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| Author | : Margreta De Grazia |
| Publisher | : Cambridge University Press |
| Total Pages | : 381 |
| Release | : 2010-03-25 |
| Genre | : Drama |
| ISBN | : 0521886325 |
Twenty-one essays provide lively and authoritative approaches to the literary, historical, cultural and performative aspects of Shakespeare works.
| Author | : David Scott Kastan |
| Publisher | : Wiley-Blackwell |
| Total Pages | : 536 |
| Release | : 1999-10-29 |
| Genre | : Literary Criticism |
| ISBN | : 9780631218784 |
A Companion to Shakespeare is an indispensable book for students and teachers of Shakespeare, indeed for anyone with an interest in his plays. Contains 28 newly commissioned essays written by the most distinguished historians and literary scholars Situates Shakespeare in the historical and cultural conditions in which he wrote
| Author | : Margreta de Grazia |
| Publisher | : Cambridge University Press |
| Total Pages | : 504 |
| Release | : 2001-04-05 |
| Genre | : Literary Criticism |
| ISBN | : 1139825984 |
This book offers a comprehensive, readable and authoritative introduction to the study of Shakespeare, by means of nineteen newly commissioned essays. An international team of prominent scholars provide a broadly cultural approach to the chief literary, performative and historical aspects of Shakespeare's work. They bring the latest scholarship to bear on traditional subjects of Shakespeare study, such as biography, the transmission of the texts, the main dramatic and poetic genres, the stage in Shakespeare's time and the history of criticism and performance. In addition, authors engage with more recently defined topics: gender and sexuality, Shakespeare on film, the presence of foreigners in Shakespeare's England and his impact on other cultures. Helpful reference features include chronologies of the life and works, illustrations, detailed reading lists and a bibliographical essay.
| Author | : Ayanna Thompson |
| Publisher | : Cambridge University Press |
| Total Pages | : 518 |
| Release | : 2021-02-25 |
| Genre | : Literary Criticism |
| ISBN | : 1108623298 |
The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a non-specialist, student audience.
| Author | : Michael Hattaway |
| Publisher | : Cambridge University Press |
| Total Pages | : 308 |
| Release | : 2002-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 9780521775397 |
Publisher Description (unedited publisher data) Shakespeare's history plays have been performed more in recent years than ever before, in Britain, North America, and in Europe. This volume provides an accessible, wide-ranging and informed introduction to Shakespeare's history and Roman plays. It is attentive throughout to the plays as they have been performed over the centuries since they were written. The first part offers accounts of the genre of the history play, of Renaissance historiography, of pageants and masques, and of women's roles, as well as comparisons with history plays in Spain and the Netherlands. Chapters in the second part look at individual plays as well as other Shakespearean texts which are closely related to the histories. The Companion offers a full bibliography, genealogical tables, and a list of principal and recurrent characters. It is a comprehensive guide for students, researchers and theatre-goers alike.
| Author | : Robert Shaughnessy |
| Publisher | : Cambridge University Press |
| Total Pages | : 267 |
| Release | : 2007-06-28 |
| Genre | : Literary Criticism |
| ISBN | : 0521844290 |
This book offers a collection of essays on Shakespeare's life and works in popular forms and media.
| Author | : Stanley Wells |
| Publisher | : Cambridge University Press |
| Total Pages | : 342 |
| Release | : 2002-05-30 |
| Genre | : Drama |
| ISBN | : 9780521797115 |
This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.
| Author | : Claire McEachern |
| Publisher | : Cambridge University Press |
| Total Pages | : 325 |
| Release | : 2013-08-08 |
| Genre | : Drama |
| ISBN | : 110701977X |
This updated Companion has been fully revised and includes an extensively overhauled bibliography and four new chapters by leading scholars.
| Author | : Frank Ernest Halliday |
| Publisher | : |
| Total Pages | : 569 |
| Release | : 1964 |
| Genre | : English drama |
| ISBN | : |
| Author | : Gary Taylor |
| Publisher | : Oxford University Press |
| Total Pages | : 776 |
| Release | : 2017-02-10 |
| Genre | : Literary Criticism |
| ISBN | : 0192517600 |
This companion volume to The New Oxford Shakespeare: The Complete Works concentrates on the issues of canon and chronology—currently the most active and controversial debates in the field of Shakespeare editing. It presents in full the evidence behind the choices made in The Complete Works about which works Shakespeare wrote, in whole or part. A major new contribution to attribution studies, the Authorship Companion illuminates the work and methodology underpinning the groundbreaking New Oxford Shakespeare, and casts new light on the professional working practices, and creative endeavours, of Shakespeare and his contemporaries. We now know that Shakespeare collaborated with his literary and dramatic contemporaries, and that others adapted his works before they reached printed publication. The Authorship Companion's essays explore and explain these processes, laying out everything we currently know about the works' authorship. Using a variety of different attribution methods, The New Oxford Shakespeare has confirmed the presence of other writers' hands in plays that until recently were thought to be Shakespeare's solo work. Taking this process further with meticulous, fresh scholarship, essays in the Authorship Companion show why we must now add new plays to the accepted Shakespeare canon and reattribute certain parts of familiar Shakespeare plays to other writers. The technical arguments for these decisions about Shakespeare's creativity are carefully laid out in language that anyone interested in the topic can understand. The latest methods for authorship attribution are explained in simple but accurate terms and all the linguistic data on which the conclusions are based is provided. The New Oxford Shakespeare consists of four interconnected publications: the Modern Critical Edition (with modern spelling), the Critical Reference Edition (with original spelling), a companion volume on Authorship, and an online version integrating all of this material on OUP's high-powered scholarly editions platform. Together, they provide the perfect resource for the future of Shakespeare studies.
