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| Author | : Ronald K. Rittgers |
| Publisher | : Augsburg Fortress Publishers |
| Total Pages | : 343 |
| Release | : 2021-09-21 |
| Genre | : History |
| ISBN | : 1506424805 |
This book deals with Christian lament in the late Reformation by exploring the efforts of a talented yet little-known layman to cope with the death of his beloved wife. A work of haunting candor and searching faith, The Pious Meditations furnishes insight into life in the past as well as resources for life in the present.
| Author | : Joyce Carol Oates |
| Publisher | : Harper Collins |
| Total Pages | : 479 |
| Release | : 2011-02-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 0062082639 |
Unlike anything Joyce Carol Oates has written before, A Widow’s Story is the universally acclaimed author’s poignant, intimate memoir about the unexpected death of Raymond Smith, her husband of forty-six years, and its wrenching, surprising aftermath. A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.
| Author | : Sally Ann Brown |
| Publisher | : Westminster John Knox Press |
| Total Pages | : 198 |
| Release | : 2005-01-01 |
| Genre | : Religion |
| ISBN | : 9780664227500 |
Lament, so prominent in the Christian canon, is neglected in the public worship and witness of most North American congregations. These essays by Princeton Theological Seminary faculty attest to the diverse ways in which lament is understood and practiced, and invite their recovery in all elements of the church's ministry.
| Author | : Robin A. Parry |
| Publisher | : Wm. B. Eerdmans Publishing |
| Total Pages | : 273 |
| Release | : 2010-09-03 |
| Genre | : Bibles |
| ISBN | : 0802827144 |
In this volume Robin Parry not only builds on traditional scholarship to interpret the book of Lamentations within its ancient context but also ventures further, exploring how the book can function as Christian Scripture. Parry provides the first systematic attempt to read Lamentations in light of the cross and resurrection. --from publisher description
| Author | : Casey Dué |
| Publisher | : University of Texas Press |
| Total Pages | : 201 |
| Release | : 2006 |
| Genre | : Literary Criticism |
| ISBN | : 0292709463 |
The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman's Lament in Greek Tragedy addresses the possible meanings ancient audiences might have attached to these songs. Casey Dué challenges long-held assumptions about the opposition between Greeks and barbarians in Greek thought by suggesting that, in viewing the plight of the captive women, Athenian audiences extended pity to those least like themselves. Dué asserts that tragic playwrights often used the lament to create an empathetic link that blurred the line between Greek and barbarian. After a brief overview of the role of lamentation in both modern and classical traditions, Dué focuses on the dramatic portrayal of women captured in the Trojan War, tracing their portrayal through time from the Homeric epics to Euripides' Athenian stage. The author shows how these laments evolved in their significance with the growth of the Athenian Empire. She concludes that while the Athenian polis may have created a merciless empire outside the theater, inside the theater they found themselves confronted by the essential similarities between themselves and those they sought to conquer.
| Author | : Lori Godsey Anzini |
| Publisher | : AuthorHouse |
| Total Pages | : 200 |
| Release | : 2012-01-17 |
| Genre | : Religion |
| ISBN | : 1468537482 |
This is a story of a Widow's journey from grief to life happiness. Lori, a wife, mother, career woman, politician, and independent thinker, found herself one day without her husband of 36 years, he was the love of her life. A transformation took place over the next 4 years, significant enough that her depression diminished and she was able to get off all medications that had been prescribed for many years. It wasn't easy. The children she loved could not accept the changed mother. Even as full grown adults, they were also grieving. Happiness comes in various forms...but ultimately, she found that she was happiest when she purposely moved her intentions into pure positiveness, doing the things she knew that felt right. She became healthier, happier, and significantly drawn into her resolve that if you take care of yourself first, then everything else is better. Find the joy and fun of being, and dont look back. Lori writes in her own words with frankness and honesty of her soul-searching journey through widowhood. When practicing the art of "letting go" her life dramatically changed towards different path - one of spirituality, mystical belief, freedom, and acknowledging that her path unfolded the way it's supposed to go, and nothing is ever wrong. This is a book for those who lost the love of their life. Many would find her feistiness uplifting and healing. This book is a thoughtful gift for anyone struggling with new widowhood, or in the need of finding a mid-life process for reimagining their own possibilities. Enjoy her view of widowhood from her transformation towards her journey of love. Enjoy her view of widowhood from the physical changes towards her journey of love.
| Author | : Andrea Hetherington |
| Publisher | : Pen and Sword |
| Total Pages | : 273 |
| Release | : 2018-04-30 |
| Genre | : History |
| ISBN | : 1473886783 |
Widows of the Great War is the first major account of the experience of women who had to cope with the death of their husbands during the conflict and then rebuild their lives. It explores each stage of their bereavement, from the shock of receiving the news that their husband had been killed, through grief and mourning to the practical issues of compensation and a widow's pension. The way in which the state and society treated the widows during this process is a vital theme running through the book as it reveals in vivid detail how the bureaucracy of war helped and hindered them as they sought to come to terms with their loss. Andrea Hetherington also describes often overlooked aspects of bereavement, and she features many telling first-hand accounts from the widows themselves which show how they saw their situation and how they reacted to it. Her study gives us a fascinating insight into the way in which the armed services and the government regarded war widows during the early years of the twentieth century.
| Author | : Casey Dué |
| Publisher | : University of Texas Press |
| Total Pages | : 201 |
| Release | : 2010-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 0292782225 |
The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman's Lament in Greek Tragedy addresses the possible meanings ancient audiences might have attached to these songs. Casey Dué challenges long-held assumptions about the opposition between Greeks and barbarians in Greek thought by suggesting that, in viewing the plight of the captive women, Athenian audiences extended pity to those least like themselves. Dué asserts that tragic playwrights often used the lament to create an empathetic link that blurred the line between Greek and barbarian. After a brief overview of the role of lamentation in both modern and classical traditions, Dué focuses on the dramatic portrayal of women captured in the Trojan War, tracing their portrayal through time from the Homeric epics to Euripides' Athenian stage. The author shows how these laments evolved in their significance with the growth of the Athenian Empire. She concludes that while the Athenian polis may have created a merciless empire outside the theater, inside the theater they found themselves confronted by the essential similarities between themselves and those they sought to conquer.
