A Short History Of The Guyanese People
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Author | : Walter Rodney |
Publisher | : |
Total Pages | : 320 |
Release | : 1981-09 |
Genre | : Architecture |
ISBN | : |
Esme Rockett, also known as MC Ferocious, rocks her suburban Minnesota Christian high school with more than the hip-hop music she makes with best friends Marcy (DJ SheStorm) and Tess (The ConTessa) when she develops feelings for her co-MC, Rowie (MC Rohini).
Author | : Albert James Arnold |
Publisher | : John Benjamins Publishing |
Total Pages | : 700 |
Release | : 2001-01-01 |
Genre | : Literary Criticism |
ISBN | : 9789027234483 |
For the first time the Dutch-speaking regions of the Caribbean and Suriname are brought into fruitful dialogue with another major American literature, that of the anglophone Caribbean. The results are as stimulating as they are unexpected. The editors have coordinated the work of a distinguished international team of specialists. Read separately or as a set of three volumes, the History of Literature in the Caribbean is designed to serve as the primary reference book in this area. The reader can follow the comparative evolution of a literary genre or plot the development of a set of historical problems under the appropriate heading for the English- or Dutch-speaking region. An extensive index to names and dates of authors and significant historical figures completes the volume. The subeditors bring to their respective specialty areas a wealth of Caribbeanist experience. Vera M. Kutzinski is Professor of English, American, and Afro-American Literature at Yale University. Her book Sugar's Secrets: Race and The Erotics of Cuban Nationalism, 1993, treated a crucial subject in the romance of the Caribbean nation. Ineke Phaf-Rheinberger has been very active in Latin American and Caribbean literary criticism for two decades, first at the Free University in Berlin and later at the University of Maryland. The editor of A History of Literature in the Caribbean, A. James Arnold, is Professor of French at the University of Virginia, where he founded the New World Studies graduate program. Over the past twenty years he has been a pioneer in the historical study of the Négritude movement and its successors in the francophone Caribbean.
Author | : Grace Aneiza Ali |
Publisher | : Open Book Publishers |
Total Pages | : 342 |
Release | : 2020-09-29 |
Genre | : Social Science |
ISBN | : 1783749903 |
Liminal Spaces is an intimate exploration into the migration narratives of fifteen women of Guyanese heritage. It spans diverse inter-generational perspectives – from those who leave Guyana, and those who are left – and seven seminal decades of Guyana’s history – from the 1950s to the present day – bringing the voices of women to the fore. The volume is conceived of as a visual exhibition on the page; a four-part journey navigating the contributors’ essays and artworks, allowing the reader to trace the migration path of Guyanese women from their moment of departure, to their arrival on diasporic soils, to their reunion with Guyana. Eloquent and visually stunning, Liminal Spaces unpacks the global realities of migration, challenging and disrupting dominant narratives associated with Guyana, its colonial past, and its post-colonial present as a ‘disappearing nation’. Multimodal in approach, the volume combines memoir, creative non-fiction, poetry, photography, art and curatorial essays to collectively examine the mutable notion of ‘homeland’, and grapple with ideas of place and accountability. This volume is a welcome contribution to the scholarly field of international migration, transnationalism, and diaspora, both in its creative methodological approach, and in its subject area – as one of the only studies published on Guyanese diaspora. It will be of great interest to those studying women and migration, and scholars and students of diaspora studies. Grace Aneiza Ali is a Curator and an Assistant Professor and Provost Fellow in the Department of Art & Public Policy, Tisch School of the Arts, New York University. Her curatorial research practice centers on socially engaged art practices, global contemporary art, and art of the Caribbean Diaspora, with a focus on her homeland Guyana.
Author | : Gaiutra Bahadur |
Publisher | : University of Chicago Press |
Total Pages | : 313 |
Release | : 2013-11-01 |
Genre | : Biography & Autobiography |
ISBN | : 022604338X |
Shortlisted for the Orwell Prize: “[Bahadur] combines her journalistic eye for detail and story-telling gifts with probing questions . . . a haunting portrait.” —The Independent In 1903, a young woman sailed from India to Guiana as a “coolie” —the British name for indentured laborers who replaced the newly emancipated slaves on sugar plantations all around the world. Pregnant and traveling alone, this woman, like so many coolies, disappeared into history. Now, in Coolie Woman, her great-granddaughter embarks on a journey into the past to find her. Traversing three continents and trawling through countless colonial archives, Gaiutra Bahadur excavates not only her great-grandmother’s story but also the repressed history of some quarter of a million other coolie women, shining a light on their complex lives. Shunned by society, and sometimes in mortal danger, many coolie women were runaways, widows, or outcasts. Many left husbands and families behind to migrate alone in epic sea voyages—traumatic “middle passages” —only to face a life of hard labor, dismal living conditions, and, especially, sexual exploitation. As Bahadur explains, however, it is precisely their sexuality that makes coolie women stand out as figures in history. Greatly outnumbered by men, they were able to use sex with their overseers to gain various advantages, an act that often incited fatal retaliations from coolie men and sometimes larger uprisings of laborers against their overlords. Complex and unpredictable, sex was nevertheless a powerful tool. Examining this and many other facets of these remarkable women’s lives, Coolie Woman is a meditation on survival, a gripping story of a double diaspora—from India to the West Indies in one century, Guyana to the United States in the next—that is at once a search for roots and an exploration of gender and power, peril and opportunity.
