A Study Guide For Philip Levines Starlight
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| Author | : Gale, Cengage Learning |
| Publisher | : Gale, Cengage Learning |
| Total Pages | : 21 |
| Release | : 2016 |
| Genre | : Literary Criticism |
| ISBN | : 1410359166 |
A Study Guide for Philip Levine's "Starlight," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
| Author | : Philip Levine |
| Publisher | : Knopf |
| Total Pages | : 89 |
| Release | : 2011-08-31 |
| Genre | : Poetry |
| ISBN | : 0307761959 |
Winner of the National Book Award in 1991 “This collection amounts to a hymn of praise for all the workers of America. These proletarian heroes, with names like Lonnie, Loo, Sweet Pea, and Packy, work the furnaces, forges, slag heaps, assembly lines, and loading docks at places with unglamorous names like Brass Craft or Feinberg and Breslin’s First-Rate Plumbing and Plating. Only Studs Terkel’s Working approaches the pathos and beauty of this book. But Levine’s characters are also significant for their inner lives, not merely their jobs. They are unusually artistic, living ‘at the borders of dreams.’ One reads The Tempest ‘slowly to himself’; another ponders a diagonal chalk line drawn by his teacher to suggest a triangle, the roof of a barn, or the mysterious separation of ‘the dark from the dark.’ What Work Is ranks as a major work by a major poet . . . very accessible and utterly American in tone and language.” —Daniel L. Guillory, Library Journal
| Author | : Philip Levine |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2005 |
| Genre | : |
| ISBN | : |
| Author | : Gene Youngblood |
| Publisher | : Fordham University Press |
| Total Pages | : 485 |
| Release | : 2020-03-03 |
| Genre | : Art |
| ISBN | : 0823287432 |
Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.
| Author | : Larry Levis |
| Publisher | : University of Pittsburgh Press |
| Total Pages | : 305 |
| Release | : 2013-09-18 |
| Genre | : Poetry |
| ISBN | : 0822991063 |
Edited and with an Afterword by David St. John When Larry Levis died suddenly in 1996, Philip Levine wrote that he had years earlier recognized Levis as "the most gifted and determined young poet I have ever had the good fortune to have in one of my classes. . . . His early death is a staggering loss for our poetry, but what he left is a major achievement that will enrich our lives." Each of his books was published to wide critical acclaim, and David St. John has collected together the best of his work from his first five books: Wrecking Crew (1972), Afterlife (1976), The Dollmaker’s Ghost (1981), Winter Stars (1985) and The Widening Spell of the Leaves (1991). "It is not an exaggeration to say that the death of Larry Levis in 1996—; of a heart attack at 49—; sent a shock wave through the ranks of American poetry. Not only was Levis a good friend to many poets (not simply of his own generation but of many poets older and younger as well), his poetry had become a kind of touchstone for many of us, a source of special inspiration and awe. With Larry Levis’ death came the sense that an American original had been lost. . . . It is not at all paradoxical that he saw both the most intimate expressions of poetry and the grandest gestures of art, of language, as constituting individual acts of courage. One can only hope that, like such courage, Larry Levis’s remarkable poems will continue to live far into our literature."—; from the Afterword, by David St. John
| Author | : Cristin Ellis |
| Publisher | : Fordham Univ Press |
| Total Pages | : 207 |
| Release | : 2018-01-02 |
| Genre | : History |
| ISBN | : 0823278468 |
From the eighteenth-century abolitionist motto “Am I Not a Man and a Brother?” to the Civil Rights-era declaration “I AM a Man,” antiracism has engaged in a struggle for the recognition of black humanity. It has done so, however, even as the very definition of the human has been called into question by the biological sciences. While this conflict between liberal humanism and biological materialism animates debates in posthumanism and critical race studies today, Antebellum Posthuman argues that it first emerged as a key question in the antebellum era. In a moment in which the authority of science was increasingly invoked to defend slavery and other racist policies, abolitionist arguments underwent a profound shift, producing a new, materialist strain of antislavery. Engaging the works of Douglass, Thoreau, and Whitman, and Dickinson, Cristin Ellis identifies and traces the emergence of an antislavery materialism in mid-nineteenth century American literature, placing race at the center of the history of posthumanist thought. Turning to contemporary debates now unfolding between posthumanist and critical race theorists, Ellis demonstrates how this antebellum posthumanism highlights the difficulty of reconciling materialist ontologies of the human with the project of social justice.
| Author | : Julia B. Levine |
| Publisher | : LSU Press |
| Total Pages | : 89 |
| Release | : 2021-03-03 |
| Genre | : Poetry |
| ISBN | : 0807175188 |
Struggling to accept her impending blindness, the speaker in Julia B. Levine’s fifth collection of poetry, Ordinary Psalms, asks everyday life to help her learn how to see beyond appearances into fundamental truths. As she contemplates the loss of one friend to cancer and another to suicide, along with her own visual impairment, Levine holds the world “close as I needed / to see.” Imagistic, lyrical, and at times imploring divine intervention from a god she does not know or trust, these poems curse and praise the extraordinary place we live in and are in danger of losing. Lamenting that “this world is a mortal affliction / with wounds in the beautiful,” Ordinary Psalms provides a seductive and lyric rumination on radiance, loss, and grief.
| Author | : Cody Smith |
| Publisher | : Texas A&M University Press |
| Total Pages | : 87 |
| Release | : 2020-03-02 |
| Genre | : Poetry |
| ISBN | : 1680032038 |
Gulf is one part ode and one part elegy to Smith’s Louisiana. It is a book that, all at once, questions, praises, and eulegizes its muse. Smith’s poetry works to elevate people, places, and things that are often looked over as unpoetic. Trailers, pickups, catfish, menial labor thread through Gulf. But ultimately, the book revolves around family and home. It moves back and forth between innocence and experience, the idyllic and tragic. In Gulf, the past shapes the poet, yet the poet, through so much that has been lost, has little else to access a past other than memory. Ultimately, Gulf becomes a reckoning with memory. These poems are the work of a poet leaving and losing his home, his family, his way of life. But they are not merely past-centric. Loss is a centrifugal force, an inciting incident that leads to the question,what is on the other side? What is left of a state that every year falls farther into the Gulf of Mexico? What is left when the poet moves three thousand miles away? What is it like to come home? Can the poet come home? What remains when the poet leaves? What is he able to bring with him? Though Smith’s relationship to his home is not simple, his first urge is to praise; however, when home is a trailer on wheels in a state that continues to fall down farther into water, Gulf is a book of poems unable to escape the elegiac. The Sabine Series in Literature
| Author | : Ching-In Chen |
| Publisher | : |
| Total Pages | : 154 |
| Release | : 2019-03-21 |
| Genre | : |
| ISBN | : 9781946031495 |
This anthology project is dialogue, map, history - a project in response to the many questions poets of color face on a daily basis. It makes no claims of definitive stances -- simply the desire both to hear from each other and to share what we've learned, to pass on to others.
| Author | : Galway Kinnell |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 166 |
| Release | : 2002 |
| Genre | : Poetry |
| ISBN | : 9780618219124 |
This newly assembled volume draws from two books that were originally published in Galway Kinnell's first two decades of writing, WHAT A KINGDOM IT WAS (1960), which included the poem "The Avenue Bearing the Initial of Christ into the New World," and FLOWER HERDING ON MOUNT MONADNOCK (1964). Kinnell has revised some of the work in this new edition, and comments on his working method in a prefatory note.
