A Treatise On The Art Of Music
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Author | : Pierre Schaeffer |
Publisher | : Univ of California Press |
Total Pages | : 614 |
Release | : 2017-07-25 |
Genre | : Music |
ISBN | : 0520967461 |
The Treatise on Musical Objects is regarded as Pierre Schaeffer’s most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrète to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer’s essay summarizes his theoretical and practical work in music composition. Translators Christine North and John Dack present an important book in the history of ideas in Europe that will resonate far beyond electroacoustic music.
Author | : James Harris |
Publisher | : |
Total Pages | : 420 |
Release | : 1765 |
Genre | : Art |
ISBN | : |
Author | : Roger Scruton |
Publisher | : Bloomsbury Publishing |
Total Pages | : 293 |
Release | : 2018-08-23 |
Genre | : Music |
ISBN | : 1472955722 |
Music as an Art begins by examining music through a philosophical lens, engaging in discussions about tonality, music and the moral life, music and cognitive science and German idealism, as well as recalling the author's struggle to encourage his students to distinguish the qualities of good music. Scruton then explains – via erudite chapters on Schubert, Britten, Rameau, opera and film – how we can develop greater judgement in music, recognising both good taste and bad, establishing musical values, as well as musical pleasures. As Scruton argues in this book, in earlier times, our musical culture had secure foundations in the church, the concert hall and the home; in the ceremonies and celebrations of ordinary life, religion and manners. Yet we no longer live in that world. Fewer people now play instruments and music is, for many, a form of largely solitary enjoyment. As he shows in Music as an Art, we live at a critical time for classical music, and this book is an important contribution to the debate, of which we stand in need, concerning the place of music in Western civilization.
Author | : Sebastian Virdung |
Publisher | : Cambridge University Press |
Total Pages | : 292 |
Release | : 1993-07-30 |
Genre | : Music |
ISBN | : 0521308305 |
This early German 'do-it-yourself' manual tells us about music-making in the years just before the Reformation.
Author | : Pier Francesco Tosi |
Publisher | : Cambridge University Press |
Total Pages | : 312 |
Release | : 1995-05-26 |
Genre | : Music |
ISBN | : 052145428X |
An English translation with commentary of an important first treatise on singing by Agricola.
Author | : Anthony Storr |
Publisher | : Simon and Schuster |
Total Pages | : 248 |
Release | : 2015-05-19 |
Genre | : Music |
ISBN | : 1501122096 |
Why does music have such a powerful effect on our minds and bodies? It is the most mysterious and most tangible of all forms of art. Yet, Anthony Storr believes, music today is a deeply significant experience for a greater number of people than ever before. In this book, he explores why this should be so. Drawing on a wide variety of opinions, Storr argues that the patterns of music make sense of our inner experience, giving both structure and coherence to our feelings and emotions. It is because music possesses this capacity to restore our sense of personal wholeness in a culture which requires us to separate rational thought from feelings that many people find it so life-enhancing that it justifies existence.
Author | : John Dack |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 257 |
Release | : 2019-01-10 |
Genre | : Music |
ISBN | : 1527524744 |
This volume brings together practitioners and theorists of music and sonic art. Contributions explore a wide range of historical, artistic, pedagogical and critical issues from multiple perspectives, emphasizing the continuities and links along a broad spectrum of hearing and listening practices and art-making that use sound.
Author | : Michelle White |
Publisher | : Menil Foundation |
Total Pages | : 0 |
Release | : 2019 |
Genre | : |
ISBN | : 9780300244571 |
A breathtaking exploration of one of Twombly's largest paintings, the second version of his Treatise on the Veil One of the most important American postwar artists, Cy Twombly (1928-2011) engaged with mythological and poetic source material, setting him apart from other artists of his generation. In 1970, Twombly revisited his 1968 painting Treatise on the Veil and, in a short period of focused creativity, produced a painting--Treatise on the Veil (Second Version)--on a single, 33-foot canvas along with more than a dozen related drawings. This handsomely produced oversize book features three essays that examine these works in relation to Twombly's oeuvre, contemporaneous explorations of time, the Orpheus myth, and a musical composition that Twombly cited as an influence. Large images and details bring us in close to Twombly's magnificent meditation on time and space. Distributed for The Menil Collection
Author | : Pierre Baillot |
Publisher | : Northwestern University Press |
Total Pages | : 658 |
Release | : 1991-06-01 |
Genre | : Music |
ISBN | : 0810133016 |
Never before available in English, this classic work is a major contribution to the art and technique of violin playing and an important document in the history of performance practice. A contemporary of Kreutzer and Rode, Pierre Marie Francois de Sales Baillot provides in his treatise many insights into the style of nineteenth-century fingering, bowing, ornamentation, and expressiveness that are not apparent from the directions and markings found in scores of that time. Such information will be invaluable for performers interested in understanding the intentions of composers such as Viotti, Haydn, Mozart, Beethoven, and Mendelssohn. This complete, unabridged translation, which includes an extensive introduction by the translator, Louise Goldberg, and a foreword by Zvi Zeitlin, will be indispensable for musicologists, performers, and lovers of eighteenth- and nineteenth-century classical music.
Author | : Stuart Isacoff |
Publisher | : Vintage |
Total Pages | : 290 |
Release | : 2003-02-04 |
Genre | : Music |
ISBN | : 0375703306 |
Few music lovers realize that the arrangement of notes on today’s pianos was once regarded as a crime against God and nature, or that such legendary thinkers as Pythagoras, Plato, da Vinci, Galileo, Kepler, Descartes, Newton and Rousseau played a role in the controversy. Indeed, from the time of the Ancient Greeks through the eras of Renaissance scientists and Enlightenment philosophers, the relationship between the notes of the musical scale was seen as a key to the very nature of the universe. In this engaging and accessible account, Stuart Isacoff leads us through the battles over that scale, placing them in the context of quarrels in the worlds of art, philosophy, religion, politics and science. The contentious adoption of the modern tuning system known as equal temperament called into question beliefs that had lasted nearly two millenia–and also made possible the music of Beethoven, Schubert, Chopin, Debussy, and all who followed. Filled with original insights, fascinating anecdotes, and portraits of some of the greatest geniuses of all time, Temperament is that rare book that will delight the novice and expert alike.