Absurd Drama
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| Author | : Martin Esslin |
| Publisher | : Vintage |
| Total Pages | : 482 |
| Release | : 2009-04-02 |
| Genre | : Performing Arts |
| ISBN | : 0307548015 |
In 1953, Samuel Beckett’s Waiting for Godot premiered at a tiny avant-garde theatre in Paris; within five years, it had been translated into more than twenty languages and seen by more than a million spectators. Its startling popularity marked the emergence of a new type of theatre whose proponents—Beckett, Ionesco, Genet, Pinter, and others—shattered dramatic conventions and paid scant attention to psychological realism, while highlighting their characters’ inability to understand one another. In 1961, Martin Esslin gave a name to the phenomenon in his groundbreaking study of these playwrights who dramatized the absurdity at the core of the human condition. Over four decades after its initial publication, Esslin’s landmark book has lost none of its freshness. The questions these dramatists raise about the struggle for meaning in a purposeless world are still as incisive and necessary today as they were when Beckett’s tramps first waited beneath a dying tree on a lonely country road for a mysterious benefactor who would never show. Authoritative, engaging, and eminently readable, The Theatre of the Absurd is nothing short of a classic: vital reading for anyone with an interest in the theatre.
| Author | : K. M. Newton |
| Publisher | : Edinburgh University Press |
| Total Pages | : 192 |
| Release | : 2008-06-20 |
| Genre | : Literary Criticism |
| ISBN | : 0748636749 |
This book explores modern literature's responses to the tragic. It examines writers from the latter half of the nineteenth century through to the later twentieth century who respond to ideas about tragedy. Although Ibsen has been accused of being responsible for the 'death of tragedy', Ken Newton argues that Ibsen instead generates an anti-tragic perspective that had a major influence on dramatists such as Shaw and Brecht. By contrast, writers such as Hardy and Conrad, influenced by Schopenhauerean pessimism and Darwinism, attempt to modernise the concept of the tragic. Nietzsche's revisionist interpretation of the tragic influenced writers who either take pessimism or the 'Dionysian' commitment to life to an extreme, as in Strindberg and D. H. Lawrence. Different views emerge in the period following the second world war with the 'Theatre of the Absurd' and postmodern anti-foundationalism.
| Author | : M. Bennett |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 0 |
| Release | : 2011-03-31 |
| Genre | : Performing Arts |
| ISBN | : 9781349295203 |
Fifty years after the publication of Martin Esslin's The Theatre of the Absurd , which suggests that 'absurd' plays purport the meaninglessness of life, this book uses the works of five major playwrights of the 1950s to provide a timely reassessment of one of the most important theatre 'movements' of the 20th century.
| Author | : Walter Wykes |
| Publisher | : Lulu.com |
| Total Pages | : 306 |
| Release | : 2006 |
| Genre | : Fiction |
| ISBN | : 1847284051 |
In this collection of plays, Walter Wykes creates a series of modern myths, tapping into something in the strata of the subconscious, through ritualism and rich, poetic language. The worlds he creates are brand new and hilarious, yet each contains an ancient horror we all know and cannot escape and have never been able to hang one definitive word on. The Profession follows the experiences of a naive young man exposed to the inner workings of a secret society of assassins. In Fading Joy a young woman finds herself caught up in the intoxicating world of a smooth-talking salesman. When he flees to escape a mysterious group known only as The Tall Men, she finds it impossible to go back to her old way of life. Finally, The Father Clock tells the apocalyptic tale of two actors and a stage manager abandoned by their aging director. As the auditorium begins to fill and the lights dim, they desperately attempt to pull the show together even as a strange illness drifts through the theatre.
