The Theatre of Imagining

The Theatre of Imagining
Author: Ulla Kallenbach
Publisher: Springer
Total Pages: 330
Release: 2018-07-13
Genre: Performing Arts
ISBN: 3319763032

This book is the first comprehensive analysis of the fascinating and strikingly diverse history of imagination in the context of theatre and drama. Key questions that the book explores are: How do spectators engage with the drama in performance, and how does the historical context influence the dramaturgy of imagination? In addition to offering a study of the cultural history and theory of imagination in a European context including its philosophical, physiological, cultural and political implications, the book examines the cultural enactment of imagination in the drama text and offers practical strategies for analyzing the aesthetic practice of imagination in drama texts. It covers the early modern to the late modernist period and includes three in-depth case studies: William Shakespeare’s Macbeth (c.1606); Henrik Ibsen’s A Doll’s House (1879); and Eugène Ionesco’s The Killer (1957).

Theater of the Mind

Theater of the Mind
Author: Neil Verma
Publisher: University of Chicago Press
Total Pages: 305
Release: 2012-06-29
Genre: Performing Arts
ISBN: 0226853527

For generations, fans and critics have characterized classic American radio drama as a “theater of the mind.” This book unpacks that characterization by recasting the radio play as an aesthetic object within its unique historical context. In Theater of the Mind, Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theater on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.

The Dramatic Imagination

The Dramatic Imagination
Author: Robert Edmond Jones
Publisher: Taylor & Francis
Total Pages: 69
Release: 2004
Genre: Performing Arts
ISBN: 0878301844

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Offstage Space, Narrative, and the Theatre of the Imagination

Offstage Space, Narrative, and the Theatre of the Imagination
Author: W. Gruber
Publisher: Springer
Total Pages: 196
Release: 2010-03-01
Genre: Performing Arts
ISBN: 0230105645

Offstage Space, Narrative, and the Theatre of the Imagination is a study of extrascenic space and how playwrights have used narrative as an alternative to conventional scenic enactment. The book covers the work of writers as diverse as Euripides, Plautus, Shakespeare, Susan Glaspell, Gertrude Stein, Bertolt Brecht, Samuel Beckett, Marguerite Duras, Brian Friel, and Thomas Bernhard. William Gruber offers a wide-ranging overview of the dramaturgical choices dramatists make when they substitute imagined events for perceptual ones.

The Theatrical Imagination

The Theatrical Imagination
Author: Jeffrey Howard Huberman
Publisher: Wadsworth Publishing Company
Total Pages: 582
Release: 1997
Genre: Language Arts & Disciplines
ISBN:

This in-depth introduction to theatre arts concentrates on all major aspects of theatre, including acting, directing, playwriting and design. An entertaining writing style by authors who are actively involved in theatre and current examples and testimonials by a variety of well-known artists capture students' imaginations and help bring theatre into their frame of reference.

Quentin Blake: In the Theatre of the Imagination

Quentin Blake: In the Theatre of the Imagination
Author: Ghislaine Kenyon
Publisher: Bloomsbury Publishing
Total Pages: 258
Release: 2016-03-10
Genre: Biography & Autobiography
ISBN: 1441168834

