A Style And Usage Guide To Writing About Music
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Author | : Thomas Donahue |
Publisher | : Scarecrow Press |
Total Pages | : 114 |
Release | : 2010-04-01 |
Genre | : Music |
ISBN | : 0810874326 |
In A Style and Usage Guide to Writing About Music, Thomas Donahue presents a collection of guidelines to help express through the written word the special notations, terms, and concepts found in the discipline of music. It concentrates on questions of style and format in the interest of good formal writing within the context of United-States English, so that writers may communicate their ideas clearly and effectively. While compiling the guidelines, Donahue reviewed content from many other music and general guides. He documented the most common formats in order to assist the writer in selecting an appropriate format for the given circumstance when more than one may apply. The book draws on profuse musically-oriented examples and is arranged by topics both musical and typographic, such as the proper use and spelling of composer names and musical concepts; the use of notes, pitches, and octave delineations; letters and numbers employed to describe form and harmony; when, where, and how to apply compound words and hyphenation of terms and names; and the proper citation of musical and audiovisual sources. The book concludes with a glossary of typographic terms, a bibliography, and a comprehensive index, making this a valuable resource for students, scholars, teachers, and writers.
Author | : Allan M. Siegal |
Publisher | : Crown |
Total Pages | : 370 |
Release | : 2015-09-29 |
Genre | : Language Arts & Disciplines |
ISBN | : 1101905441 |
The premier source for journalists, now revised and updated for 2015. Does the White House tweet? Or does the White House post on Twitter? Can "text" be a verb and also a noun? When should you link? For anyone who writes--short stories or business plans, book reports or news articles--knotty choices of spelling, grammar, punctuation and meaning lurk in every line: Lay or lie? Who or whom? That or which? Is Band-Aid still a trademark? It's enough to send you in search of a Martini. (Or is that a martini?) Now everyone can find answers to these and thousands of other questions in the handy alphabetical guide used by the writers and editors of the world's most authoritative news organization. The guidelines to hyphenation, punctuation, capitalization and spelling are crisp and compact, created for instant reference in the rush of daily deadlines. The 2015 edition is a revised and condensed version of the classic guide, updated with solutions to problems that plague writers in the Internet age: · How to cite links and blogs · How to handle tweets, hashtags and other social-media content · How to use current terms like “transgender,” or to choose thoughtfully between "same-sex marriage" and "gay marriage" With wry wit, the authors have created an essential and entertaining reference tool.
Author | : Billy Seidman |
Publisher | : Rowman & Littlefield |
Total Pages | : 287 |
Release | : 2020-08-15 |
Genre | : Music |
ISBN | : 1493050788 |
An effective new songwriting vocabulary supported by ASCAP, BMI, and SESAC. The Elements Of Song Craft does for songwriters what William Strunk Jr. and E.B. White’s The Elements Of Style did for English language students and writers alike; gives an all-in-one definitive manifesto for contemporary songwriters in every genre to organize, understand, and practice the rules, principles, definitions, forms, and song craft needed to create good songs, songs of undeniable creative power and beauty, songs that last. The Elements of Song Craft beelines directly to the most important aspect of writing good songs—identifying the key emotion living at the heart of the song—then offers a step-by-step process to harnessing that singular emotional power. Additionally, a dozen other strategies, formulas, perspectives, and exercises are offered in the book. The Elements of Song Craft introduces, for the first time to a general songwriting audience, an effective new songwriting vocabulary utilized by songwriters taught in the SONG ARTS ACADEMY method and supported by ASCAP, BMI, and SESAC, the world’s leading Performance Rights Organizations at the heart of the songwriting business, as well as at NYU Steinhardt’s and The New School’s songwriting programs, for over sixteen years. Thousands of song arts participants, including hit songwriters and The Voice and American Idol contestants, have been trained in this method.
Author | : Rikky Rooksby |
Publisher | : Hal Leonard Corporation |
Total Pages | : 200 |
Release | : 2000 |
Genre | : Music |
ISBN | : 9780879306113 |
Explains how to create songs to be played on guitar, including advice on such basics of songwriting as structure, rhythm, melody, and lyrics.
Author | : Laurie J. Sampsel |
Publisher | : Oxford University Press, USA |
Total Pages | : 310 |
Release | : 2019 |
Genre | : Music |
ISBN | : 9780190644505 |
Concise and practical, Music Research introduces students to the major print and electronic research tools available to them. This unique handbook does not aim to provide an exhaustive introduction to the subject; rather, it is highly selective and guides students to the most significant English-language research tools and resources, reference titles in major areas, and the principal sources in French, German, Italian, and Spanish. Now updated to reflect the growingemphasis on the digital humanities, this is the perfect guide for 21st century music scholars. The text is supplemented by a comprehensive Companion Website that includes supplement links, updates to available bibliographies and readings by chapter, research tools listed by composer, and lists ofcore music journals and major professional music associations.
Author | : D. Kern Holoman |
Publisher | : Univ of California Press |
Total Pages | : 74 |
Release | : 1988 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780520063822 |
Table of contents: Preface 1. Music Terminology 2. Narrative Text 3. Citations 4. Musical Examples 5. Tables and Illustrations 6. The Printed Program 7. Electronics 8. Best Practices for Student Writers Appendix: Problem Words and Sample Style Sheet Bibliography.
Author | : Lynne Rogers |
Publisher | : Oxford University Press, USA |
Total Pages | : 264 |
Release | : 2021-01-07 |
Genre | : Academic writing |
ISBN | : 9780190872724 |
Writing in Music demystifies music writing conventions and methods by offering strategies for the types of writing that students most often encounter in college courses on music. The book offers guidance through the writing process and, for research assignments, through the research process. Geared for an audience of music majors and other students taking undergraduate music-major courses--as well as for master's students in music desiring more training in academic writing--Writing in Music covers the two approaches common to academic coursework in virtually all music-major programs: the study of music with a focus on its cultural and historical contexts, and the exploration of works using the tools of music analysis. Whether students want to apply a specific approach or take a broader, interdisciplinary stance, this guide prepares them to think and write about music.
Author | : The Associated Press |
Publisher | : Basic Books |
Total Pages | : 0 |
Release | : 2013-07-30 |
Genre | : Literary Collections |
ISBN | : 9780465082995 |
A fully revised and updated edition of the bible of the newspaper industry
Author | : Bryan A. Garner |
Publisher | : Oxford University |
Total Pages | : 930 |
Release | : 2003 |
Genre | : Language Arts & Disciplines |
ISBN | : 0195161912 |
Painstakingly researched with copious citations from books, newspapers, and news magazines, this new edition has become the classic reference work praised by professional copy editors.
Author | : Demar Irvine |
Publisher | : Hal Leonard Corporation |
Total Pages | : 284 |
Release | : 1999 |
Genre | : Language Arts & Disciplines |
ISBN | : 9781574670493 |
"This Handbook, thoroughly Revised and Enlarged by Mark A. Radice from its Classic Predecessors by Demar Irvine, has been designed primarily as a guide for students writing papers or theses on musical subjects - but it is useful for anyone writing for publication about music. As well as dealing with the requirements of scholarly writing, from citation and documentation to the mechanics of punctuation and abbreviation, it also addresses the specific circumstances that arise in writing about music, such as the use of musical examples to supplement prose text. Above all, it is a sensible guide to good writing, presenting concrete suggestions for more effective communication of ideas."--Publisher's description.