| Author | : Pradip Lahiri |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 185 |
| Release | : 2024-06-07 |
| Genre | : Literary Criticism |
| ISBN | : 1036406091 |
The present study contributes to the corpus of later 20th-century drama and theatre, examining how absurdist theatre works to show the playwrights’ deep insights into humanity’s angst through a confrontation of the deeply subconscious self and the manifest socio-moral façade around us. The book, as a consolidated study, will allow students to form a comprehensive understanding of 20th-century experimental theatre, replete with theories and discernible techniques from as early as the 1950s. It highlights the decisive turn taken by Western playwrights and the dramatic revolution that took place around the mid-20th century through the plays of Beckett, Pinter, Ionesco, Genet, Adamov, Albee, and others. The book strives to familiarize the learners systematically through scaling, surveying and scanning the multifarious literary movements and metamorphoses that created this theatrical scenario.
| Author | : Arnold P. Hinchliffe |
| Publisher | : Taylor & Francis |
| Total Pages | : 118 |
| Release | : 2017-07-06 |
| Genre | : Literary Criticism |
| ISBN | : 1351631179 |
First published in 1969, provides a helpful introduction to the study of Absurdist writing and drama in the first half of the twentieth century. After discussing a variety of definitions of the Absurd, it goes on to examine a number of key figures in the movement such as Esslin, Sartre, Camus, Ionesco and Genet. The book concludes with a discussion of the limitations of the term ‘Absurd’ and possible objections to Absurdity. This book will be of interest to those studying Absurdist literature as well as twentieth century drama, literature and philosophy.
| Author | : Carmen Dominte |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 198 |
| Release | : 2020-09-23 |
| Genre | : Literary Criticism |
| ISBN | : 1527559882 |
Using the character as a central element, this volume provides insights into the Theatre of the Absurd, highlighting its specific key characteristics. Adopting both semiotic-structuralist and mathematical approaches, its analysis of the absurdist character introduces new models of investigation, including a possible algebraic model operating on the scenic, dramatic and paradigmatic level of a play, not only exploring the relations, configurations, confrontations, functions and situations but also providing necessary information for a possible geometric model. The book also takes into consideration the relations established among the most important units of a dramatic work, character, cue, décor and régie, re-configuring the basic pattern. It will be useful for any reader interested in analyzing, staging or writing a play starting from a single character.
| Author | : |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1969 |
| Genre | : |
| ISBN | : |
| Author | : Arnold P. Hinchliffe |
| Publisher | : Routledge |
| Total Pages | : 122 |
| Release | : 2017-07-06 |
| Genre | : Literary Criticism |
| ISBN | : 1351631160 |
First published in 1969, provides a helpful introduction to the study of Absurdist writing and drama in the first half of the twentieth century. After discussing a variety of definitions of the Absurd, it goes on to examine a number of key figures in the movement such as Esslin, Sartre, Camus, Ionesco and Genet. The book concludes with a discussion of the limitations of the term ‘Absurd’ and possible objections to Absurdity. This book will be of interest to those studying Absurdist literature as well as twentieth century drama, literature and philosophy.
| Author | : Carl Lavery |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 329 |
| Release | : 2015-11-05 |
| Genre | : Performing Arts |
| ISBN | : 1472513207 |
Rethinking the Theatre of the Absurd is an innovative collection of essays, written by leading scholars in the fields of theatre, performance and eco-criticism, which reconfigures absurdist theatre through the optics of ecology and environment. As well as offering strikingly new interpretations of the work of canonical playwrights such as Beckett, Genet, Ionesco, Adamov, Albee, Kafka, Pinter, Shepard and Churchill, the book playfully mimics the structure of Martin Esslin's classic text The Theatre of the Absurd, which is commonly recognised as one of the most important scholarly publications of the 20th century. By reading absurdist drama, for the first time, as an emergent form of ecological theatre, Rethinking the Theatre of the Absurd interrogates afresh the very meaning of absurdism for 21st-century audiences, while at the same time making a significant contribution to the development of theatre and performance studies as a whole. The collection's interdisciplinary approach, accessibility, and ecological focus will appeal to students and academics in a number of different fields, including theatre, performance, English, French, geography and philosophy. It will also have a major impact on the new cross disciplinary paradigm of eco-criticism.
