A View of Early Typography Up to about 1600
| Author | : Harry Carter |
| Publisher | : Oxford : Clarendon P. |
| Total Pages | : 206 |
| Release | : 1969 |
| Genre | : Design |
| ISBN | : |
A View Of Early Typography
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A View of Early Typography
| Author | : Harry Carter |
| Publisher | : |
| Total Pages | : 137 |
| Release | : 2002 |
| Genre | : Caractères d'imprimerie - Histoire |
| ISBN | : |
Removable Type
| Author | : Phillip H. Round |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 297 |
| Release | : 2010-10-11 |
| Genre | : Social Science |
| ISBN | : 080789947X |
In 1663, the Puritan missionary John Eliot, with the help of a Nipmuck convert whom the English called James Printer, produced the first Bible printed in North America. It was printed not in English but in Algonquian, making it one of the first books printed in a Native language. In this ambitious and multidisciplinary work, Phillip Round examines the relationship between Native Americans and printed books over a two-hundred-year period, uncovering the individual, communal, regional, and political contexts for Native peoples' use of the printed word. From the northeastern woodlands to the Great Plains, Round argues, alphabetic literacy and printed books mattered greatly in the emergent, transitional cultural formations of indigenous nations threatened by European imperialism. Removable Type showcases the varied ways that Native peoples produced and utilized printed texts over time, approaching them as both opportunity and threat. Surveying this rich history, Round addresses such issues as the role of white missionaries and Christian texts in the dissemination of print culture in Indian Country, the establishment of "national" publishing houses by tribes, the production and consumption of bilingual texts, the importance of copyright in establishing Native intellectual sovereignty (and the sometimes corrosive effects of reprinting thereon), and the significance of illustrations.
The Early Type Stars
| Author | : A.B. Underhill |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 295 |
| Release | : 2012-12-06 |
| Genre | : Science |
| ISBN | : 9401035563 |
At this time when astronomers are being surprised by the discovery of objects which emit a fabulously large amount of energy, that is the quasi-stellar radio sources and the quasi-stellar galaxies, and when by the means of space vehicles X rays, gamma rays and cosmic rays are being observed to come from the depths of interstellar space, one may ask why write a book about stars. Stars seem to be almost incidental when one looks at the universe in terms of exceedingly great energies. Nevertheless, stars exist. They are accessible to study and they have not yet revealed all their secrets. This is enough to arouse interest and to cause one to try to find answers to the questions which arise. The early type stars are particularly interesting because they are spendthrift stars pouring out their energy at a great rate. But their brilliance is also their undoing. They must evolve rather quickly, on an astrophysical scale. Thus by studying these stars we are studying a population in change. The implications from the local and from the cosmological viewpoint are important if one wishes to understand the details of stellar evolution and of galactic structure. Perhaps one of the simplest reasons for writing a book about the early type stars is to see if some of the conundrums pre sented by the spectra of these stars can be unravelled when all the available infor mation is brought together.
The Visual History of Type
| Author | : Paul McNeil |
| Publisher | : Laurence King Publishing |
| Total Pages | : 0 |
| Release | : 2017-09-26 |
| Genre | : Design |
| ISBN | : 9781780679761 |
The Visual History of Type is a comprehensive, detailed survey of the major typefaces produced since the advent of printing with movable type in the mid–fifteenth century to the present day. Arranged chronologically to provide context, more than 320 typefaces are displayed in the form of their original type specimens or earliest printing. Each entry is supported by a brief history and description of key characteristics of the typeface. This book will be the definitive publication in its field, appealing to graphic designers, educators, historians and design students. It will also be a significant resource for professional type designers and students of type. Reviews "A mind–blowing catalogue of typefaces and type history… a fantastic, heavyweight compendium of letterforms that's a firm WIRED art department favourite." – WIRED magazine "The Visual History of Type is a comprehensive, detailed survey of the major typefaces produced since the advent of printing…This book will be the definitive publication in its field, appealing to graphic designers, educators, historians and design students." – Against The Grain "Accessible, highly readable and, moreover, a type book to pore over and simply enjoy as the history of the medium evolves chronologically from page to page." – Creative Review "This exquisitely produced, extensively researched and extraordinarily comprehensive work is a definitive study of the history of type." – New Design "The Visual History of Type is a beautiful book. Its arranged into hundreds of short chapters invites one to peruse it haphazardly for pleasure. Beneath its coffee–table appearance lies a genuine reference work." – The Times Literary Supplement
Revival Type
| Author | : Paul Shaw |
| Publisher | : Yale University Press |
| Total Pages | : 257 |
| Release | : 2017-04-18 |
| Genre | : Design |
| ISBN | : 0300219296 |
An illuminating account of the design inspirations and technical transformations that have shaped the digital typefaces of the 21st century In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
Arcade Game Typography
| Author | : Toshi Omigari |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2019-11-05 |
| Genre | : Art |
| ISBN | : 0500021740 |
The definitive survey of ’70s, ’80s, and early ’90s arcade video game pixel typography. Arcade Game Typography presents readers with a fascinating new world of typography: the pixel typeface. Video game designers of the ’70s, ’80s, and ’90s faced color and resolution limitations that stimulated incredible creativity. With each letter having to exist in a small pixel grid, artists began to use clever techniques to create elegant character sets within a tiny canvas. This book presents typefaces on a dynamic and decorative grid, taking reference from high-end type specimens while adding a suitably playful twist. Arcade Game Typography recreates that visual aesthetic, fizzing with life and color. Featuring pixel typefaces carefully selected from the first decades of arcade video games, Arcade Game Typography presents a completist survey of a previously undocumented outsider typography movement, accompanied by insightful commentary from author Toshi Omagari, a Monotype typeface designer himself. Gathering an eclectic range of typography, from hit games such as Super Sprint, Marble Madness, and Space Harrier to countless lesser-known gems, Arcade Game Typography is a vivid nostalgia trip for gamers, designers, and illustrators alike.
The Journey of “A Good Type”
| Author | : David Odo |
| Publisher | : Harvard University Press |
| Total Pages | : 148 |
| Release | : 2015-08-03 |
| Genre | : Art |
| ISBN | : 0873654080 |
When Japan opened its doors to the West in the 1860s, delicately hand-tinted photographic prints of Japanese people and landscapes were among its earliest and most popular exports. David Odo studies the collection of Japanese photographs at Harvard’s Peabody Museum and the ways they were produced, acquired, and circulated in the nineteenth century.
Typographies of Performance in Early Modern England
| Author | : Claire M. L. Bourne |
| Publisher | : |
| Total Pages | : 351 |
| Release | : 2020 |
| Genre | : Drama |
| ISBN | : 019884879X |
Explores typographic display and experimentation in printed play-texts from the fourteenth to the eighteenth centuries and interprets features of page display (particularly special characters, scene division, punctuation, and illustration) as a means of communicating and expressing aspects of dramatic performance to readers.
