Abjection and Representation

Abjection and Representation
Author: R. Arya
Publisher: Springer
Total Pages: 307
Release: 2014-09-11
Genre: Art
ISBN: 0230389341

Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category.

Abjection and Representation

Abjection and Representation
Author: R. Arya
Publisher: Palgrave Macmillan
Total Pages: 231
Release: 2014-09-24
Genre: Art
ISBN: 9781349351114

Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category.

Powers of Horror

Powers of Horror
Author: Julia Kristeva
Publisher: Columbia University Press
Total Pages: 324
Release: 2024-03-26
Genre: Psychology
ISBN: 0231561415

In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Louis-Ferdinand Céline, Marcel Proust, James Joyce, and other authors. Kristeva identifies the abject with the eruption of the real and the presence of death. She explores how art and religion each offer ways of purifying the abject, arguing that amid abjection, boundaries between subject and object break down.

Auschwitz and Afterimages

Auschwitz and Afterimages
Author: Nicholas Chare
Publisher: I.B. Tauris
Total Pages: 228
Release: 2011-01-27
Genre: Art
ISBN:

Execrable speech -- Fascinating facture -- Background noise -- Amidst the nightmare -- Under the skin -- Afterimages.

Abjection, Melancholia, and Love

Abjection, Melancholia, and Love
Author: John Fletcher
Publisher: Routledge
Total Pages: 223
Release: 2012
Genre: Literary Criticism
ISBN: 0415522935

Julia Kristeva's blend of the literary with the psychoanalytic places her work central to current thinking, from semiotics and critical theory to feminism and psychoanalysis. Her profound understanding of the dynamics of intention and creativity mark her out as one of the leading theoreticians of desire. Each essay in this volume offers new insight into the many aspects that make up Kristeva's thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature.

National Abjection

National Abjection
Author: Karen Shimakawa
Publisher: Duke University Press
Total Pages: 212
Release: 2002-12-05
Genre: Art
ISBN: 9780822328230

DIVExplores the ways that playwrights and performers have dealt with the presentation of the Asian American body on stage, given the historical construction of Asian Americanness as abject and unpresentable./div

Extravagant Abjection

Extravagant Abjection
Author: Darieck Scott
Publisher: NYU Press
Total Pages: 328
Release: 2010-07-12
Genre: Literary Criticism
ISBN: 0814740944

Summary: Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies, this title contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.

The Picture of Abjection

The Picture of Abjection
Author: Tina Chanter
Publisher: Indiana University Press
Total Pages: 392
Release: 2008-01-11
Genre: Performing Arts
ISBN: 0253027772

“A timely and important project that changes our understanding of the role of abjection both in cultural politics and in the structure of film.” —Ewa Ziarek, State University of New York at Buffalo Tina Chanter resolves a fundamental problem in film theory by negotiating a middle path between “gaze theory” approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer and thereby take account of race, class, gender, and sexuality. Chanter argues that abjection is the unthought ground of fetishistic theories. If the feminine has been the privileged excluded other of psychoanalytic theory, fueled by the myth of castration and the logic of disavowal, when fetishism is taken up by race theory, or cultural theory, the multiple and fluid registers of abjection are obscured. By mobilizing a theory of abjection, the book shows how the appeal to phallic, fetishistic theories continues to reify the hegemonic categories of race, class, sexuality, and gender, as if they stood as self-evident categories. “An intriguing read, especially for those who favor psychological models of criticism in film theory . . . Recommended.” —Choice

Gothic and Theory

Gothic and Theory
Author: Jerrold E. Hogle
Publisher: Edinburgh University Press
Total Pages: 344
Release: 2019-03-14
Genre: Gothic fiction (Literary genre)
ISBN: 1474427790

This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological and cultural.

Gender and the Abjection of Blackness

Gender and the Abjection of Blackness
Author: Sabine Broeck
Publisher: State University of New York Press
Total Pages: 254
Release: 2018-05-22
Genre: Social Science
ISBN: 143847041X

In Gender and the Abjection of Blackness, Sabine Broeck argues that gender studies as a mostly white field has taken insufficient account of Black contributions, and that more than being an ethnocentric limitation or blind spot, this has represented a structural anti-Blackness in the field. Engaging with the work of Black feminist authors Sylvia Wynter, Hortense Spillers, and Saidiya Hartman, Broeck critiques a selection of canonical white gender studies texts to make this case. The book discusses this problem at the core of gender theory as a practice which Broeck terms enslavism—the ongoing abjection of Black life which Hartman has called the afterlife of slavery. This has become manifest in the repetitive employment of the "woman as slave" metaphor so central to gender theory, as well as in recent theoretical mutations of these anti-Black politics of analogy. It is the structural separation of Blackness from gender that has functioned over and again as the scaffold enabling white women's struggles for successful recognition of equality and subjectivity in the human world as we know it. This book challenges white readers to rethink their own untroubled identification with gender theory, and it provides all readers with a white feminist theorist's sophisticated theoretical and self-critical scholarly account of her own reckoning with and learning in dialogue from Black feminism's critique.