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| Author | : Mark A. Heberle |
| Publisher | : University of Iowa Press |
| Total Pages | : 375 |
| Release | : 2001-04 |
| Genre | : Literary Criticism |
| ISBN | : 0877457611 |
Based on recent conversations with Tim O'Brien, previously published interviews, and new readings of all his works -- including Tomcat in Love -- this book is the first study to concentrate on the role and representation of trauma as the central focus of all O'Brien's works. Book jacket.
| Author | : Barry M. Cohen |
| Publisher | : Sidran Traumatic Stress Ins |
| Total Pages | : 204 |
| Release | : 1995 |
| Genre | : Medical |
| ISBN | : 9780962916472 |
"The book's first section, Developing Basic Tools For Managing Stress, is devoted to establishing a safe framework for trauma resolution. The second section, Acknowledging and Regulating Your Emotions, helps the trauma survivor to make sense of overwhelming emotional experiences. The final section, Being and Functioning in the World, focuses on self and relational development, leading into the future"--Publisher's website.
| Author | : Esther Dreifuss-Kattan |
| Publisher | : Routledge |
| Total Pages | : 277 |
| Release | : 2016-03-10 |
| Genre | : Art |
| ISBN | : 1317501101 |
Art and Mourning explores the relationship between creativity and the work of self-mourning in the lives of 20th century artists and thinkers. The role of artistic and creative endeavours is well-known within psychoanalytic circles in helping to heal in the face of personal loss, trauma, and mourning. In this book, Esther Dreifuss-Kattan, a psychoanalyst, art therapist and artist - analyses the work of major modernist and contemporary artists and thinkers through a psychoanalytic lens. In coming to terms with their own mortality, figures like Albert Einstein, Louise Bourgeois, Paul Klee, Eva Hesse and others were able to access previously unknown reserves of creative energy in their late works, as well as a new healing experience of time outside of the continuous temporality of everyday life. Dreifuss-Kattan explores what we can learn about using the creative process to face and work through traumatic and painful experiences of loss. Art and Mourning will inspire psychoanalysts and psychotherapists to understand the power of artistic expression in transforming loss and traumas into perseverance, survival and gain. Art and Mourning offers a new perspective on trauma and will appeal to psychoanalysts and psychotherapists, psychologists, clinical social workers and mental health workers, as well as artists and art historians.
| Author | : Heidi Hanson |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 56 |
| Release | : 2017-11-27 |
| Genre | : |
| ISBN | : 9781981183470 |
Slow down, tune into yourself and relax while you color 20 beautiful coloring pages centered around the theme of recovering from challenging past experiences. Each of the first 13 illustrations in this adult coloring book is accompanied by a mindfulness activity or somatic therapy exercise that teaches you how to be more present with your body and self-regulate your own nervous system. These body awareness activities are not just useful for healing from trauma; they can also help to reduce stress and anxiety. The last seven illustrations are accompanied by messages that address various deeper aspects of the healing process. These seven pages of poetry and written word were created to be short meditations to sink into while coloring. The act of coloring itself is also quite therapeutic: When you engage in the creativity of choosing different colors, the rhythmic repeated actions of filling shapes with color, and deep mental concentration of coloring, your body calms down and you become more centered, making coloring a great way to practice self-care. Illustrated and written by artist Heidi Hanson, creator of New-Synapse.com Tools for Self Healing and The Art of Healing Trauma Blog.
| Author | : Isabelle de le Court |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 217 |
| Release | : 2020-11-26 |
| Genre | : Art |
| ISBN | : 1350194360 |
Post-Traumatic Art in the City comprises an original analysis of the nexus of war, art and urban society in two specific contexts: late 20th-century Beirut and Sarajevo. With an emphasis on conceptions of the 'post-traumatic', De le Court explores how cities and art are mutually formative in war and post-war contexts, providing unique insight into the politically and psychologically driven art scenes from within the works of art themselves. Grounded in close analyses and new research, the book makes an important contribution to the fields of art history and trauma studies.
| Author | : Amy Backos |
| Publisher | : Jessica Kingsley Publishers |
| Total Pages | : 274 |
| Release | : 2021-01-21 |
| Genre | : Psychology |
| ISBN | : 1787752054 |
This book focusses on art therapy as a treatment of PTSD in both theory and practice. It includes an in-depth look at what PTSD is, how it develops, and how art therapists should approach and treat it, with a focus on furthering social justice. The chapters cover a wide variety of contexts, including adults at a rape crisis centre, veterans, children in group homes and patients at substance use facilities. The second section of the book includes invaluable practical strategies and interventions based on the author's decades of experience in the field. It also discusses more complex concepts, including the impact of avoidance in maintaining symptoms of PTSD, and considers how Acceptance and Commitment Therapy can guide art therapy interventions.
