A World Redrawn
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Author | : Zoe Beloff |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Art |
ISBN | : 9780977869688 |
An exploration by the artist and scholar Zoe Beloff of Sergei Eisenstein and Bertolt Brecht's experiences in Hollywood in the Thirties and Forties with a focus on the unrealized films "Glass House" by Eisenstein and "A Model Family in a Model Home" by Brecht. The book reproduces many important and little-known documents from the period including a large selection of previously unpublished drawings by Eisenstein discovered by Beloff in the Russian State Archive of Literature and Art in Moscow. Also included is documentation of three films by Zoe Beloff inspired by "Glass House," "A Model Family in a Model Home" and the writings of Eisenstein and Brecht as they contemplate the politics and culture of Hollywood. Two essays scholarly essays have been commissioned for this project: an essay by Hannah Frank on the affinities of American and Soviet animation during this period and a meditation on the role of laughter in the work of Bertolt Brecht by the Walter Benjamin scholar Esther Leslie.
Author | : James Walvin |
Publisher | : Routledge |
Total Pages | : 161 |
Release | : 2014-06-11 |
Genre | : History |
ISBN | : 1317874161 |
Slavery transformed Africa, Europe and the Americas and hugely-enhanced the well-being of the West but the subject of slavery can be hard to understand because of its huge geographic and chronological span. This book uses a unique atlas format to present the story of slavery, explaining its historical importance and making this complex story and its geographical setting easy to understand.
Author | : Dustin Condren |
Publisher | : Cornell University Press |
Total Pages | : 391 |
Release | : 2024-12-15 |
Genre | : History |
ISBN | : 150177848X |
An Imaginary Cinema is the first systematic study of Sergei Eisenstein's unrealized films as well as a deeply informed historical and theoretical inquiry into the role and meaning of the unmade in his oeuvre. Eisenstein directed some of the twentieth century's most important films, from the early classic of montage, Battleship Potemkin, to his late masterpiece, Ivan the Terrible. Alongside these, however, the Soviet filmmaker also toiled over a compelling array of unrealized projects, from ideas that never grew beyond complex, passionate notebook scrawls and sketches to productions that were mounted and shot to some degree of completion without ever being finished. Working from the archival remnants of several of the director's most fascinating unrealized projects—from his bold vision to film Marx's Das Kapital to his time in Hollywood struggling to adapt Dreiser's An American Tragedy—Dustin Condren's book reveals new aspects of Eisenstein's genius, showing the filmmaker in a constant state of process, open to working toward impossible and sometimes utopian ends, and committed to the pursuit of creative and theoretical discovery. Condren's analysis of these unrealized projects in An Imaginary Cinema reveals Eisenstein at crucial moments of his personal and artistic biography, and it also tells the wider story of a canonical artist negotiating the political labyrinths of Stalinist Russia, the economic pitfalls of Hollywood, and the technological shifts of early cinema.
Author | : Jennie Hirsh |
Publisher | : Taylor & Francis |
Total Pages | : 365 |
Release | : 2023-05-31 |
Genre | : Art |
ISBN | : 1000817326 |
Ventriloquism, Performance, and Contemporary Art volume calls attention to the unexpected prevalence of ventriloqual motifs and strategies within contemporary art. Engaging with issues of voice, embodiment, power, and projection, the case studies assembled in this volume span a range of media from painting, sculpture, and photography to installation, performance, architecture, and video. Importantly, they both examine and enact ventriloqual practices, and do so as a means of interrogating and performatively bearing out contemporary conceptions of authorship, subjectivity, and performance. Put otherwise, the chapters in this book oscillate seamlessly between art history, theory, and criticism through both analytical and performative means. Across twelve essays on ventriloquism in contemporary art, the authors, who are curators, historians, and artists, shine light on this outdated practice, repositioning it as a conspicuous and meaningful trend within a range of artistic practices today. This book will be of interest to scholars working in art history, contemporary art, media studies, performance, museum/curatorial studies, and theater.
Author | : |
Publisher | : |
Total Pages | : 168 |
Release | : 1952 |
Genre | : Economic history |
ISBN | : |
Author | : Hannah Frank |
Publisher | : University of California Press |
Total Pages | : 276 |
Release | : 2019-04-09 |
Genre | : Performing Arts |
ISBN | : 0520303628 |
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920–1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called “cels”) and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to see the art, labor, and technology of cel animation, Frank slows cartoons down to look frame by frame, finding hitherto unseen aspects of the animated image. What emerges is both a methodology and a highly original account of an art formed on the assembly line.
