A Short History Of Jewish Art
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Author | : Lee I. Levine |
Publisher | : |
Total Pages | : 582 |
Release | : 2012 |
Genre | : Art |
ISBN | : 9780300100891 |
Surveys Jewish visual culture in the Late Roman and Byzantine eras, including expression via figural images, biblical scenes and religious symbols.
Author | : Michael Brenner |
Publisher | : Princeton University Press |
Total Pages | : 437 |
Release | : 2021-07-13 |
Genre | : History |
ISBN | : 1400834260 |
A concise narrative history that brings the story of the Jewish people marvelously to life This is a sweeping and powerful narrative history of the Jewish people from biblical times to today. Based on the latest scholarship and richly illustrated, it is the most authoritative and accessible chronicle of the Jewish experience available. Michael Brenner tells a dramatic story of change and migration deeply rooted in tradition, taking readers from the mythic wanderings of Moses to the unspeakable atrocities of the Holocaust; from the Babylonian exile to the founding of the modern state of Israel; and from the Sephardic communities under medieval Islam to the shtetls of eastern Europe and the Hasidic enclaves of modern-day Brooklyn. The book is full of fascinating personal stories of exodus and return, from that told about Abraham, who brought his newfound faith into Canaan, to that of Holocaust survivor Esther Barkai, who lived on a kibbutz established on a German estate seized from the Nazi Julius Streicher as she awaited resettlement in Israel. Describing the events and people that have shaped Jewish history, and highlighting the important contributions Jews have made to the arts, politics, religion, and science, A Short History of the Jews is a compelling blend of storytelling and scholarship that brings the Jewish past marvelously to life.
Author | : Samantha Baskind |
Publisher | : Penn State University Press |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Art, American |
ISBN | : 9780271059839 |
Explores the works of five major American Jewish artists: Jack Levine, George Segal, Audrey Flack, Larry Rivers, and R. B. Kitaj. Focuses on the use of imagery influenced by the Bible.
Author | : Hersh Goldwurm |
Publisher | : Mesorah Publications |
Total Pages | : 232 |
Release | : 1982 |
Genre | : History |
ISBN | : 9780899064543 |
For the first time, Jewish history is presented according to authentic Jewish sources; well researched and clearly illustrated with photos, charts, and maps. Vol. I: The Second Temple Era: The era of the Second Commonwealth from the Destruction of the First Temple to the Destruction of the Second.
Author | : Raymond P. Scheindlin |
Publisher | : Oxford University Press, USA |
Total Pages | : 292 |
Release | : 2000 |
Genre | : History |
ISBN | : 9780195139419 |
From the original legends of the Bible to the peace accords of today's newspapers, this engaging, one-volume history of the Jews will fascinate and inform. 30 illustrations.
Author | : Charles Dellheim |
Publisher | : Brandeis University Press |
Total Pages | : 688 |
Release | : 2021-09-21 |
Genre | : Art |
ISBN | : 1684580560 |
The old masters' new masters -- Was modernism Jewish? -- In the middle -- To have and have not.
Author | : David N. Myers |
Publisher | : Oxford University Press |
Total Pages | : 162 |
Release | : 2017-04-18 |
Genre | : History |
ISBN | : 0199912858 |
How have the Jews survived? For millennia, they have defied odds by overcoming the travails of exile, persecution, and recurring plans for their annihilation. Many have attempted to explain this singular success as a result of divine intervention. In this engaging book, David N. Myers charts the long journey of the Jews through history. At the same time, it points to two unlikely-and decidedly this-worldly--factors to explain the survival of the Jews: antisemitism and assimilation. Usually regarded as grave dangers, these two factors have continually interacted with one other to enable the persistence of the Jews. At every turn in their history, not just in the modern age, Jews have adapted to new environments, cultures, languages, and social norms. These bountiful encounters with host societies have exercised the cultural muscle of the Jews, preventing the atrophy that would have occurred if they had not interacted so extensively with the non-Jewish world. It is through these encounters--indeed, through a process of assimilation--that Jews came to develop distinct local customs, speak many different languages, and cultivate diverse musical, culinary, and intellectual traditions. Left unchecked, the Jews' well-honed ability to absorb from surrounding cultures might have led to their disappearance. And yet, the route toward full and unbridled assimilation was checked by the nearly constant presence of hatred toward the Jew. Anti-Jewish expression and actions have regularly accompanied Jews throughout history. Part of the ironic success of antisemitism is its malleability, its talent in assuming new forms and portraying the Jew in diverse and often contradictory images--for example, at once the arch-capitalist and revolutionary Communist. Antisemitism not only served to blunt further assimilation, but, in a paradoxical twist, affirmed the Jew's sense of difference from the host society. And thus together assimilation and antisemitism (at least up to a certain limit) contribute to the survival of the Jews as a highly adaptable and yet distinct group.
Author | : James McAuley |
Publisher | : Yale University Press |
Total Pages | : 327 |
Release | : 2021-03-23 |
Genre | : History |
ISBN | : 0300252544 |
A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews—pillars of an embattled community—invested their fortunes in France’s cultural artifacts, sacrificed their sons to the country’s army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siècle. Weaving together narratives of various figures, some familiar from the works of Marcel Proust and the diaries of Jules and Edmond Goncourt—the Camondos, the Rothschilds, the Ephrussis, the Cahens d'Anvers—McAuley shows how Jewish art collectors contended with a powerful strain of anti-Semitism: they were often accused of “invading” France’s cultural patrimony. The collections these families left behind—many ultimately donated to the French state—were their response, tragic attempts to celebrate a nation that later betrayed them.
Author | : Samantha Baskind |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Jewish art |
ISBN | : 9781861898029 |
Covering nearly two centuries, this is a comprehensive account of the art made by Jews across Europe, America and Israel. The book discusses many issues including the shifting Jewish identity, the effects of the diaspora, anti-Semitism and the distinctive character of images made within a Christian.
Author | : Samuel J. Spinner |
Publisher | : Stanford University Press |
Total Pages | : 338 |
Release | : 2021-07-27 |
Genre | : Literary Criticism |
ISBN | : 1503628280 |
Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism, Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized.