A Rhetoric Of The Decameron
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| Author | : Marilyn Migiel |
| Publisher | : University of Toronto Press |
| Total Pages | : 244 |
| Release | : 2003-01-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780802085948 |
"Addressing herself equally to those who argue for proto-feminist Boccaccio - a quasi-liberal champion of women's autonomy - and to those who argue for a positivistically secure, historical Boccaccio who could not possibly anticipate the concerns of the twenty-first century, Migiel challenges readers to pay attention to Boccaccio's language, to his pronouns, his passives, his patterns of repetition, and his figurative language. She argues that human experience, particularly in the sexual realm, is articulated differently by the Decameron's male and female narrators, and refutes the notion that the Decameron offers an undifferentiated celebration of Eros. Ultimately, Migiel contends, the stories of the Decameron suggest that as women become more empowered, the limitations on them, including the threat of violence, become more insistent."--Jacket.
| Author | : Marilyn Migiel |
| Publisher | : University of Toronto Press |
| Total Pages | : 269 |
| Release | : 2015-09-15 |
| Genre | : Literary Criticism |
| ISBN | : 1442625767 |
With The Ethical Dimension of the “Decameron” Marilyn Migiel, author of A Rhetoric of the “Decameron” (winner of the MLA’s 2004 Marraro Prize), returns to Giovanni Boccaccio’s masterpiece, this time to focus on the dialogue about ethical choices that the Decameron creates with us and that we, as individuals and as groups, create with the Decameron. Maintaining that we can examine this dialogue to gain insights into our values, our biases and our decision-making processes, Migiel offers a view of the Decameron as sticky and thorny. According to Migiel, the Decameron catches us as we move through it, obligating us to reveal ourselves, inviting us to reflect on how we form our assessments, and calling upon us to be mindful of our responsibility to judge patiently and carefully. Migiel’s focus remains unabashedly on the experience of readers, on the meanings they find in the Decameron, and on the ideological assumptions they have about the way that a literary text such as the Decameron works. She offers that, rather than thinking about the Decameron as “teaching” readers, we should think about it “testing” them. Throughout, Migiel engages in the masterful in-depth rhetorical analyses, delivered in lively and readable prose, that are her trademark. Whether she is examining the Italian of the Decameron, translations of the Italian into English, commentaries by scholars, newspaper articles, or student essays, she asks us always to maintain an ethical engagement with the words of others.
| Author | : Filippo Andrei |
| Publisher | : Springer |
| Total Pages | : 268 |
| Release | : 2017-10-07 |
| Genre | : Literary Criticism |
| ISBN | : 3319651153 |
This book explores the tangled relationship between literary production and epistemological foundation as exemplified in one of the masterpieces of Italian literature. Filippo Andrei argues that Giovanni Boccaccio's Decameron has a significant though concealed engagement with philosophy, and that the philosophical implications of its narratives can be understood through an epistemological approach to the text. He analyzes the influence of Dante, Petrarch, Thomas Aquinas, Aristotle, and other classical and medieval thinkers on Boccaccio's attitudes towards ethics and knowledge-seeking. Beyond providing an epistemological reading of the Decameron, this book also evaluates how a theoretical reflection on the nature of rhetoric and poetic imagination can ultimately elicit a theory of knowledge.
| Author | : Giuseppe Mazzotta |
| Publisher | : Princeton University Press |
| Total Pages | : 298 |
| Release | : 2014-07-14 |
| Genre | : Literary Criticism |
| ISBN | : 1400854180 |
Giuseppe Mazzotta provides both a powerful framework for reading the Decameron and an important contribution to medieval and contemporary debates in esthetics. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : Olivia Holmes |
| Publisher | : Cambridge University Press |
| Total Pages | : 287 |
| Release | : 2023-01-31 |
| Genre | : Literary Criticism |
| ISBN | : 1009224387 |
This is the first monograph to provide a comprehensive interpretation of the Decameron's response to classical and medieval didactic traditions. Olivia Holmes unearths the rich variety of Boccaccio's sources, ranging across Aesopic fables, narrative collections of Islamicate origin, sermon-stories and saints' lives, and compilations of historical anecdotes. Examining the Decameron's sceptical and sexually permissive contents in relation to medieval notions of narrative exemplarity, the study also considers how they intersect with current critical assertions of fiction's power to develop empathy and emotional intelligence. Holmes argues that Boccaccio provides readers with the opportunity to exercise both what the ancients called 'Ethics,' and our contemporaries call 'Theory of Mind.' This account of a vast tradition of tale collections and its provocative analysis of their workings will appeal to scholars of Italian literature and medieval studies, as well as to readers interested in evolutionary understandings of storytelling.
