A Tanners Worth Of Tune
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| Author | : Adrian Wright |
| Publisher | : Boydell & Brewer |
| Total Pages | : 322 |
| Release | : 2010 |
| Genre | : Music |
| ISBN | : 1843835428 |
This book is not an encyclopaedia of the British musical in the twentieth century, but an examination of its progress as it struggled to find an identity. It shows how the British musical has reacted to social and cultural forces, suggesting that some of its leading composers such as Lionel Bart and Julian Slade contributed much more to the genre than has previously been acknowledged. As the British musical veered between opera, light opera, operetta, spectacle with music, kitchen-sink musical, recherché musical, adaptations of classic novels, socially conscious musicals et al., this fresh assessment of the writers and their work offers a new understanding of the art -- publisher description.
| Author | : Adrian Wright |
| Publisher | : Troubador Publishing Ltd |
| Total Pages | : 264 |
| Release | : 2018-10-30 |
| Genre | : Fiction |
| ISBN | : 1789016363 |
The new book in the Francis and Gordon Jones mysteries set in 1950’s NorfolkA witty spoof of the classic boy’s detective stories. Following on from The Voice of Doom (ISBN: 97817893285) There is something freshly appealing and charming about the Francis and Gordon Jones mysteries, compared by some to the works of E F Benson, with inevitable nods to Dorothy Sayers and Conan Doyle. The second in the series of their detective adventures, The Coming Day, has five new intriguing cases for the intrepid investigators to solve. A missing girl in a Cornish seaside town … the mysterious death of a man dressed as a woman in a fleapit cinema … the unravelling of an old murder trial… the arrival of a foreign doctor coinciding with communal disaster … the search for a missing photograph. With its host of regular characters in the little Norfolk village of Branlingham, including the Revd. Challis, Mrs Jones of Bramley apple pie and curious corset-making fame, the terrifyingly autocratic Lady Darting, the snooping postmistress Miss Simms and ravishingly handsome actor Rufus Wolfe, Wright has created what the Bookhound calls ‘a literary delight … Brilliantly funny, deliciously wicked and thoroughly enjoyable’. Inspired by Anthony Wilson’s famous 1950s radio characters Norman and Henry Bones, these are sunny stories with an irresistible mingling of comedy and, sometimes unexpectedly, deeper themes. In the current glut of crime writing, they are unlike anything else.
| Author | : Robert Gordon |
| Publisher | : Oxford University Press |
| Total Pages | : 1001 |
| Release | : 2023 |
| Genre | : Music |
| ISBN | : 0190909730 |
The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.
| Author | : Aleks Sierz |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 288 |
| Release | : 2019-12-12 |
| Genre | : Performing Arts |
| ISBN | : 1350046221 |
London's West End is a global success story, staging phenomenal hit shows that have delighted millions of spectators and generated billions of pounds in revenue. In Good Nights Out, Aleks Sierz provides a thematic survey of such popular theatre shows that were enormous commercial successes over the past 75 years. He argues that these outstanding hits have a lot to say about the collective cultural, social and political attitudes and aspirations of the country, and about how our national identity - and theatre's role in creating it - has evolved over the decades. The book spans a range of work from almost forgotten plays, such as R. F. Delderfield's Worm's Eye View and Hugh Hastings's Seagulls Over Sorrento, to well-known mega-hits, such as The Mousetrap and The Phantom of the Opera. Such popular work has tended to be undervalued by some critics and commentators mainly because it has not been thought to be a suitable subject for inclusion in the canon of English Literature. By contrast, Sierz demonstrates that genres such as the British musical, light comedy, sex farce or murder mystery are worth appreciating not only for their intrinsic theatrical qualities, but also as examples of the dream life of the British people. The book challenges the idea that mega-hits are merely escapist entertainments and instead shows how they contribute to the creation of powerful myths about our national life. The analysis of such shows also points towards the possibility of creating an alternative history of postwar British theatre.
| Author | : Ben Macpherson |
| Publisher | : Springer |
| Total Pages | : 252 |
| Release | : 2018-05-15 |
| Genre | : Performing Arts |
| ISBN | : 1137598077 |
This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of ‘Britishness’, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.
