A Social and Economic History of the Theatre to 300 BC.
| Author | : Eric Csapo |
| Publisher | : |
| Total Pages | : 939 |
| Release | : 2020 |
| Genre | : Greek drama |
| ISBN | : 9781139023931 |
A Social And Economic History Of The Theatre To 300 Bc
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A Social and Economic History of the Theatre to 300 BC
| Author | : Eric Csapo |
| Publisher | : Cambridge University Press |
| Total Pages | : 978 |
| Release | : 2020-01-16 |
| Genre | : History |
| ISBN | : 1108635318 |
This is the second volume of A Social and Economic History of the Theatre to 300 BC and focuses exclusively on theatre culture in Attica (Rural Dionysia) and the rest of the Greek world. It presents and discusses in detail all the documentary and material evidence for theatre culture and dramatic production from the first two centuries of theatre history, namely the period c.500 to c.300 BC. The traditional assumption is laid to rest that theatre was an exclusively or primarily Athenian institution, with the inclusion of all sources of information for theatrical performances in twenty-two deme sites and over one hundred and twenty independent Greek (and some non-Greek) cities. All texts are translated and made accessible to non-specialists and specialists alike. The volume will be a fundamental work of reference for all classicists and theatre historians interested in ancient theatre and its wider historical contexts.
Theatre and Autocracy in the Ancient World
| Author | : Eric Csapo |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 290 |
| Release | : 2022-10-24 |
| Genre | : History |
| ISBN | : 3110980355 |
Why did ancient autocrats patronise theatre? How could ancient theatre – rightly supposed to be an artform that developed and flourished under democracy – serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.
Fragments in Context - Frammenti e dintorni
| Author | : Virginia Mastellari |
| Publisher | : Vandenhoeck & Ruprecht |
| Total Pages | : 237 |
| Release | : 2021-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 3946317987 |
Die Beiträge des mehrsprachigen Sammelbandes analysieren die »Umgebung« von Fragmenten der griechischen Literatur. Damit sind soziokulturelle und sprachliche Kontexte, dramaturgische Mechanismen sowie Evolutionsprozesse einer literarischen Gattung bis hin zur Rezeption antiker Fragmente gemeint. Dabei gehen sie den Fragen nach, warum, mit welcher Absicht, in welcher Form und in welchem Umfang ein Trägertext ein Fragment zitiert. Der Band eröffnet damit nicht nur der Fragmentforschung unter philologischen und methodologischen Gesichtspunkten neue Wege, sondern erweitert auch das Verständnis der Überlieferungsprozesse antiker Literatur.
Page and Stage
| Author | : Stuart Douglas Olson |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 194 |
| Release | : 2023-06-19 |
| Genre | : Literary Criticism |
| ISBN | : 311124802X |
Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished group of international scholars, bridge the gap between the surviving literary and iconographic evidence and the realities of performance on the ancient Greek stage. This ambitious goal is reached by means of a detailed examination of several case-studies: the construction of dramatic space in Sophocles’ Antigone; the significance of the use of deictic pronouns in Sophocles’ Trachiniae; the theatrical and religious dynamics of the appearance of divine figures on stage; the relationship between the victory celebrations at the end of Aristophanic comedies and their counterparts in the after-performance real world; the investigation of nude or semi-nude female characters in Aristophanes; the staging of Clouds and the opening scene of Acharnians; the meditation on the metapoetics of the use of props in 5th-century comedy; the relationship between performance context and text through a close reading of a number of Aristophanic fragments; the way the scholia vetera on Frogs imagine and use questions of staging practice; and the potential Aeschylean authorship of some of stage-direction traceable in Aeschylus’ Eumenides and Diktoulkoi.
Theatre and Metatheatre
| Author | : Elodie Paillard |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 317 |
| Release | : 2021-11-22 |
| Genre | : Literary Criticism |
| ISBN | : 3110716550 |
The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings? And is everything was performed within such buildings to be considered as ‘theatre’? How does the definition of what is considered as theatre evolve from one period to the other? As for ‘metatheatre’, the discussion revolves around the interaction between reality and fiction in dramatic pieces of all genres. The various definitions of ‘metatheatre’ are also explored and explicited by the papers gathered in this volume, as well as the question of the distinction between paratheatre (understood as paratragedy/comedy) and metatheatre. Readers will be encouraged by the diversity of approaches presented in this book to re-think their own understanding and use of ‘theatre’ and ‘metatheatre’ when examining ancient Greek reality.
