A Shakespearean Theatre
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| Author | : Jacqueline Morley |
| Publisher | : Scribo |
| Total Pages | : 0 |
| Release | : 2007 |
| Genre | : Great Britain |
| ISBN | : 9781905638598 |
Elizabethan London was a vibrant, growing city and theater, especially that of William Shakespeare, played a major role in its lively culture. There was even a different play every day of the week Here's your ticket to the Globe, the legendary 20-sided building where Shakespeare's plays were staged. Go backstage to discover how the theater was run, who chose the actors, how big an audience it could hold, and why it was build on the banks of the Thames. Extraordinary illustrations give a dramatic look at life and art in the sixteenth century. "
| Author | : Peter Thomson |
| Publisher | : Routledge |
| Total Pages | : 221 |
| Release | : 2013-06-17 |
| Genre | : Performing Arts |
| ISBN | : 1136113568 |
Reviews of the First Edition `...valuable and enjoyable reading for all studying Shakespeare's plays.' Following in the patternestablished by John Russell Brown for the excellent series (Theatre and Production Studies), he provides first an account of Shakespeare's company, then a study of three individual plays Twelfth Night, Hamlet and Macbeth as performed by the company. Peter Thomson writes in a crisp, sharp, enlivening style.' TLS '`...the best analysis yet of Elizabethan acting practices, excavated form the texts themselves rather than reconstructed on basis of one monolithic theory, and an essay on Hamlet that is a model of Critical intelligence and theatrical invention.' Yearbook of English Studies `Synthesizes the important facts and summarizes projects with a vigorous prose style, and expertly applies his experience in both practical drama and academic teaching to his discussion.' Review of English Studies
| Author | : Richard Dutton |
| Publisher | : John Wiley & Sons |
| Total Pages | : 382 |
| Release | : 2018-03-19 |
| Genre | : Literary Criticism |
| ISBN | : 1405115130 |
Shakespeare’s Theatre: A History examines the theatre spaces used by William Shakespeare, and explores these spaces in relation to the social and political framework of the Elizabethan era. The text journeys from the performing spaces of the provincial inns, guild halls and houses of the gentry of the Bard’s early career, to the purpose-built outdoor playhouses of London, including the Globe, the Theatre, and the Curtain, and the royal courts of Elizabeth and James I. The author also discusses the players for whom Shakespeare wrote, and the positioning—or dispositioning—of audience members in relation to the stage. Widely and deeply researched, this fascinating volume is the first to draw on the most recent archaeological work on the remains of the Rose and the Globe, as well as continuing publications from the Records of Early English Drama project. The book also explores the contentious view that the ‘plot’ of The Seven Deadly Sins (part II), provides unprecedented insight into the working practices of Shakespeare’s company and includes a complete and modernized version of the ‘plot’. Throughout, the author relates the practicalities of early modern playing to the evolving systems of aristocratic patronage and royal licensing within which they developed Insightful and engaging, Shakespeare’s Theatre is ideal reading for undergraduates, postgraduates, and scholars of literature and theatre studies.
| Author | : Farah Karim Cooper |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 317 |
| Release | : 2015-01-05 |
| Genre | : Drama |
| ISBN | : 1408157055 |
How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays? Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period.
| Author | : Andrew Langley |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 0 |
| Release | : 1999 |
| Genre | : Theater |
| ISBN | : 9780199105663 |
Shakespeare's Theatre is a tale of two theatres: the original Globe on the bank of the River Thames in London, which opened in 1599, and its modern reconstruction, which opened in almost exactly the same spot nearly four hundred years later.
