Abstract Art Second World Of Art
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| Author | : Anna Moszynska |
| Publisher | : Thames & Hudson |
| Total Pages | : 422 |
| Release | : 2020-04-14 |
| Genre | : Art |
| ISBN | : 0500775885 |
An exceptionally clear, thorough, and well- illustrated introduction to abstract art since 1900. Since the early years of the twentieth century, Western abstract art has fascinated, outraged, and bewildered audiences. Its path to acceptance within the artistic mainstream was slow. This revised edition traces the origins and evolution of abstract art, placing it in broad cultural context. Well-respected scholar Anna Moszynska examines the pioneering work of Hilma af Klint, Wassily Kandinsky, Kazimir Malevich, and Piet Mondrian alongside the Russian Constructivists, the De Stijl group, and the Bauhaus artists, contrasting European geometric abstraction in the 1930s and ’40s with the emphasis on personal expression after World War II. Op, kinetic, and minimal art of the postwar period is discussed and illustrated in detail, and new chapters bring the account up to date, exploring the crisis in abstraction of the 1980s and its revival—in paint, fabric, sculpture, and installation—in recent decades. The first edition of Abstract Art, published in 1990, was acclaimed by reviewers. Revised with extensive updates, this book includes new chapters on recent trends and offers fully global coverage of art produced in North and South America, Europe, China, Korea, and the Middle East. Now in full color and comprehensively revised, it will serve as the best introduction to abstract art for a new generation.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 226 |
| Release | : 2007 |
| Genre | : Abstract expressionism |
| ISBN | : 1588392740 |
An exhibition organized by the Metropolitan Museum of Art of the Muriel Kallis Steinberg Newman Collection which comprises sixty-three modern paintings, sculptures and works on paper by fifty artists. The Abstract Expressionist paintings that form the heart of this collection were nearly all created in New York City.
| Author | : David Anfam |
| Publisher | : Royal Academy Books |
| Total Pages | : 272 |
| Release | : 2016-11-08 |
| Genre | : Art |
| ISBN | : 9781910350300 |
In 1946 the art critic Robert Coates, writing in the New Yorker, first used the term 'Abstract Expressionism'. The two words combine the emotional intensity of the German Expressionists with the anti-figurative aesthetic of the European Abstract schools. Although they were being painted by then little-known artists working in low-rent studio space, works of Abstract Expressionist art now dominate the walls of major museums. The last major collective Abstract Expressionism exhibition to have taken place in the UK occurred in 1959. This important publication, and the exhibition it accompanies, seek to redress the balance and re-evaluate the movement, recognising its complex and fluid reality, and branching further into multimedia. As such, this book encompasses sculptors such as David Smith and photographers such as Aaron Siskind as well as some of the most famous painters of the twentieth century, including Jackson Pollock, Willem de Kooning, Mark Rothko, Barnett Newman, Franz Kline, Arshile Gorky and Clyfford Still. AUTHOR: David Anfam is the author of the now-standard textbook Abstract Expressionism (1990). Susan Davidson is Senior Curator, Collections and Exhibitions, at the Soloman R. Guggenheim Museum, New York. Edith Devaney is Curator of Contemporary Projects at the Royal Academy of Arts. Jeremy Lewison is former Director of Collections at Tate. Carter Ratcliff wrote Fate of a Gesture: Jackson Pollock and Postwar American Art (1996). Christian Wurst was researcher on The Catalogue Raisonné of the Drawings of Jasper Johns (forthcoming). SELLING POINTS: * Accompanies the first major exhibition of Abstract Expressionism in the UK since 1959 * Works of Abstract Expressionist art dominate the walls of major museums around the world * Features an impressive range of experts who discuss some of the signature paintings of the movement 300 colour
| Author | : Veerle Poupeye |
| Publisher | : Thames & Hudson |
| Total Pages | : 458 |
| Release | : 2022-05-10 |
| Genre | : Art |
| ISBN | : 0500776822 |
An updated and expanded edition of this classic, illustrated survey of Caribbean art, featuring the work of over 100 artists from the period of colonialism to the present day. The Caribbean is made up of more than twenty countries, each with its own identity. Yet fascinatingly, there are significant cultural commonalities despite geographic, ethnic, linguistic, and political diversity. A mixture of African, Amerindian, Asian, and European origins define the remarkable Caribbean culture, which, from the period of colonialism to the present, has also witnessed a massive diaspora. Caribbean Art examines the diverse and highly accomplished work of Caribbean artists, whether indigenous or from the diaspora, popular or “high” culture, rural or urban based, politically radical or religious. This expanded edition with a new preface has been updated to reflect and address fundamental challenges to traditional art-historical practice and its foundational connections to histories of colonialism, Eurocentricity, and race. This is explored further in two new chapters focused on public monuments linked to the history of the Caribbean, and the intersections between art and tourism, raising important questions about cultural representation. Caribbean Art features the work of internationally recognized artists such as Jean-Michel Basquiat, Sonia Boyce, Christopher Cozier, Wifredo Lam, Ana Mendieta, Ebony G. Patterson, Hervé Télémaque, and more than one hundred others, working across a variety of media including performance, photography, and film. This new edition makes an important contribution to the understanding of Caribbean and postcolonial art and its context, in ways that invite productive conversation and encourage further explorations on the subject.
