of patronage, discourses of race and ethnicity in visual pedagogy, and European models versus the quest for national schools. It also offers first-time English translations of many foundational documents from several significant academies and schools. This book will be of interest to scholars in art history, Latin American and Hispanic studies, and modern visual cultures.
| Author | : Pan American Union |
| Publisher | : |
| Total Pages | : 156 |
| Release | : 1909 |
| Genre | : Latin America |
| ISBN | : |
| Author | : International Bureau of American Republics |
| Publisher | : |
| Total Pages | : 158 |
| Release | : 1909 |
| Genre | : Havana (Cuba) |
| ISBN | : |
| Author | : Kelly Donahue-Wallace |
| Publisher | : UNM Press |
| Total Pages | : 338 |
| Release | : 2008-03-16 |
| Genre | : History |
| ISBN | : 0826334601 |
Kelly Donahue-Wallace surveys the art and architecture created in the Spanish Viceroyalties of New Spain, Peru, New Granada, and La Plata from the time of the conquest to the independence era. Emphasizing the viceregal capitals and their social, economic, religious, and political contexts, the author offers a chronological review of the major objects and monuments of the colonial era. In order to present fundamental differences between the early and later colonial periods, works are offered chronologically and separated by medium - painting, urban planning, religious architecture, and secular art - so the aspects of production, purpose, and response associated with each work are given full attention. Primary documents, including wills, diaries, and guild records are placed throughout the text to provide a deeper appreciation of the contexts in which the objects were made.
| Author | : Luis Camnitzer |
| Publisher | : University of Texas Press |
| Total Pages | : 460 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9780292705173 |
Starting with the groundbreaking 1981 exhibit called "Volumen I," New Art of Cuba provided the first comprehensive look at the works of the first generation of Cuban artists completely shaped by the 1959 revolution. This revised edition includes a new epilogue that discusses developments in Cuban art since the book's publication in 1994, including the exodus of artists in the early 1990s, the effects of the new dollar economy on the status of artists, and the shift away from socialist themes to more personal concerns in the artists' works. Twenty-four new color plates augment the more than 200 b&w illustrations of the original volume.
| Author | : Michele Greet |
| Publisher | : Yale University Press |
| Total Pages | : 296 |
| Release | : 2018-01-01 |
| Genre | : Art |
| ISBN | : 0300228422 |
Paris was the artistic capital of the world in the 1920s and '30s, providing a home and community for the French and international avant-garde. Latin American artists contributed to and reinterpreted nearly every major modernist movement that took place in the creative center of Paris between World War I and World War II, including Cubism (Diego Rivera), Surrealism (Antonio Berni and Roberto Matta), and Constructivism (Joaquin Torres-Garcia). Yet their participation in the Paris art scene has remained largely overlooked until now. This book examines their collective role, surveying the work of both household names and an extraordinary array of lesser-known artists. Michele Greet illuminates the significant ways in which Latin American expatriates helped establish modernism and, conversely, how a Parisian environment influenced the development of Latin American artistic identity.
| Author | : |
| Publisher | : |
| Total Pages | : 812 |
| Release | : 1927 |
| Genre | : Art |
| ISBN | : |
| Author | : Buffalo Fine Arts Academy |
| Publisher | : |
| Total Pages | : 158 |
| Release | : 1910 |
| Genre | : Art |
| ISBN | : |
| Author | : Arthur Holmberg |
| Publisher | : Routledge |
| Total Pages | : 640 |
| Release | : 2014-06-03 |
| Genre | : Performing Arts |
| ISBN | : 1136118365 |
The second volume of the World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty-six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This is a unique volume in its own right; in conjunction with the other volumes in this series it forms a reference resource of unparalleled value.
| Author | : Don Rubin |
| Publisher | : Routledge |
| Total Pages | : 644 |
| Release | : 2013-10-08 |
| Genre | : Performing Arts |
| ISBN | : 1136359281 |
This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This Encyclopedia is indispensable for anyone interested in the cultures of the Americas or in modern theatre. It is also an invaluable reference tool for students and scholars of a wide range of disciplines including history, performance studies, anthropology and cultural studies.