| Author | : William Robins |
| Publisher | : University of Toronto Press |
| Total Pages | : 293 |
| Release | : 2020-07-09 |
| Genre | : Literary Criticism |
| ISBN | : 1487535139 |
Divided into ten days of ten novellas each, Boccaccio’s Decameron is one of the literary gems of the fourteenth century. The Decameron Eighth Day in Perspective is an interpretive guide to the stories of the text’s Day Eight – a day dedicated to tales of tricks and practical jokes. By drawing on literary precursors such as fabliaux, epic, philosophy, exempla, Dante’s Commedia, and scripture, and by meditating on the dynamics of civic engagement in fourteenth-century Florence, Boccaccio develops in these stories of jests a self-consciously literary representation of the Florentine social imaginary. The essays in this volume, all written by prominent scholars, survey previous scholarship and open up new cultural and historical perspectives on Boccaccio’s sophisticated art of storytelling. They analyze both the literary sources that Boccaccio’s comic narratives transform, as well as the political, legal, and ethical contexts with which they engage. Each contributor tackles a single tale, yet their essays also register major themes and concerns that recur throughout Day Eight, allowing for close connections among the essays.
| Author | : Albrecht Classen |
| Publisher | : Routledge |
| Total Pages | : 412 |
| Release | : 2018-03-05 |
| Genre | : Literary Criticism |
| ISBN | : 135100106X |
Toleration and Tolerance in Medieval European Literature aims to examine and unearth the critical investigations of toleration and tolerance presented in literary texts of the Middle Ages. In contrast to previous approaches, this volume identifies new methods of interpreting conventional classifications of toleration and tolerance through the emergence of multi-level voices in literary, religious, and philosophical discourses of authorities in medieval literature. Accordingly, this volume identifies two separate definitions of toleration and tolerance, the former as a representative of a majority group accepts a member of the minority group but still holds firmly to the believe that s/he is right and the other entirely wrong, and tolerance meaning that all faiths, convictions, and ideologies are treated equally, and the majority speaker is ready to accept that potentially his/her position is wrong. Applying these distinct differences in the critical investigation of interaction and representation in context, this book offers new insight into the tolerant attitudes portrayed in medieval literature of which regularly appealed, influenced and shaped popular opinions of the period.
| Author | : Michael Sherberg |
| Publisher | : University of Toronto Press |
| Total Pages | : 233 |
| Release | : 2020-11-03 |
| Genre | : Literary Criticism |
| ISBN | : 1487536321 |
This volume, part of the Lectura Boccaccii series organized by the American Boccaccio Association, offers close readings by top scholars of Day Four of the Decameron. As fans of the Decameron know, the Fourth Day opens with an important intervention in which the author defends his project against his critics, which coincides with a significant change in tone as the subject matter turns to stories with unhappy endings. The contributors approach the stories from a variety of perspectives, including the linguistic, philosophical, anthropological, and literary historical. These fresh readings of stories that are nearly seven hundred years old testify to the enduring power of Boccaccio’s masterpiece to speak to new audiences and to find compelling relevance even at a great distance from its immediate medieval context.
| Author | : Alexandra Coller |
| Publisher | : Taylor & Francis |
| Total Pages | : 295 |
| Release | : 2017-07-06 |
| Genre | : Art |
| ISBN | : 1134780109 |
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction: Women, Rhetoric, and Drama in Early Modern Italy -- PART I: Women as Protagonists in Male-Authored Drama: Comedy and tragedy -- 1 Fathers, Daughters, Crossdressing, and Names: Women, Rhetoric, and Education in Commedia Erudita -- Coda: "Margherita Costa's Li buffoni (1641): The First (Extant) Female-Authored Scripted Comedy"--2 Fashioning a Genealogy: The Rhetoric of Friendship and Female Virtue in Italian Renaissance tragedy -- Coda: Valeria Miani's Celinda (1611) among Fin de Siècle Italian Tragedies -- PART II: Women as Authors/Women as Protagonists: Pastoral Tragicomedy -- 3 Women Writers and the Canon: Satyr Scenes and Female-Authored Pastoral Drama -- 4 Isabetta Coreglia's Dori (1634): Writing Pastoral Drama Against the Backdrop of the Male Canon and an Incipient Female-Authored Tradition -- 5 Isabetta Coreglia's Erindo il fido (1650) and Isabella Andreini's Mirtilla (1588): Using a Female-Authored Classic as Paradigm -- Appendix -- Bibliography -- Index
| Author | : Kristina Marie Olson |
| Publisher | : University of Toronto Press |
| Total Pages | : 259 |
| Release | : 2014-11-05 |
| Genre | : History |
| ISBN | : 1442667192 |
In Courtesy Lost, Kristina M. Olson analyses the literary impact of the social, political, and economic transformations of the fourteenth century through an exploration of Dante’s literary and political influence on Boccaccio. The book reveals how Boccaccio rewrote the past through the lens of the Commedia, torn between nostalgia for elite families in decline and the need to promote morality and magnanimity within the Florentine Republic. By examining the passages in Boccaccio’s Decameron, De casibus, and Esposizioni in which the author rewrites moments in Florentine and Italian history that had also appeared in Dante’s Commedia, Olson illuminates the ways in which Boccaccio expressed his deep ambivalence towards the political and social changes of his era. She illustrates this through an analysis of Dante’s and Boccaccio’s treatments of the idea of courtesy, or cortesia, in an era when the chivalry of the declining aristocracy was being supplanted by the civility of the rising merchant classes.