| Author | : Alastair Ian Grieve |
| Publisher | : Paul Mellon Ctr for Studies |
| Total Pages | : 287 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9780300107036 |
Much admired as a realist painter, English artist Victor Pasmore surprised the art world in 1948 by suddenly directing his efforts toward the making of constructed abstract art. Pasmore was followed by Kenneth and Mary Martin, Adrian Heath, and the sculptor Robert Adams, and the group was later joined by John Ernest and Gillian Wise. This book follows the development of this major avant garde group and explores why they have received so little attention until now. Alastair Grieve draws on personal discussions with these artists over many years and on extensive archival materials, including ephemeral catalogues which are difficult to find today. He offers much new information about the group and their theories, the Continental roots of their constructed abstract art, and their links with such contemporaries as American relief artist Charles Biederman and English constructivist Stephen Gilbert. The book features over 300 illustrations, many in color, and a full chronology and bibliography.
| Author | : Wassily Kandinsky |
| Publisher | : Courier Corporation |
| Total Pages | : 111 |
| Release | : 2012-04-20 |
| Genre | : Art |
| ISBN | : 048613248X |
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
| Author | : Colin Rhodes |
| Publisher | : Thames & Hudson |
| Total Pages | : 416 |
| Release | : 2023-04-25 |
| Genre | : Art |
| ISBN | : 050077756X |
The updated edition of this comprehensive overview of outsider art, distinguished by its wider international scope and inclusion of global developments since 2000. Outsider art is the work produced outside the mainstream of modern art by self-taught, untrained visionaries, spiritualists, recluses, folk artists, psychiatric patients, prisoners, and others beyond the imposed margins of society and the art market. Coined by Roger Cardinal in 1972, the term was intended as an English equivalent to Jean Dubuffet’s “art brut”—literally “raw art,” “uncooked” by culture, unaffected by fashion, unmoved by artistic standards. In this comprehensive and indispensable guide, Colin Rhodes surveys the history and reception of outsider art—first championed by Dubuffet and the Surrealists, now appreciated by a wider public. This volume provides fresh insights into the achievements of both major figures and newly discovered artists, as well as the emergence of specialized studios, as the relationship between outsider art and the contemporary mainstream art world has developed and become more intertwined. From spirit-guided Madge Gill and schizophrenic Adolf Wölfli, to Rosemarie Koczy’s expressions of trauma and Nek Chand’s outdoor creations, these individuals passionately pursue the pictorial expression of their vision. Now illustrated in full color, with the exception of some archival photographs, this new edition has been substantially revised with a greater focus on global outsider art, as well as including more recent talents to the field.
| Author | : Paul Crowther |
| Publisher | : Routledge |
| Total Pages | : 312 |
| Release | : 2012-10-12 |
| Genre | : Art |
| ISBN | : 1136455019 |
Traditional art is based on conventions of resemblance between the work and that which it is a representation "of". Abstract art, in contrast, either adopts alternative modes of visual representation or reconfigures mimetic convention. This book explores the relation of abstract art to nature (taking nature in the broadest sense—the world of recognisable objects, creatures, organisms, processes, and states of affairs). Abstract art takes many different forms, but there are shared key structural features centered on two basic relations to nature. The first abstracts from nature, to give selected aspects of it a new and extremely unfamiliar appearance. The second affirms a natural creativity that issues in new, autonomous forms that are not constrained by mimetic conventions. (Such creativity is often attributed to the power of the unconscious.) The book covers three categories: classical modernism (Mondrian, Malevich, Kandinsky, Arp, early American abstraction); post-war abstraction (Pollock, Still, Newman, Smithson, Noguchi, Arte Povera, Michaux, postmodern developments); and the broader historical and philosophical scope.
| Author | : Suzanne Hudson |
| Publisher | : Thames & Hudson |
| Total Pages | : 482 |
| Release | : 2021-04-13 |
| Genre | : Art |
| ISBN | : 0500776024 |
This international survey of contemporary painting by a leading author features artwork from over 250 renowned artists whose ideas and aesthetics characterize the painting of our time. The twentieth century brought radical changes in art—including the shift from modernism to postmodernism—which were accompanied by fierce debates regarding the place of painting in contemporary culture. Contemporary Painting argues that the medium has not only persisted in the twenty-first century but expanded and evolved alongside changes in art, technology, politics, and other factors, developing a unique energy and diversity. Renowned critic and art historian Suzanne Hudson offers an intelligent and original survey of the subject, organized into seven thematic chapters, each of which explores an aspect of contemporary painting, from appropriation to the ways in which artists address and engage the body. Hudson’s inclusive and compelling text is sensitive to issues such as queer narratives, race, activism, and climate and demonstrates the continued relevance of painting today. Bringing together more than 250 eminent artists from around the world, such as Cecily Brown, Julie Mehretu, Theaster Gates, Kara Walker, Kehinde Wiley, Takashi Murakami, and Zhang Xiaogang, this is an essential volume for art history enthusiasts, students, critics, and practitioners interested in discovering how painting is approached, reimagined, and challenged by today’s artists.
| Author | : Dean Nimmer |
| Publisher | : Penguin |
| Total Pages | : 144 |
| Release | : 2014-09-03 |
| Genre | : Art |
| ISBN | : 144033546X |
Celebrate your own nonconformist place in the world of art. Going far beyond standard notions of developing an abstract "style" or particular "look," Creating Abstract Art unleashes the numerous possibilities that abound in your creative subconscious. Familiar obstacles such as "I don't know what to paint" or "How do I know if this is good?" are easily set aside as you explore fun exercises such as connecting dots, automatic drawing, shadow hunting, working with haiku poetry paintings and much more. So turn off the noise in your head, follow your own instincts and delight in what emerges! • 40 exercises exploring original ideas and inventive techniques for making abstract art. • Projects can be done in any order and with nearly any materials--start working right away on any project that grabs your attention! • 50 contemporary artists share diverse work and viewpoints on the process of working abstractly. Write your own artistic license and start Creating Abstract Artyour way, today!
