A Z Musical Instruments
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| Author | : Neville H. Fletcher |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 763 |
| Release | : 2013-11-09 |
| Genre | : Science |
| ISBN | : 0387216030 |
While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
| Author | : Fred Carlson |
| Publisher | : |
| Total Pages | : 64 |
| Release | : 2011 |
| Genre | : |
| ISBN | : 9780962644788 |
A whimsical alphabet book of full-color woodcuts and humorous poems of fantastical musical instruments from the off-beat imagination of musical instrument maker (luthier) and artist Fred Carlson. This is an alphabet book that will inspire and delight children of all ages and anyone who loves musical instruments.
| Author | : Antoine Chaigne |
| Publisher | : Springer |
| Total Pages | : 855 |
| Release | : 2016-05-12 |
| Genre | : Science |
| ISBN | : 1493936794 |
This book, the first English-language translation of Acoustique des instruments de musique, Second Edition, presents the necessary foundations for understanding the complex physical phenomena involved in musical instruments. What is the function of the labium in a flute? Which features of an instrument allow us to make a clear audible distinction between a clarinet and a trumpet? With the help of numerous examples, these questions are addressed in detail. The authors focus in particular on the significant results obtained in the field during the last fifteen years. Their goal is to show that elementary physical models can be used with benefit for various applications in sound synthesis, instrument making, and sound recording. The book is primarily addressed to graduate students and researchers; however it could also be of interest for engineers, musicians, craftsmen, and music lovers who wish to learn about the basics of musical acoustics.
| Author | : Samuel Applebaum |
| Publisher | : Alfred Music Publishing |
| Total Pages | : 48 |
| Release | : 1985-03 |
| Genre | : Music |
| ISBN | : 9780769290027 |
| Author | : Voichita Bucur |
| Publisher | : Springer |
| Total Pages | : 977 |
| Release | : 2016-08-29 |
| Genre | : Technology & Engineering |
| ISBN | : 3319320807 |
This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra
| Author | : Voichita Bucur |
| Publisher | : Springer Nature |
| Total Pages | : 827 |
| Release | : 2019-09-06 |
| Genre | : Science |
| ISBN | : 3030191753 |
This book addresses key questions about the materials used for the wind instruments of classical symphony orchestra such as flutes, clarinets, saxophones, oboes, bassoons and pipe organs. The content of this book is structured into four parts. Part 1- Description of materials for wind instruments deals with wood species and materials for reeds used for making clarinet, oboe and bassoon- and, with metallic materials and alloys for - horn, trumpet, trombone, etc. Auxiliary materials associated with the manufacturing of wind instruments are felt, cork, leather and parchment. Part 2- Basic acoustics of wind instruments, in which are presented succinctly, some pertinent aspects related to the physics of the resonant air column. An important aspect discussed is related to the effect of wall material on the vibration modes of the walls of wind instruments. The methods for measuring the acoustical properties of wind instruments are presented. Part 3- Manufacturing of wind instruments, describes the technology used in manufacturing metallic tubes and pipes made of wood. Part 4 - The durability and degradation of materials addresses data about methods for cleaning wind instruments, studies factors producing degradation of organ pipes, describes methods of conservation and restoration of brass instruments and of historical pipe organs. Finally, the properties of marble are described, being the only one nondegradable and sustainable material used for pipes for organs.
| Author | : Till Bovermann |
| Publisher | : Springer |
| Total Pages | : 406 |
| Release | : 2016-12-09 |
| Genre | : Technology & Engineering |
| ISBN | : 9811029512 |
By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
| Author | : Victor Lazzarini |
| Publisher | : Springer |
| Total Pages | : 370 |
| Release | : 2017-09-26 |
| Genre | : Computers |
| ISBN | : 3319635042 |
This book is divided into three elements. Part I provides a broad introduction to the foundations of computer music instruments, covering some key points in digital signal processing, with rigorous but approachable mathematics, and programming examples, as well as an overview of development environments for computer instruments. In Part II, the author presents synthesis and processing, with chapters on source-filter models, summation formulae, feedback and adaptive systems, granular methods, and frequency-domain techniques. In Part III he explains application development approaches, in particular communication protocols and user interfaces, and computer music platforms. All elements are fully illustrated with programming examples using Csound, Python, and Faust. The book is suitable for advanced undergraduate and postgraduate students in music and signal processing, and for practitioners and researchers.
| Author | : Thomas D. Rossing |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 469 |
| Release | : 2010-12-15 |
| Genre | : Science |
| ISBN | : 1441971106 |
Thomas D. Rossing String instruments are found in almost all musical cultures. Bowed string instruments form the backbone of symphony orchestras, and they are used widely as solo inst- ments and in chamber music as well. Guitars are used universally in pop music as well as in classical music. The piano is probably the most versatile of all musical inst- ments, used widely not only in ensemble with other musical instruments but also as a solo instrument and to accompany solo instruments and the human voice. In this book, various authors will discuss the science of plucked, bowed, and hammered string instruments as well as their electronic counterparts. We have tried to tell the fascinating story of scienti?c research with a minimum of mathematics to maximize the usefulness of the book to performers and instrument builders as well as to students and researchers in musical acoustics. Sometimes, however, it is dif?cult to “translate” ideas from the exact mathematical language of science into words alone, so we include some basic mathematical equations to express these ideas. It is impossible to discuss all families of string instruments. Some instruments have been researched much more than others. Hopefully, the discussions in this book will help to encourage further scienti?c research by both musicians and scientists alike. 1.1 A Brief History of the Science of String Instruments Quite a number of good histories of acoustics have been written (Lindsay 1966, 1973; Hunt 1992; Beyer 1999), and these histories include musical acoustics.
| Author | : Philip Wilkinson |
| Publisher | : Firefly Books |
| Total Pages | : 224 |
| Release | : 2022-09-30 |
| Genre | : History |
| ISBN | : 9780228103417 |
Although the title makes it sound like a reference book, it is so much more than that. The style of writing is engaging and informative. The layout is attractive, with beautiful illustrations, photos, period paintings, quotes, and interesting inserts on every page. Wilkinson's history unfolds like a symphonic work with instrument makers, composers and virtuosic performers picking up these incredible creations and exposing their beauty and capability. To open it up is to be instantly hooked. -- Publishers Weekly The 400-year story of music told by the instruments that make an orchestra. The History of Music in Fifty Instruments outlines musical history in well-written nuggets of information. Profiling one instrument at a time, it describes the history of music since the 1700s, when orchestras first took the formal shape familiar to us. The concise text explains the role of each instrument in the orchestra and its importance in the development of music in general. The book lists the 50 instruments chronologically in the woodwind, brass, percussion and string sections of an orchestra. The classic instruments are included -- violin, cello, flute, oboe, clarinet, harp and more. Some instruments reflect the musical period or context in which they were most popular, such as the harpsichord in the Baroque period, and the snare drum in military parades. Among the unusual instruments is the otherworldly theremin. A wide range of modern and archival photographs and paintings show the instruments. Entries outline their historical and country origins and the era in which they were played (e.g. Classical, Modern). Annotated illustrations explain the instrument's construction, how it is played and tuned, and its musical range. Composers, musical compositions and musicians that highlight the particular instrument are examined. For example, Baroque composer Antonio Vivalidi's contribution to the violin; inventor Adolphe Sax's tenacious promotion of his saxophone in the 1840s; and 20th century pianist Glenn Gould's controversial recordings of Bach's Goldberg Variations. For musicians, teachers and students, and all who enjoy music, this book is a beautiful and informative tour of the orchestra and beyond.