| Author | : Andrew Gurr |
| Publisher | : Oxford Shakespeare Topics |
| Total Pages | : 192 |
| Release | : 2000 |
| Genre | : Drama |
| ISBN | : 9780198711582 |
By bringing together evidence from different sources--documentary, archaeological, and the play-texts themselves--Staging Shakespeare's Theatres reconstructs the ways in which the plays were originally staged in the theaters of Shakespeare's own time, and shows how the physical possibilities and limitations of these theaters affected both the writing and the performances. The book explains the conditions under which the early playwrights and players worked, their preparation of the plays for the stage, and their rehearsal practices. It looks at the quality of evidence supplied by the surviving play-texts, and the extant to which audiences of the time differed from modern audiences; and it gives vivid examples of how Elizabethan actors made use of gestures, costumes, props, and the theater's specific design features. Stage movement is analyzed through a careful study of how exits and entrances worked on such stages. The final chapter offers a thorough examination of Hamlet as a text for performance, excitingly returning the play to its original staging at the Globe.
| Author | : William Shakespeare |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 216 |
| Release | : 2013-04-01 |
| Genre | : Drama |
| ISBN | : 1623160332 |
(Book). Shakespeare was a man of the theatre to his core, so it is no surprise that he repeatedly contemplated the nuts and bolts of his craft in his plays and poems. Shakespeare scholar Nick de Somogyi here draws together all the cherishable set pieces including "All the world's a stage," Hamlet's encounters with the Players, and Bottom's amateur theatricals along with many other oblique but no less revealing glances, and further insights into theatre practice by Shakespeare's contemporaries and rivals. De Somogyi's commentary takes us through the entire process of Shakespeare's theatrical production, from its casting and auditions, via rehearsals, costumes, and props, to its premiere and audience reception. Shakespeare on Theatre eavesdrops on the urgently whispered noises-off in the "tiring-house" and inhales the heady aroma of the Globe's first audiences.
| Author | : Toby Forward |
| Publisher | : Candlewick Press (MA) |
| Total Pages | : 0 |
| Release | : 2005 |
| Genre | : Theater |
| ISBN | : 9780763626945 |
In the present tense, tells of the times during which the Globe Theatre was built and gives its history; includes a pop-up theater, punch-out characters to use in it, and two booklets of scenes from Shakespeare's plays.
| Author | : Brett Gamboa |
| Publisher | : Routledge |
| Total Pages | : 251 |
| Release | : 2019-11-19 |
| Genre | : Literary Criticism |
| ISBN | : 1000750922 |
Floating daggers, enchanted handkerchiefs, supernatural storms, and moving statues have tantalized Shakespeare’s readers and audiences for centuries. The essays in Shakespeare’s Things: Shakespearean Theatre and the Non-Human World in History, Theory, and Performance renew attention to non-human influence and agency in the plays, exploring how Shakespeare anticipates new materialist thought, thing theory, and object studies while presenting accounts of intention, action, and expression that we have not yet noticed or named. By focusing on the things that populate the plays—from commodities to props, corpses to relics—they find that canonical Shakespeare, inventor of the human, gives way to a lesser-known figure, a chronicler of the ceaseless collaboration among persons, language, the stage, the object world, audiences, the weather, the earth, and the heavens.
| Author | : J. R. Mulryne |
| Publisher | : Cambridge University Press |
| Total Pages | : 208 |
| Release | : 1997-06-12 |
| Genre | : Architecture |
| ISBN | : 9780521599887 |
The rebuilding of the Globe theatre (1599-1613) on London's Bankside, a few yards from the site of the playhouse in which many of Shakespeare's plays were first performed, must rank as one of the most imaginative enterprises of recent decades. It has aroused intense interest among scholars and the general public worldwide. This book offers a fully illustrated account of the research that has gone into the Globe reconstruction, drawing on the work of leading scholars, theatre people and craftsmen to provide an authoritative view of the twenty years of research and the hundreds of practical decisions entailed. Documents of the period are explored afresh; the techniques of timber-framed building and the decorative practices of Elizabethan craftsmen explained; and all of this reconciled with the requirements of the actors and restrictions of modern architectural design. The result is a book that will fascinate scholarly readers and laymen alike.