Author | : Thomas Spinner |
Publisher | : Routledge |
Total Pages | : 204 |
Release | : 2021-11-28 |
Genre | : Political Science |
ISBN | : 0429716591 |
Originally published in 1984, this is a documented account of the political history of the former British colony of Guyana. Providing a reflection of the increasing involvement of the United States in the Caribbean and Central America on the long-term political, social and economic effect that intervention can have on the small states of less developed countries during the period of 1945 to 1983. The text includes a detailed historical account of post-World War II politics and moves onto the emergence of the nationalist movement in Guyana in the late 1940s and the cold war period of the 1950s; concluding with the consequences both politically and economically in the 1980s.
Author | : Stephen G. Rabe |
Publisher | : Univ of North Carolina Press |
Total Pages | : 254 |
Release | : 2006-05-26 |
Genre | : Political Science |
ISBN | : 0807876968 |
In the first published account of the massive U.S. covert intervention in British Guiana between 1953 and 1969, Stephen G. Rabe uncovers a Cold War story of imperialism, gender bias, and racism. When the South American colony now known as Guyana was due to gain independence from Britain in the 1960s, U.S. officials in the Kennedy and Johnson administrations feared it would become a communist nation under the leadership of Cheddi Jagan, a Marxist who was very popular among the South Asian (mostly Indian) majority. Although to this day the CIA refuses to confirm or deny involvement, Rabe presents evidence that CIA funding, through a program run by the AFL-CIO, helped foment the labor unrest, race riots, and general chaos that led to Jagan's replacement in 1964. The political leader preferred by the United States, Forbes Burnham, went on to lead a twenty-year dictatorship in which he persecuted the majority Indian population. Considering race, gender, religion, and ethnicity along with traditional approaches to diplomatic history, Rabe's analysis of this Cold War tragedy serves as a needed corrective to interpretations that depict the Cold War as an unsullied U.S. triumph.
Author | : Rahul Bhattacharya |
Publisher | : Macmillan + ORM |
Total Pages | : 290 |
Release | : 2011-04-26 |
Genre | : Fiction |
ISBN | : 1429929235 |
In flight from the tame familiarity of home in Bombay, a twenty-six-year-old cricket journalist chucks his job and arrives in Guyana, a forgotten colonial society of raw, mesmerizing beauty. Amid beautiful, decaying wooden houses in Georgetown, on coastal sugarcane plantations, and in the dark rainforest interior scavenged by diamond hunters, he grows absorbed with the fantastic possibilities of this new place where descendants of the enslaved and indentured have made a new world. Ultimately, to fulfill his purpose, he prepares to mount an adventure of his own. His journey takes him beyond Guyanese borders, and his companion will be the feisty, wild-haired Jan. In this dazzling novel, propelled by a singularly forceful voice, Rahul Bhattacharya captures the heady adventures of travel, the overheated restlessness of youth, and the paradoxes of searching for life's meaning in the escape from home. The Sly Company of People Who Care is the winner of the 2012 Royal Society of Literature Ondaatje Prize.
