A Theory Of Musical Comedy Based On The Concepts Of Susanne K Langer
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Author | : Paul Newell Campbell |
Publisher | : Popular Press |
Total Pages | : 148 |
Release | : 1984 |
Genre | : Performing Arts |
ISBN | : 9780879722807 |
This book is an argument for a particular point of view toward theatre, not a summary or survey of dramatic theory and criticism. The argument centers on the concept of form, a concept that is the rock on which all theoretical and critical works are built, or against which they shatter.
Author | : |
Publisher | : |
Total Pages | : 696 |
Release | : 1985 |
Genre | : Dissertation abstracts |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 874 |
Release | : 1984 |
Genre | : Dissertations, Academic |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 548 |
Release | : 1986 |
Genre | : Dissertations, Academic |
ISBN | : |
Author | : Hubert Wildbihler |
Publisher | : De Gruyter Saur |
Total Pages | : 356 |
Release | : 1986 |
Genre | : Music |
ISBN | : 9783598106354 |
Litteratur om musicals på scene og film, deres historiske udvikling, produktion, komponister, regissører m.m.
Author | : |
Publisher | : |
Total Pages | : 920 |
Release | : 1984 |
Genre | : Dissertations, Academic |
ISBN | : |
Author | : New York Public Library. Music Division |
Publisher | : |
Total Pages | : 658 |
Release | : 1988 |
Genre | : Music |
ISBN | : |
Author | : Marek Gołębiowski |
Publisher | : |
Total Pages | : 322 |
Release | : 1988 |
Genre | : Musicals |
ISBN | : |
Author | : Susanne Katherina Langer |
Publisher | : |
Total Pages | : 431 |
Release | : 1979 |
Genre | : |
ISBN | : |
Author | : David Krasner |
Publisher | : University of Michigan Press |
Total Pages | : 343 |
Release | : 2010-02-11 |
Genre | : Drama |
ISBN | : 0472025147 |
The fifteen original essays in Staging Philosophy make useful connections between the discipline of philosophy and the fields of theater and performance and use these insights to develop new theories about theater. Each of the contributors—leading scholars in the fields of performance and philosophy—breaks new ground, presents new arguments, and offers new theories that will pave the way for future scholarship. Staging Philosophy raises issues of critical importance by providing case studies of various philosophical movements and schools of thought, including aesthetics, analytic philosophy, phenomenology, deconstruction, critical realism, and cognitive science. The essays, which are organized into three sections—history and method, presence, and reception—take up fundamental issues such as spectatorship, empathy, ethics, theater as literature, and the essence of live performance. While some essays challenge assertions made by critics and historians of theater and performance, others analyze the assumptions of manifestos that prescribe how practitioners should go about creating texts and performances. The first book to bridge the disciplines of theater and philosophy, Staging Philosophy will provoke, stimulate, engage, and ultimately bring theater to the foreground of intellectual inquiry while it inspires further philosophical investigation into theater and performance. David Krasner is Associate Professor of Theater Studies, African American Studies, and English at Yale University. His books include A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1920 and Renaissance, Parody, and Double Consciousness in African American Theatre, 1895-1910. He is co-editor of the series Theater: Theory/Text/Performance. David Z. Saltz is Professor of Theatre Studies and Head of the Department of Theatre and Film Studies at the University of Georgia. He is coeditor of Theater Journal and is the principal investigator of the innovative Virtual Vaudeville project at the University of Georgia.