| Author | : Harriet E. H. Earle |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 245 |
| Release | : 2017-06-19 |
| Genre | : Literary Criticism |
| ISBN | : 1496812492 |
Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. In Comics, Trauma, and the New Art of War, Harriet E. H. Earle brings together two distinct areas of research--trauma studies and comics studies--to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways.
| Author | : The Other Journal |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 184 |
| Release | : 2015-12-14 |
| Genre | : Religion |
| ISBN | : 149823996X |
FEATURING: Ken Gonzales-Day Angela Alaimo O'Donnell Shelly Rambo Frank Seeburger Chelle Stearns PLUS: God Gave Birth Tweeting the Impossible Forgiveness How Cancer Made Me Less of a Bastard (and More Human) What's Love Got to Do with It? Theodicy, Trauma, and Divine Love Naming the Animals --AND MORE . . .
| Author | : Rangira Béa Gallimore |
| Publisher | : U of Nebraska Press |
| Total Pages | : 279 |
| Release | : 2019-08-01 |
| Genre | : Social Science |
| ISBN | : 1496215818 |
What is the role of aesthetic expression in responding to discrimination, tragedy, violence, even genocide? How does gender shape responses to both literal and structural violence, including implicit linguistic, familial, and cultural violence? How might writing or other works of art contribute to healing? Art from Trauma: Genocide and Healing beyond Rwanda explores the possibility of art as therapeutic, capable of implementation by mental health practitioners crafting mental health policy in Rwanda. This anthology of scholarly, personal, and hybrid essays was inspired by scholar and activist Chantal Kalisa (1965–2015). At the commemoration of the nineteenth anniversary of the genocide in Rwanda, organized by the Rwandan Embassy in Washington DC, Kalisa gave a presentation, “Who Speaks for the Survivors of the Genocide against Tutsi?” Kalisa devoted her energy to giving expression to those whose voices had been distorted or silenced. The essays in this anthology address how the production and experience of visual, dramatic, cinematic, and musical arts, in addition to literary arts, contribute to healing from the trauma of mass violence, offering preliminary responses to questions like Kalisa’s and honoring her by continuing the dialogue in which she participated with such passion, sharing the work of scholars and colleagues in genocide studies, gender studies, and francophone literatures.
| Author | : Dirk Cornelis de Bruyn |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 245 |
| Release | : 2014-10-02 |
| Genre | : Social Science |
| ISBN | : 1443868752 |
With reference to recent neurological research into Post-Traumatic Stress Disorder (PTSD) using new imaging technologies and models of implicit and explicit memory systems developed from this research, The Performance of Trauma in Moving Image Art examines the capacity of an artist’s cinema of experimental and avant-garde film to perform and communicate traumatic experience. De Bruyn analyses key films from the 1940s to the present that perform aspects of overwhelming experience through their approach, structure, content and perceptual impact, mapping a trajectory from analogue to contemporary digital moving image practice. He argues for the inclusion of Peter Gidal’s 1970s conception of ‘materialist film’ into the genre of ‘trauma cinema’ through its capacity to articulate un-locatability and perceptually perform dis-orientation and a flashback effect, all further identified here as key characteristics of digital moving image practice. The discussion explores the following questions. Can ‘materialist film’ model traumatic memory and perform the traumatic flashback? Does the capacity to articulate trauma’s un-speakability and invisibility give this practice a renewed relevance in digital media’s preoccupation with surface and the impact of information overload? De Bruyn’s phenomenological ‘traumatic’ reading of materialist film steps beyond Gidal’s original anti-illusionist rationale to incorporate critiques effectively mounted against it by the founders of a ‘70s feminist psychoanalytic counter-cinema. This contemporary re-reading further re-evaluates the Minimalist turn in painting and sculpture after the Second World War, arguing that this development is not essentialist or visionary but makes visible the implicit mechanisms of denial and erasure at the core of traumatic remembering. For de Bruyn, the initial traumatic impact of industrialization on the body’s perceptual apparatus, traceable through the advent of cinema and train travel, is communicated by such moving image art. The development of digital technology marks a new cycle of such perceptual re-balancing for which materialist film is uniquely positioned and which it critically addresses.
