A Trinidadian Masquerade
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Author | : Penny |
Publisher | : iUniverse |
Total Pages | : 99 |
Release | : 2017-02-25 |
Genre | : Biography & Autobiography |
ISBN | : 1532015291 |
Penny and her family lived in bitterness and hatred for more than thirty years. It took over their lives and caused much heartache and grief. In A Trinidadian Masquerade, Penny shares some events from her life in hopes others can learn from her experiences. In this memoir, she uses personal anecdotes to illustrate how God has worked in her life. She explores the doubts, fears, and perplexities she has experienced in various life situations and illustrates how she found comfort and guidance in her faith. Penny discusses how forgiveness played an important role in trying to bring about family harmony. A Trinidadian Masquerade narrates how Penny lived with mental illness and not some sort of evil caused by magic or witchcraft, a popular opinion in her home country of Trinidad. She tells how she came to understand the importance of taking the proper medication and following doctors orders to help ease some of her symptoms.
Author | : Nalo Hopkinson |
Publisher | : New York : Warner Books |
Total Pages | : 406 |
Release | : 2000-03 |
Genre | : Fiction |
ISBN | : 0446675601 |
Author | : Deborah Bell |
Publisher | : McFarland |
Total Pages | : 289 |
Release | : 2014-12-31 |
Genre | : Social Science |
ISBN | : 078647646X |
In its conventional meaning, masquerade refers to a festive gathering of people wearing masks and elegant costumes. But traditional forms of masquerade have evolved over the past century to include the representation of alternate identities in the media and venues of popular culture, including television, film, the internet, theater, museums, sports arenas, popular magazines and a range of community celebrations, reenactments and conventions. This collection of fresh essays examines the art and function of masquerade from a broad range of perspectives. From African slave masquerade in New World iconography, to the familiar Guy Fawkes masks of the Occupy Wall Street movement, to the branded identities created by celebrities like Madonna, Beyonce and Lady Gaga, the essays show how masquerade permeates modern life.
Author | : Errol Hill |
Publisher | : |
Total Pages | : 192 |
Release | : 1972 |
Genre | : History |
ISBN | : |
Author | : Abner Cohen |
Publisher | : Univ of California Press |
Total Pages | : 176 |
Release | : 2023-04-28 |
Genre | : Social Science |
ISBN | : 0520912578 |
Carnival, that image of sensuous frivolity, is shown by Abner Cohen to be a masquerade for the dynamic relations between culture and politics. His masterful study details the transformation of a local, polyethnic London fair to a massive, exclusively West Indian carnival, known as "Europe's biggest street festival," which in 1976 occasioned a bloody confrontation between black youth and the police and which has since become a fiercely contested cultural event. Cohen contrasts the development of the London carnival with the development of other carnivalesque movements, including the Renaissance Pleasure Faire of California. His valuable analysis of these relatively little-explored urban cultural movements advances further the theoretical formulations developed in his previous studies.
Author | : Garth L. Green |
Publisher | : Indiana University Press |
Total Pages | : 546 |
Release | : 2007-03-28 |
Genre | : Social Science |
ISBN | : 0253116724 |
Like many Caribbean nations, Trinidad has felt the effects of globalization on its economy, politics, and expressive culture. Even Carnival, once a clandestine folk celebration, has been transformed into a major transnational festival. In Trinidad Carnival, Garth L. Green, Philip W. Scher, and an international group of scholars explore Carnival as a reflection of the nation and culture of Trinidad and Trinidadians worldwide. The nine essays cover topics such as women in Carnival, the politics and poetics of Carnival, Carnival and cultural memory, Carnival as a tourist enterprise, the steelband music of Carnival, Calypso music on the world stage, Carnival and rap, and Carnival as a global celebration. For readers interested in the history and current expression of Carnival, this volume offers a multidimensional and transnational view of Carnival as a representation of Trinidad and Caribbean culture everywhere. Contributors are Robin Balliger, Shannon Dudley, Pamela R. Franco, Patricia A. de Freitas, Ray Funk, Garth L. Green, Donald R. Hill, Lyndon Phillip, Victoria Razak, and Philip W. Scher.