A Companion to Ancient Greek and Roman Music
| Author | : Tosca A. C. Lynch |
| Publisher | : John Wiley & Sons |
| Total Pages | : 565 |
| Release | : 2020-06-29 |
| Genre | : History |
| ISBN | : 1119275490 |
"This chapter provides an overview of the Muses in Greek mythology and argues that their multiplicity, their indefinite number, their lack of fixed personalities and their metapoetic status make them highly unusual members of the Olympian pantheon. As the embodiment of music and the means by which music is channelled to human beings they are essential to our understanding of the meaning of mousikē in Greek culture. Above all their origins in an oral society foregrounds the performative nature of music which has characterised it as an art form throughout the ages"--
Tokens in Classical Athens and Beyond
| Author | : M. E. Gkikaki |
| Publisher | : Liverpool University Press |
| Total Pages | : 368 |
| Release | : 2023-09-15 |
| Genre | : History |
| ISBN | : 1800855664 |
A selection of essays on symbola, as the tokens of Classical Athens were called, bringing together scholars of various disciplines and professional categories (numismatists, historians, museum curators) that intends to reshape our knowledge on the roles these objects played in the Athenian Democracy. This is a series of case studies which aspires to test old theories and probe new assumptions. The first section explores the extent to which our knowledge has evolved since symbola were first distinguished from coins. Four essays demonstrate how tokens, as material manifestations of particular institutions, contributed to the formation of civic and political identity in the city-state of Athens and the roles they played in ensuring legal and political equality. The second section of the volume on new finds aims to develop expertise in studying tokens and increase relevant knowledge. Finally, a third section contains comparative studies from Sicily, Jerusalem and Ephesos, aiming to adopt a comparative methodology for a better understanding of the characteristics and roles of tokens from across the ancient Mediterranean. Contributors: Vera Geelmuyden Bulgurlu, Tumay Hazinedar Coscun, Antonino Crisà, Yoav Farhi, P. J. Finglass, Mairi Gkikaki, Irini Karra, James Kierstead, John H. Kroll, Stamatoula Makrypodi, Christian Mondello, Daria Russo, Martin Schäfer. An Open Access edition will be available on publication.
Ancient Greek Comedy
| Author | : Almut Fries |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 371 |
| Release | : 2020-06-22 |
| Genre | : Literary Criticism |
| ISBN | : 3110646269 |
This volume, in honour of Angus M. Bowie, collects seventeen original essays on Greek comedy. Its contributors treat questions of origin, genre and artistic expression, interpret individual plays from different angles (literary, historical, performative) and cover aspects of reception from antiquity to the 20th century. Topics that have not received much attention so far, such as the prehistory of Doric comedy or music in Old Comedy, receive a prominent place. The essays are arranged in three sections: (1) Genre, (2) Texts and Contexts, (3) Reception. Within each section the chapters are as far as possible arranged in chronological order, according to historical time or to the (putative) dates of the plays under discussion. Thus readers will be able to construe their own diachronic and thematic connections, for example between the portrayal of stock characters in early Doric farce and developed Attic New Comedy or between different forms of comic reception in the fourth century BC. The book is intended for professional scholars, graduate and undergraduate students. Its wide range of subjects and approaches will appeal not only to those working on Greek comedy, but to anyone interested in Greek drama and its afterlife.
Greek Drama V
| Author | : Hallie Marshall |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 273 |
| Release | : 2020-02-06 |
| Genre | : Drama |
| ISBN | : 1350142379 |
Drawing together new research from emerging and senior scholars, this selection of papers from the decennial Greek Drama V conference (Vancouver, 2017) explores the works of the ancient Greek playwrights and showcases new methodologies with which to study them. Sixteen chapters from a field of international contributors examine a range of topics, from the politics of the ancient theatre, to the role of the chorus, to the earliest history of the reception of Aeschylus' Oresteia. Employing anthropological, historical, and psychological critical methods alongside performance analysis and textual criticism, these studies bring fresh and original interpretations to the plays. Several contributions analyse fragmentary tragedies, while others incorporate ideas on the performance aspect of certain plays. The final chapters deal separately with comedy, naturally focusing on the plays of Aristophanes and Menander. Greek Drama V offers a window into where the academic field of Greek drama is now, and points towards the future scholarship it will produce.
