A Theory Of Literary Production
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Author | : Pierre Macherey |
Publisher | : Kegan Paul International |
Total Pages | : 344 |
Release | : 1978 |
Genre | : Criticism |
ISBN | : |
Who is more important: the reader, or the writer? Originally published in French in 1966, Pierre Macherey's first and most famous work, "A Theory of Literary Production" dared to challenge perceived wisdom, and quickly established him as a pivotal figure in literary theory. In this provocative work, Macherey puts the focus as much on the reader as the writer, stating that the very act of reading is a form of production in its own right, generating interpretation and meanings which are beyond the control of the author. Part of the birth of a whole new branch of post-structuralist theory, Macherey's work also influenced a new generation of critics among them Jacques Derrida, his contemporary, and Terry Eagleton. His ideas have also led some observers to claim that he announced the death of the author fully two years before Roland Barthes' famous essay.
Author | : Warren Montag |
Publisher | : Northwestern University Press |
Total Pages | : 371 |
Release | : 2022-08-15 |
Genre | : Literary Criticism |
ISBN | : 0810145138 |
This collection revisits A Theory of Literary Production (1966) to show how Pierre Macherey’s remarkable—and still provocative—early work can contribute to contemporary discussions about the act of reading and the politics of formal analysis. Across a series of historically and philosophically contextualized readings, the volume’s contributors interrogate Macherey’s work on a range of pressing issues, including the development of a theory of reading and criticism, the relationship between the spoken and the unspoken, the labor of poetic determination and of literature’s resistance to ideological context, the literary relevance of a Spinozist materialism, the process of racial subjectification and the ontology of Blackness, and a theorization of the textual surface. Pierre Macherey and the Case of Literary Production also includes three new texts by Macherey, presented here in English for the first time: his postface to the revised French edition of A Theory of Literary Production; “Reading Althusser,” in which Macherey analyzes the concept of symptomatic reading; and a comprehensive interview in which Macherey reflects on the historical conditions of his early work, the long arc of his career at the intersection of philosophy and literature, and the ongoing importance of Louis Althusser’s thought. Recent translations of Macherey’s work into English have introduced new readers to the critic’s enduring power and originality. Timely in its questions and teeming with fresh insights, Pierre Macherey and the Case of Literary Production demonstrates the depths to which his work resonates, now more than ever.
Author | : Rene Wellek |
Publisher | : Dalkey Archive Press |
Total Pages | : 0 |
Release | : 2024-04-02 |
Genre | : Criticism |
ISBN | : 9781628972832 |
Theory of Literature was born from the collaboration of Ren Wellek, a Vienna-born student of Prague School linguistics, and Austin Warren, an independently minded "old New Critic." Unlike many other textbooks of its era, however, this classic kowtows to no dogma and toes no party line. Wellek and Warren looked at literature as both a social product--influenced by politics, economics, etc.--as well as a self-contained system of formal structures. Incorporating examples from Aristotle to Coleridge, written in clear, uncondescending prose, Theory of Literature is a work which, especially in its suspicion of simplistic explanations and its distrust of received wisdom, remains extremely relevant to the study of literature today.
Author | : Pierre Bourdieu |
Publisher | : Columbia University Press |
Total Pages | : 342 |
Release | : 1993 |
Genre | : Art |
ISBN | : 9780231082877 |
Analysis of art, literature and aesthetics
Author | : Terry Eagleton |
Publisher | : |
Total Pages | : 178 |
Release | : 1985 |
Genre | : Criticism |
ISBN | : 019285318X |
Author | : John Odmark |
Publisher | : John Benjamins Publishing |
Total Pages | : 580 |
Release | : 1980 |
Genre | : Language Arts & Disciplines |
ISBN | : 9027215030 |
The essays in this two-volume anthology provide the reader with an overview of current Czech, Polish and Hungarian research in language, literature and meaning as well as some new perspectives on the major theoretical contributions of Roman Ingarden, Georg Lukács and Jan Mukarovský. For the most part, the emphasis is on Poetics and Literary Theory; however, in some of the essays the focus shifts to such related disciplines as Aesthetics, Linguistics and Semiotics. The heterogeneity of this collection reflects the broad spectrum of interests and approaches to problems of theory being pursued at present in Poland, Hungary and Czechoslovakia. Much of the work being done in these countries remains relatively unknown outside of Eastern Europe. This anthology is an attempt to rectify this situation and make better known the nature and extent of research which promises new insights into a whole range of phenomena in language, literature and culture.