Author | : Dr. Hanif Gulmahamad |
Publisher | : Xlibris Corporation |
Total Pages | : 204 |
Release | : 2009-02-20 |
Genre | : Music |
ISBN | : 1453516050 |
Book Description This book is a compilation of 27 short stories and 17 poems written by Dr. Hanif Gulmahamad who was born in 1945 on Springlands Sugar Estate, Corentyne, Berbice in what was then the colonial territory of British Guiana. The stories in this book are based on real incidences and events that took place in the 1950’s and early 1960’s while the author was a young lad residing at No. 73 Village, Corentyne, Berbice, Guyana. The characters mentioned in the stories were real people though most of them are probably now deceased. This book was written in 2008 and it is based on the author’s best recollections of events which occurred over 45 years ago. Due to the fact that four and a half decades elapsed between the actual occurrence of these events and the time they were written, these stories may not be completely accurate. It is not the intention of the author to portray anyone in these stories in a negative light. Real names were mentioned in the stories in an attempt to be as pragmatic as possible. Great consideration, effort, and time were expended in order to keep these stories as realistic and accurate as possible. The 1950’s and 1960’s was an idyllic and carefree time for a young lad growing up in a far away village in British Guiana. The country was still under colonial rule at that time and there were laws and rules and there was the rule of law. It was a safe and secure place to grow up as a young boy. Most people in the villages were poor but there were ample opportunities to hunt, fish, farm, and eke out a living. For a lad of my age at the time, every day was an adventure. All you had to do was walk across the road and enter the farmlands and an adventure began. Life was simple and even though people worked hard for a living they were, for the most part, a happy lot. Wealth and material possessions were not necessary ingredients for a happy and fulfilling life. People accepted their lot in life and did not aspire to unachievable ideals and goals. You made do with what you had and you were grateful for what little you had. The stories in this book cover a wide variety of events and situations some of which are humorous. Children in Guyana, particularly those who live away from the cities, will find these stories fascinating. It is the author’s hope that children in Guyana, who can most relate to these stories, are afforded an opportunity to read this book. Back in the day when the author was a young boy in Guiana, books were very scarce commodities and anything and everything in print were read with great relish. Books told the author things and took him places he could only imagine at the time. In those days there were only two radio stations in the entire country and there was no television. Two movies theatres were located at Skeldon and the cost of one shilling to attend a movie there was often cost prohibitive to many people. The events in these stories were set in a place and time that is now gone and most probably lost forever. One of the major goals of the author was to record these stories for posterity. The poems in this book cover diverse times, topics, and places. The author currently lives in southern California and works in Los Angeles. Some of these poems reflect great nostalgia and longing for a life, place, and time that is gone. For example, the poems, I am not from here, I still have my memories, and it was supposed to be a temporary thing, convey great yearning for what the author perceives as things that he has lost having left Guyana and migrated to the United States. The contents of this book cast some light on the author’s life story which is a remarkable one. Born to functionally illiterate parents on a British sugar plantation in a faraway place in Guyana, the author went on to obtain a PhD degree from the University of California, Riverside. He has written and published over 60 technical and scientific papers including two chapters in books. It is important
Author | : Steve Garner |
Publisher | : Ian Randle Publishers |
Total Pages | : 385 |
Release | : 2008 |
Genre | : Ethnicity |
ISBN | : 9766372357 |
This book traces the creation of ethnic groups in nineteenth century Guyana and its ultimate impact on the colony's political consituencies as it moved to independence. The construction of the nation in the postcolonial period is approached through an analysis of cricket, trade unions and women traders in the late 1970s and early 1980s. The author argues that ethnicity as a historical relationship can be understood as a social experience if it is viewed as part of a set of overlapping identities which include class and gender. It also contends that ethnicity in Guyana was created in colonial times and deployed as a tool for dominance which has reconfigured itself to function effectively in postcolonial times.
Author | : Vibert C. Cambridge |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 555 |
Release | : 2015-05-21 |
Genre | : Music |
ISBN | : 1626746443 |
Musical Life in Guyana is the first in-depth study of Guyanese musical life. It is also a richly detailed description of the social, economic, and political conditions that have encouraged and sometimes discouraged musical and cultural creativity in Guyana. The book contributes to the study of the interactions between the policies and practices by national governments and musical communities in the Caribbean. Vibert C. Cambridge explores these interactions in Guyana during the three political eras that the society experienced as it moved from being a British colony to an independent nation. The first era to be considered is the period of mature colonial governance, guided by the dictates of “new imperialism,” which extended from 1900 to 1953. The second era, the period of internal self-government and the preparation for independence, extends from 1953, the year of the first general elections under universal adult suffrage, to 1966, the year when the colony gained its political independence. The third phase, 1966 to 2000, describes the early postcolonial era. Cambridge reveals how the issues of race, class, gender, and ideology deeply influenced who in Guyanese multicultural society obtained access to musical instruction and media outlets and thus who received recognition. He also describes the close connections between Guyanese musicians and Caribbean artists from throughout the region and traces the exodus of Guyanese musicians to the great cities of the world, a theme often neglected in Caribbean studies. The book concludes that the practices of governance across the twentieth century exerted disproportionate influence in the creation, production, distribution, and consumption of music.