| Author | : Mel Atkey |
| Publisher | : Lulu.com |
| Total Pages | : 656 |
| Release | : 2019 |
| Genre | : Performing Arts |
| ISBN | : 0991695747 |
"Musical theatre is --and always has been-- an international form, not just an American one. It can take root anywhere. Few people would realise that such hit standards as "The Glow Worm", "Brazil", "Mack the Knife", "I Will Wait for You" and "El Condor Pasa" came from foreign language musicals. A Million Miles from Broadway --Musical Theatre Beyond New York and London looks at the history (and future) of work that exists outside of the two traditional centres. Met Atkey has lectured internationally on musical theatre. He is also a composer and lyricist himself. When his musical A Little Princess (written with the late Robert Sickinger) opened, the New York Times praised its "lovely music". His earlier book Broadway North: the Dream of a Canadian Musical Theatre has become the basis for courses taught in Canadian Universities, including Sheridan College, where the international hit musical Come from Away was born. Austrailian TV producer and musical writer Peter Pinne called it "well documented", full of facts, and a compelling read for any musical theatre buff." "--
| Author | : Ethan Mordden |
| Publisher | : Oxford University Press |
| Total Pages | : 265 |
| Release | : 2021 |
| Genre | : History |
| ISBN | : 0190877952 |
"Anecdotal and evincing a strong point of view, [this] book covers not only the shows and their authors but the personalities as well--W.S. Gilbert trying out his stagings on a toy theatre, Ivor Novello going to jail for abusing wartime gas rationing during World War II, fabled producer C.B. Cochran coming to a most shocking demise for a man whose very name meant 'classy, carefree entertainment.' ... Mordden is the preeminent historian of the form, and his book will be required reading for readers of all walks, from the most casual of musical theater goers to musical theater buffs to students and scholars of the form"--
| Author | : Robert Gordon |
| Publisher | : Oxford University Press |
| Total Pages | : 777 |
| Release | : 2016 |
| Genre | : Music |
| ISBN | : 0199988749 |
The first comprehensive academic survey of British musical theatre from its origins, The Oxford Handbook of the British Musical offers both a historical account of musical theatre from 1728 and a range of in-depth critical analyses of key works and productions that illustrate its aesthetic values and sociocultural meanings.
| Author | : Nicholas Daly |
| Publisher | : Oxford University Press |
| Total Pages | : 328 |
| Release | : 2020-01-15 |
| Genre | : Literary Criticism |
| ISBN | : 0192573675 |
This is a book about the long cultural shadow cast by a single bestselling novel, Anthony Hope's The Prisoner of Zenda (1894), which introduced Ruritania, a colourful pocket kingdom. In this swashbuckling tale, Englishman Rudolf Rassendyll impersonates the king of Ruritania to foil a coup, but faces a dilemma when he falls for the lovely Princess Flavia. Hope's novel inspired stage and screen adaptations, place names, and even a board game, but it also launched a whole new subgenre, the "Ruritanian romance". The new form offered swordplay, royal romance, and splendid uniforms and gowns in such settings as Alasia, Balaria, and Cadonia. This study explores both the original appeal of The Prisoner of Zenda, and the extraordinary longevity and adaptability of the Ruritanian formula, which, it is argued, has been rooted in a lingering fascination with royalty, and the pocket kingdom's capacity to hold a looking glass up to Britain and later the United States. Individual chapters look at Hope's novel and its stage and film adaptations; at the forgotten American versions of Ruritania; at the chocolate-box principalities of the musical stage; at Cold War reworkings of the formula; and at Ruritania's recent reappearance in young adult fiction and made-for-television Christmas movies. The adventures of Ruritania have involved a diverse list of contributors, including John Buchan, P.G Wodehouse, Agatha Christie, Vladimir Nabokov, and Ian Fleming among the writers; Sigmund Romberg and Ivor Novello among the composers; Erich Von Stroheim and David O. Selznick among the film-makers; and Robert Donat, Madeleine Carroll, Peter Ustinov, Peter Sellers, and Anne Hathaway among the performers.
| Author | : Adrian Wright |
| Publisher | : Boydell Press |
| Total Pages | : 378 |
| Release | : 2012 |
| Genre | : Music |
| ISBN | : 1843837919 |
"West End Broadway discusses every American musical seen in London between 1945 and 1972."--Jacket.
