Excerpt from Aaron Hill Poet, Dramatist, Projector The study of a minor author entails two main advantages: his relations with great contemporaries may throw light upon them from a new angle; and his activities, whether significant or not in their results, may illustrate the spirit of his age, and enrich the backgrounds of more memorable lives. There is often, too, a psychological problem of much interest involved in a vanished reputation. Why was a writer, whose works our age declines to notice, highly regarded in his own day? It is a problem merely pushed aside, not solved, by concluding that the judgment of our ancestors was at fault. The attempt to solve it may not always result in a contribution to scholarship, but it may add a very little to our knowledge of human nature, and it sometimes reveals a personality more interesting and attractive than the pages in which that personality found expression. Aaron Hill is an author who offers all these inducements to study: he had relations more or less intimate with a great poet and a great novelist, and with many less famous writers; he was versatile and enterprising to such an unusual degree that he left few of the typical pursuits of his time untried; and the prominence of his name in his own day, compared with the total eclipse of it in ours, provides us with the psychological problem. "To the really intelligent men among his contemporaries," Professor Lounsbury has said, "he must have seemed the most persistent and colossal bore of the century." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.