Author | : Ryan Cecil Jobson |
Publisher | : University of Chicago Press |
Total Pages | : 234 |
Release | : 2024-12-04 |
Genre | : Social Science |
ISBN | : 0226837262 |
A historical and ethnographic study of the fraught relationship between fossil fuels and political power in Trinidad and Tobago. Examining the past, present, and future of Trinidad and Tobago’s oil and gas industries, anthropologist Ryan Cecil Jobson traces how a model of governance fashioned during prior oil booms is imperiled by declining fossil fuel production and a loss of state control. Despite the twin-island nation’s increasingly volatile and vulnerable financial condition, however, government officials continue to promote it as a land of inexhaustible resources and potentially limitless profits. The result is what Jobson calls a “masquerade of permanence” whereby Trinbagonian state actors represent the nation as an interminable reserve of hydrocarbons primed for multinational investment. In The Petro-state Masquerade, Jobson examines the gulf between this narrative crafted by the postcolonial state and the vexed realities of its dwindling petroleum-fueled aspirations. After more than a century of commercial oil production, Trinidad and Tobago instructs us to regard the petro-state as less a permanent form than a fragile relation between fossil fuels and sovereign authority. Foregrounding the concurrent masquerades of oil workers, activists, and Carnival revelers, Jobson argues that the promise of decolonization lies in the disarticulation of natural resources, capital, and political power by ordinary people in the Caribbean.
Author | : Barbara Ehrenreich |
Publisher | : Metropolitan Books |
Total Pages | : 338 |
Release | : 2007-12-26 |
Genre | : History |
ISBN | : 1429904658 |
From the bestselling social commentator and cultural historian comes Barbara Ehrenreich's fascinating exploration of one of humanity's oldest traditions: the celebration of communal joy In the acclaimed Blood Rites, Barbara Ehrenreich delved into the origins of our species' attraction to war. Here, she explores the opposite impulse, one that has been so effectively suppressed that we lack even a term for it: the desire for collective joy, historically expressed in ecstatic revels of feasting, costuming, and dancing. Ehrenreich uncovers the origins of communal celebration in human biology and culture. Although sixteenth-century Europeans viewed mass festivities as foreign and "savage," Ehrenreich shows that they were indigenous to the West, from the ancient Greeks' worship of Dionysus to the medieval practice of Christianity as a "danced religion." Ultimately, church officials drove the festivities into the streets, the prelude to widespread reformation: Protestants criminalized carnival, Wahhabist Muslims battled ecstatic Sufism, European colonizers wiped out native dance rites. The elites' fear that such gatherings would undermine social hierarchies was justified: the festive tradition inspired French revolutionary crowds and uprisings from the Caribbean to the American plains. Yet outbreaks of group revelry persist, as Ehrenreich shows, pointing to the 1960s rock-and-roll rebellion and the more recent "carnivalization" of sports. Original, exhilarating, and deeply optimistic, Dancing in the Streets concludes that we are innately social beings, impelled to share our joy and therefore able to envision, even create, a more peaceable future. "Fascinating . . . An admirably lucid, level-headed history of outbreaks of joy from Dionysus to the Grateful Dead."—Terry Eagleton, The Nation
Author | : Deborah Bell |
Publisher | : McFarland |
Total Pages | : 265 |
Release | : 2014-01-10 |
Genre | : Art |
ISBN | : 0786457643 |
Profiling 30 mask makers from around the world, this book explores the motivations and challenges of contemporary artists working to bring the traditional methods and conventions of mask making to an evolving global theatre. There are 181 photographs--including two sections of color plates--which illustrate how the mythic iconography of masks is used in the modern fields of dance, mime, theatre and storytelling. Topics include the ways in which mask artists and performers maintain a sense of universality despite varying local customs; the legacies of Italian mask makers Amleto and Donato Sartori and of the California-based Dell'Arte International School of Physical Theatre; and the ways in which traditional approaches in mask artistry continue to influence commercial mask performance ventures in film, on Broadway, and in touring companies.
Author | : Susanne Reichl |
Publisher | : Rodopi |
Total Pages | : 324 |
Release | : 2005 |
Genre | : Humor |
ISBN | : 9042019956 |
Examining postcolonial transcultural practice from a range of disciplinary and methodological perspectives, this study seeks to analyse laughter and the postcolonial in their complexity. It gathers a group of international specialists in postcolonial transcultural studies to analyse the functions of humour in a wide range of cultural texts.