A Study Guide For Lee Breuers The Gospel At Colonus
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Author | : Gale, Cengage Learning |
Publisher | : Gale, Cengage Learning |
Total Pages | : 28 |
Release | : |
Genre | : Literary Criticism |
ISBN | : 1410392805 |
A Study Guide for Lee Breuer's "The Gospel at Colonus", excerpted from Gale's acclaimed Drama for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama for Students for all of your research needs.
Author | : Lee Breuer |
Publisher | : Theatre Communications Group |
Total Pages | : 79 |
Release | : 1993-01-01 |
Genre | : Drama |
ISBN | : 1559366788 |
A founding member of the acclaimed New York-based company Mabou Mines, Breuer's gifts as a writer and director have have made him a mainstay of the theatrical avant-garde.
Author | : Cengage Learning Gale |
Publisher | : |
Total Pages | : 29 |
Release | : 2018 |
Genre | : |
ISBN | : 9781410393555 |
Author | : Theresa Lang |
Publisher | : Taylor & Francis |
Total Pages | : 294 |
Release | : 2017-02-03 |
Genre | : Performing Arts |
ISBN | : 1317450345 |
Essential Dramaturgy: The Mindset and Skillset provides a concrete way to approach the work of a dramaturg. It explores ways to refine the process of defining, evaluating, and communicating that is essential to effective dramaturgical work. It then looks at how this outlook enhances the practical skills of production and new play dramaturgy. The book explains what a dramaturg does, what the role can be, and how best to refine and teach the skillset and mindset.
Author | : Sophocles |
Publisher | : Penguin UK |
Total Pages | : 221 |
Release | : 1973-04-26 |
Genre | : Drama |
ISBN | : 0141905646 |
King Oedipus/Oedipus at Colonus/Antigone Three towering works of Greek tragedy depicting the inexorable downfall of a doomed royal dynasty The legends surrounding the house of Thebes inspired Sophocles to create this powerful trilogy about humanity's struggle against fate. King Oedipus is the devastating portrayal of a ruler who brings pestilence to Thebes for crimes he does not realize he has committed and then inflicts a brutal punishment upon himself. Oedipus at Colonus provides a fitting conclusion to the life of the aged and blinded king, while Antigone depicts the fall of the next generation, through the conflict between a young woman ruled by her conscience and a king too confident of his own authority. Translated with an Introduction by E. F. WATLING
Author | : Stratos E. Constantinidis |
Publisher | : McFarland |
Total Pages | : 257 |
Release | : 2009-03-23 |
Genre | : Performing Arts |
ISBN | : 0786452897 |
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 32nd annual conference held in Los Angeles, California. Topics covered include masculinity in the plays of Tennessee Williams and Frederico Garcia Lorca; Moliere's revolutionary dramaturgy; motherhood in Medea; Electronovision and Richard Burton's Hamlet; and Jose Carrasquillo's all-nude production of Macbeth, among many others.
Author | : Barbara Goff |
Publisher | : OUP Oxford |
Total Pages | : 414 |
Release | : 2007-11-15 |
Genre | : Literary Criticism |
ISBN | : 0191607606 |
Crossroads in the Black Aegean is a compendious, timely, and fascinating study of African rewritings of Greek tragedy. It consists of detailed readings of six dramas and one epic poem, from different locations across the African diaspora. Barbara Goff and Michael Simpson ask why the plays of Sophocles' Theban Cycle figure so prominently among the tragedies adapted by dramatists of African descent, and how plays that dilate on the power of the past, in the inexorable curse of Oedipus and the regressive obsession of Antigone, can articulate the postcolonial moment. Capitalizing on classical reception studies, postcolonial studies, and comparative literature, Crossroads in the Black Aegean co-ordinates theory and theatre. It crucially investigates how the plays engage with the 'Western canon', and shows how they use their self-consciously literary status to assert, ironize, and challenge their own place, and that of the Greek originals, in relation to that tradition. Beyond these oedipal reflexes, the adaptations offer alternative African models of cultural transmission.
Author | : William James |
Publisher | : The Floating Press |
Total Pages | : 824 |
Release | : 2009-01-01 |
Genre | : Psychology |
ISBN | : 1877527467 |
Harvard psychologist and philosopher William James' The Varieties of Religious Experience: A Study in Human Nature explores the nature of religion and, in James' observation, its divorce from science when studied academically. After publication in 1902 it quickly became a canonical text of philosophy and psychology, remaining in print through the entire century. "Scientific theories are organically conditioned just as much as religious emotions are; and if we only knew the facts intimately enough, we should doubtless see 'the liver' determining the dicta of the sturdy atheist as decisively as it does those of the Methodist under conviction anxious about his soul. When it alters in one way the blood that percolates it, we get the Methodist, when in another way, we get the atheist form of mind."
Author | : Eli Rozik |
Publisher | : University of Iowa Press |
Total Pages | : 385 |
Release | : 2005-04 |
Genre | : Performing Arts |
ISBN | : 1587294265 |
The topic of the origins of theatre is one of the most controversial in theatre studies, with a long history of heated discussions and strongly held positions. In The Roots of Theatre, Eli Rozik enters the debate in a feisty way, offering not just another challenge to those who place theatre’s origins in ritual and religion but also an alternative theory of roots based on the cultural and psychological conditions that made the advent of theatre possible. Rozik grounds his study in a comprehensive review and criticism of each of the leading historical and anthropological theories. He believes that the quest for origins is essentially misleading because it does not provide any significant insight for our understanding of theatre. Instead, he argues that theatre, like music or dance, is a sui generis kind of human creativity—a form of thinking and communication whose roots lie in the spontaneous image-making faculty of the human psyche. Rozik’s broad approach to research lies within the boundaries of structuralism and semiotics, but he also utilizes additional disciplines such as psychoanalysis, neurology, sociology, play and game theory, science of religion, mythology, poetics, philosophy of language, and linguistics. In seeking the roots of theatre, what he ultimately defines is something substantial about the nature of creative thought—a rudimentary system of imagistic thinking and communication that lies in the set of biological, primitive, and infantile phenomena such as daydreaming, imaginative play, children’s drawing, imitation, mockery (caricature, parody), storytelling, and mythmaking.
Author | : Martin Banham |
Publisher | : Cambridge University Press |
Total Pages | : 1268 |
Release | : 1995-09-21 |
Genre | : Drama |
ISBN | : 9780521434379 |
Provides information on the history and present practice of theater in the world.