Author | : Pierre Macherey |
Publisher | : Cambridge University Press |
Total Pages | : 258 |
Release | : 1995-03-16 |
Genre | : Literary Criticism |
ISBN | : 9780521476782 |
This 1995 book by Pierre Macherey was his first dealing with literature and theory since his seminal A Theory of Literary Production. Continuing the project of Althusserian theory, Macherey engages in a series of close exegeses of classical texts in French literature and philosophy, from the late eighteenth century down to the 1970s, that explore the historically variable but thematically similar ways in which literary texts represent philosophical ideas. Rejecting the simple notion that literature deploys philosophical topoi in an unmediated manner, Macherey shows the conceptual sophistication - and broad intellectual influence - that literary art has displayed in the modern period. At once a theoretical meditation of great originality and a historical work of scrupulous scholarship, The Object of Literature will entrench Pierre Macherey's already considerable reputation as one of the most significant contemporary theoreticians of literature.
Author | : Warwick Research Collective |
Publisher | : Oxford University Press |
Total Pages | : 228 |
Release | : 2015 |
Genre | : Literary Criticism |
ISBN | : 1781381895 |
The ambition of this book is to resituate the problem of 'world literature', considered as a revived category of theoretical enquiry, by pursuing the literary-cultural implications of the theory of combined and uneven development. This theory has a long pedigree in the social sciences, where it continues to stimulate debate. But its implications for cultural analysis have received less attention, even though the theory might be said to draw attention to a central -perhaps the central - arc or trajectory of modern(ist) production in literature and the other arts worldwide. It is in the conjuncture of combined and uneven development, on the one hand, and the recently interrogated and expanded categories of 'world literature' and 'modernism', on the other, that this book looks for its specific contours. In the two theoretical chapters that frame the book, the authors argue for a single, but radically uneven world-system; a singular modernity, combined and uneven; and a literature that variously registers this combined unevenness in both its form and content to reveal itself as, properly speaking, world-literature. In the four substantive chapters that then follow, the authors explore a selection of modern-era fictions in which the potential of their method of comparativism seems to be most dramatically highlighted. They treat the novel paradigmatically, not exemplarily, as a literary form in which combined and uneven development is manifested with particular salience, due in no small part to its fundamental association with the rise of capitalism and its status in peripheral and semi-peripheral societies as a 'modernising' import. The peculiar plasticity and hybridity of the novel form enables it to incorporate not only multiple literary levels, genres and modes, but also other non-literary and archaic cultural forms - so that, for example, realist elements might be mixed with more experimental modes of narration, or older literary devices might be reactivated in juxtaposition with more contemporary frames.
Author | : Gavin Lucas |
Publisher | : Routledge |
Total Pages | : 345 |
Release | : 2018-11-21 |
Genre | : Literary Collections |
ISBN | : 0429815212 |
How do archaeologists make knowledge? Debates in the latter half of the twentieth century revolved around broad, abstract philosophies and theories such as positivism and hermeneutics which have all but vanished today. By contrast, in recent years there has been a great deal of attention given to more concrete, practice-based study, such as fieldwork. But where one was too abstract, the other has become too descriptive and commonly evades issues of epistemic judgement. Writing the Past attempts to reintroduce a normative dimension to knowledge practices in archaeology, especially in relation to archaeological practice further down the ‘assembly line’ in the production of published texts, where archaeological knowledge becomes most stabilized and is widely disseminated. By exploring the composition of texts in archaeology and the relation between their structural, performative characteristics and key epistemic virtues, this book aims to move debate in both knowledge and writing practices in a new direction. Although this book will be of particular interest to archaeologists, the argument offered has relevance for all academic disciplines concerned with how knowledge production and textual composition intertwine.
Author | : Pierre Macherey |
Publisher | : Routledge |
Total Pages | : 395 |
Release | : 2015-10-08 |
Genre | : Literary Criticism |
ISBN | : 1136805001 |
Who is more important: the reader, or the writer? Originally published in French in 1966, Pierre Macherey‘s first and most famous work, A Theory of Literary Production dared to challenge perceived wisdom, and quickly established him as a pivotal figure in literary theory. The reissue of this work as a Routledge Classic brings some radical ideas to