Author | : Vladimir Loewinson-Lessing |
Publisher | : Parkstone International |
Total Pages | : 148 |
Release | : 2019-12-09 |
Genre | : Art |
ISBN | : 1783104260 |
A painting by Rembrandt is a living entity that exists according to its own laws, which reflects the multiplicity of the thoughts and emotions in the painter’s mind. Men and their mental condition: that is the fundamental issue the artist tries to solve throughout his life. Tormented by family problems, he took shelter in painting, which became even better as things got worse, as if depicted by a visionary. Hiding his anxiety in the optimism of his themes and in the strength of dark colours, he was ultimately victorious.
Author | : Leila Tarazi Fawaz |
Publisher | : Harvard University Press |
Total Pages | : 415 |
Release | : 2014-11-17 |
Genre | : History |
ISBN | : 0674744918 |
The Great War transformed the Middle East, bringing to an end four hundred years of Ottoman rule in Arab lands while giving rise to the Middle East as we know it today. A century later, the experiences of ordinary men and women during those calamitous years have faded from memory. A Land of Aching Hearts traverses ethnic, class, and national borders to recover the personal stories of the civilians and soldiers who endured this cataclysmic event. Among those who suffered were the people of Greater Syria—comprising modern Syria, Lebanon, Jordan, Israel, and Palestine—as well as the people of Turkey, Iraq, and Egypt. Beyond the shifting fortunes of the battlefield, the region was devastated by a British and French naval blockade made worse by Ottoman war measures. Famine, disease, inflation, and an influx of refugees were everyday realities. But the local populations were not passive victims. Fawaz chronicles the initiative and resilience of civilian émigrés, entrepreneurs, draft-dodgers, soldiers, villagers, and townsmen determined to survive the war as best they could. The right mix of ingenuity and practicality often meant the difference between life and death. The war’s aftermath proved bitter for many survivors. Nationalist aspirations were quashed as Britain and France divided the Middle East along artificial borders that still cause resentment. The misery of the Great War, and a profound sense of huge sacrifices made in vain, would color people’s views of politics and the West for the century to come.
Author | : Marc James Léger |
Publisher | : Intellect Books |
Total Pages | : 437 |
Release | : 2019-10-15 |
Genre | : Art |
ISBN | : 1789380901 |
The concept of the avant garde is highly contested, whether one consigns it to history or claims it for present-day or future uses. The first volume of The Idea of the Avant Garde – And What It Means Today provided a lively forum on the kinds of radical art theory and partisan practices that are possible in today’s world of global art markets and creative industry entrepreneurialism. This second volume presents the work of another 50 artists and writers, exploring the diverse ways that avant-gardism develops reflexive and experimental combinations of aesthetic and political praxis. The manifest strategies, temporalities, and genealogies of avant-garde art and politics are expressed through an international, intergenerational, and interdisciplinary convocation of ideas that covers the fields of film, video, architecture, visual art, art activism, literature, poetry, theatre, performance, intermedia and music.
Author | : Wei Hsien Wan |
Publisher | : Bloomsbury Publishing |
Total Pages | : 190 |
Release | : 2019-10-17 |
Genre | : Religion |
ISBN | : 0567684474 |
Wei Hsien Wan builds on the work of David Horrell and Travis Williams for his argument that the letter of 1 Peter engages in a subtle, calculated form of resistance to Rome, that has often gone undetected. Whilst previous discussion of the topic has remained largely focused on the letter's stance toward specific Roman institutions, such as the emperor, household structures, and the imperial cults, Wan takes the conversation beyond these confines and examines 1 Peter's critique of the Roman Empire in terms of its ideology or worldview. Using the work of James Scott to conceptualize ideological resistance against domination, Wan considers how the imperial cults of Anatolia and 1 Peter offered distinct constructions of time and space-that is, how they envisioned reality differently. Insofar as these differences led to divergent ways of conceiving the social order, they acquired political power and generated potential for conflict. Wan thus argues that 1 Peter confronts Rome on a cosmic scale with its alternative construal of time and space, and examines the evidence that the Petrine author consciously, if cautiously, interrogated the imperial imagination at its most foundational levels, and set forth in its place a theocentric, Christological understanding of the world.