Based on interviews with the subject, this visual biography is an intimate portrait of Quentin Blake, the much-loved illustrator and artistic genius of our age. Quentin Blake is one of the foremost illustrators of the twentieth century. Perhaps best known for his collaboration with Roald Dahl on books such as The Giraffe and the Pelly and Me, The Twits and Matilda, he is cherished by young and old alike, throughout the world. Yet his work has not attained 'fine art' status. Should it be considered so? How does Blake's background in education inform his work? And what is the interrelation between the work he makes and the life that he leads? Distinguished curator Ghislaine Kenyon has spent a great deal of time with Blake during the last decade and a half and in Quentin Blake In the Theatre of the Imagination she provides a profound insight into an extraordinary man and a truly remarkable body of work. Kenyon has known Quentin Blake since 1998, and worked with him on staging a jointly curated exhibition 'Tell Me A Picture' in the year of Blake's tenure as Children's Laureate (1999-2000). She followed Blake during the years in which he continued to work 'off the page' producing work for hospitals in Angers and Paris and staging major exhibitions around the world, collaborating with him both in an administrative and curatorial capacity. But what Kenyon has observed, during a number of years of working alongside him, and sharing a friendship, is that Blake's work is necessarily intertwined with his life. His life informs his wonderful illustrations and his artwork in turn informs his life - a life which is extremely private, mysterious and full of complexities and ambiguities. Kenyon and Blake share a background in teaching, and this interest informs Blake's connection to what educationists call 'learning and teaching' but which could also be termed simply education. A shared enthusiasm for education brought Kenyon and Blake together and informs the projects both the artist and curator now work on, aiming to reach children and adults in new ways and provide new experiences. With exceptional insight into Blake's oeuvre and his life, Ghislaine Kenyon has produced not merely a biography, but a critical view of the artist's work. Quentin Blake: In the Theatre of the Imagination is a fitting tribute to Quentin Blake's journey and his great legacy - the delightful illustrations to over 300 books, several written by him, paintings, prints and sculptures - and the contribution he has made to art education and the lives of so many different people.

Theatre of Sound

Theatre of Sound
Author: Dermot Rattigan
Publisher:
Total Pages: 414
Release: 2002
Genre: Art
ISBN:

A study of radio drama

Communities of Imagination

Communities of Imagination
Author: Catherine Diamond
Publisher: University of Hawaii Press
Total Pages: 406
Release: 2012-06-30
Genre: Performing Arts
ISBN: 0824835840

Asian theatre is usually studied from the perspective of the major traditions of China, Japan, India, and Indonesia. Now, in this wide-ranging look at the contemporary theatre scene in Southeast Asia, Catherine Diamond shows that performance in some of the lesser known theatre traditions offers a vivid and fascinating picture of the rapidly changing societies in the region. Diamond examines how traditional, modern, and contemporary dramatic works, with their interconnected styles, stories, and ideas, are being presented for local audiences. She not only places performances in their historical and cultural contexts but also connects them to the social, political, linguistic, and religious movements of the last two decades. Each chapter addresses theatre in a different country and highlights performances exhibiting the unique conditions and concerns of a particular place and time. Most performances revolve in some manner around “contemporary modernity,” questioning what it means—for good or ill—to be a part of the globalized world. Chapters are grouped by three general and overlapping themes. The first, which includes Thailand, Vietnam, and Bali, is characterized by the increased participation of women in the performing arts—not only as performers but also as playwrights and directors. Cambodia, Singapore, and Myanmar are linked by a shared concern with the effects of censorship on theatre production. A third group, the Philippines, Laos, and Malaysia, is distinguished by a focus on nationalism: theatres are either contributing to official versions of historical and political events or creating alternative narratives that challenge those interpretations. Communities of Imagination shows the many influences of the past and how the past continues to affect cultural perceptions. It addresses major trends, suggesting why they have developed and why they are popular with the public. It also underscores how theatre continues to attract new practitioners and reflect the changing aspirations and anxieties of societies in immediate and provocative ways even as it is being marginalized by television, film, and the internet. The book will be of interest to students and scholars of theatre and performance, Asian literature, Southeast Asian studies, cultural studies, and gender studies. Travelers wishing to attend local performances as part of their experience abroad will find it an essential reference to theatres of the region.

The Gift of Story

The Gift of Story
Author: Clarissa Pinkola Estés
Publisher:
Total Pages: 0
Release: 1994-09-15
Genre: Folklore
ISBN: 9780712661133

The telling of several interlinked stories to illustrate the theme that love can triumph over loss. This book guides the reader to the realization that of all the gifts that people can give to one another, the most meaningful and long-lasting are strong love and the gift of story. Clarissa Pinkola Estes is the author of Women Who Run With Wolves.