A Topographical Dictionary to the Works of Shakespeare and His Fellow Dramatists
Author | : Edward Holdsworth Sugden |
Publisher | : |
Total Pages | : 614 |
Release | : 1925 |
Genre | : English drama |
ISBN | : |
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Author | : Edward Holdsworth Sugden |
Publisher | : |
Total Pages | : 614 |
Release | : 1925 |
Genre | : English drama |
ISBN | : |
Author | : Edward Holdsworth Sugden |
Publisher | : |
Total Pages | : 580 |
Release | : 1925 |
Genre | : Dramatists, English |
ISBN | : |
Author | : Edward Holdsworth Sugden |
Publisher | : |
Total Pages | : 580 |
Release | : 1925 |
Genre | : London (England) |
ISBN | : |
Author | : Edward Holdsworth Sugden |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : English drama |
ISBN | : |
Author | : Edward Holdsworth Sugden |
Publisher | : |
Total Pages | : 15 |
Release | : 1925 |
Genre | : London (England) |
ISBN | : |
Author | : David Gunby |
Publisher | : Cambridge University Press |
Total Pages | : |
Release | : 2019-05-16 |
Genre | : Literary Collections |
ISBN | : 1108764355 |
This is the fourth and final volume of the Cambridge edition of the works of John Webster. It contains four plays Webster wrote in collaboration, one - Sir Thomas Wyatt, a historical tragedy based around Lady Jane Grey - as part of a team of five led by Thomas Dekker, two - Westward Ho and Northward Ho, city comedies that prompted Chapman, Jonson, and Marston's Eastward Ho - with Thomas Dekker alone, and one - The Fair Maid of the Inn, an Italianate tragicomedy of which Webster wrote the largest share - with John Fletcher, Philip Massinger and John Ford. With the inclusion of these four plays, this Cambridge edition becomes the first complete works of John Webster. The edition preserves the original spelling of the plays, poetry, and prose, and incorporates the most recent editorial scholarship, including information on Webster's share in the collaborative plays, and new critical methods, textual theory, and theatrical analysis.
Author | : Roslyn L. Knutson |
Publisher | : Springer Nature |
Total Pages | : 271 |
Release | : 2020-03-26 |
Genre | : Literary Criticism |
ISBN | : 303036867X |
As early modernists with an interest in the literary culture of Shakespeare’s time, we work in a field that contains many significant losses: of texts, of contextual information, of other forms of cultural activity. No account of early modern literary culture is complete without acknowledgment of these lacunae, and although lost drama has become a topic of increasing interest in Shakespeare studies, it is important to recognize that loss is not restricted to play-texts alone. Loss and the Literary Culture of Shakespeare’s Time broadens the scope of the scholarly conversation about loss beyond drama and beyond London. It aims to develop further models and techniques for thinking about lost plays, but also of other kinds of lost early modern works, and even lost persons associated with literary and theatrical circles. Chapters examine textual corruption, oral preservation, quantitative analysis, translation, and experiments in “verbatim theater”, plus much more.