A Primer Of Italian Fascism
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| Author | : Jeffrey Thompson Schnapp |
| Publisher | : U of Nebraska Press |
| Total Pages | : 360 |
| Release | : 2000-01-01 |
| Genre | : Political Science |
| ISBN | : 9780803242791 |
A Primer of Italian Fascism makes available for the first time in English translation the key documents pertaining to one of our century?s defining mass political movements. Whereas existing anthologies survey Fascist writings in a multiplicity of national settings, A Primer of Italian Fascism opts for a tightly focused, in-depth approach that emphasizes the development of Fascist ideology in the country of its birth. ø Historically speaking, Italian Fascism was the original Fascism. The model for subsequent movements including Nazism, Falangism, and Integralism, Italian Fascism set out to define a ?third way? to modernization known as ?corporatism.? A Primer of Italian Fascism situates the rise and fall of corporatist ideals within the framework of the actual history of Mussolini?s movement and regime. It includes not only classic doctrinal statements such as Mussolini?s ?Foundations and Doctrine of Fascism? and writings by corporatist theorists such as Bottai, Pellizzi, Rocco, and Spirito, but also an array of fundamental political and juridical documents, including the party platforms adopted by the Fascist combat brigades, the 1938 Manifesto of Race, the 1940 Manifesto of Verona, and the Fascist labor and school charters. By making available such an extensive array of source texts, A Primer of Italian Fascism aims to open up for the English reader a more complex and complete vision of Fascism, both in Italy and beyond.
| Author | : Jeffrey Thompson Schnapp |
| Publisher | : U of Nebraska Press |
| Total Pages | : 356 |
| Release | : 2000-01-01 |
| Genre | : Political Science |
| ISBN | : 9780803292680 |
A Primer of Italian Fascism makes available for the first time in English translation the key documents pertaining to one of our century?s defining mass political movements. Whereas existing anthologies survey Fascist writings in a multiplicity of national settings, A Primer of Italian Fascism opts for a tightly focused, in-depth approach that emphasizes the development of Fascist ideology in the country of its birth. ø Historically speaking, Italian Fascism was the original Fascism. The model for subsequent movements including Nazism, Falangism, and Integralism, Italian Fascism set out to define a ?third way? to modernization known as ?corporatism.? A Primer of Italian Fascism situates the rise and fall of corporatist ideals within the framework of the actual history of Mussolini?s movement and regime. It includes not only classic doctrinal statements such as Mussolini?s ?Foundations and Doctrine of Fascism? and writings by corporatist theorists such as Bottai, Pellizzi, Rocco, and Spirito, but also an array of fundamental political and juridical documents, including the party platforms adopted by the Fascist combat brigades, the 1938 Manifesto of Race, the 1940 Manifesto of Verona, and the Fascist labor and school charters. By making available such an extensive array of source texts, A Primer of Italian Fascism aims to open up for the English reader a more complex and complete vision of Fascism, both in Italy and beyond.
| Author | : Alexander J. De Grand |
| Publisher | : U of Nebraska Press |
| Total Pages | : 212 |
| Release | : 2000-01-01 |
| Genre | : Philosophy |
| ISBN | : 9780803266223 |
"For the third edition, De Grand has substantially revised the discussion of culture and ideology, the conclusion, and the bibliography."--BOOK JACKET.
| Author | : Anthony White |
| Publisher | : Routledge |
| Total Pages | : 252 |
| Release | : 2019-07-30 |
| Genre | : Art |
| ISBN | : 0429515448 |
This book examines the work of several modern artists, including Fortunato Depero, Scipione, and Mario Radice, who were working in Italy during the time of Benito Mussolini’s rise and fall. It provides a new history of the relationship between modern art and fascism. The study begins from the premise that Italian artists belonging to avant-garde art movements, such as futurism, expressionism, and abstraction, could produce works that were perfectly amenable to the ideologies of Mussolini’s regime. A particular focus of the book is the precise relationship between ideas of history and modernity encountered in the art and politics of the time and how compatible these truly were.
| Author | : Eden K. McLean |
| Publisher | : U of Nebraska Press |
| Total Pages | : 443 |
| Release | : 2018-07 |
| Genre | : Education |
| ISBN | : 1496207203 |
Mussolini's Children uses the lens of state-mandated youth culture to analyze the evolution of official racism in Fascist Italy. Between 1922 and 1940, educational institutions designed to mold the minds and bodies of Italy's children between the ages of five and eleven undertook a mission to rejuvenate the Italian race and create a second Roman Empire. This project depended on the twin beliefs that the Italian population did indeed constitute a distinct race and that certain aspects of its moral and physical makeup could be influenced during childhood. Eden K. McLean assembles evidence from state policies, elementary textbooks, pedagogical journals, and other educational materials to illustrate the contours of a Fascist racial ideology as it evolved over eighteen years. Her work explains how the most infamous period of Fascist racism, which began in the summer of 1938 with the publication of the "Manifesto of Race," played a critical part in a more general and long-term Fascist racial program.
| Author | : Zeev Sternhell |
| Publisher | : Princeton University Press |
| Total Pages | : 352 |
| Release | : 1994 |
| Genre | : History |
| ISBN | : 9780691044866 |
When The Birth of Fascist Ideology was first published in 1989 in France and at the beginning of 1993 in Italy, it aroused a storm of response, positive and negative, to Zeev Sternhell's controversial interpretations. In Sternhell's view, fascism was much more than an episode in the history of Italy. He argues here that it possessed a coherent ideology with deep roots in European civilization. Long before fascism became a political force, he maintains, it was a major cultural phenomenon. This important book further asserts that although fascist ideology was grounded in a revolt against the Enlightenment, it was not a reactionary movement. It represented, instead, an ideological alternative to Marxism and liberalism and competed effectively with them by positing a revolt against modernity. Sternhell argues that the conceptual framework of fascism played an important role in its development. Building on radical nationalism and an "antimaterialist" revision of Marxism, fascism sought to destroy the existing political order and to uproot its theoretical and moral foundations. At the same time, its proponents wished to preserve all the achievements of modern technology and the advantages of the market economy. Nevertheless, fascism opposed every "bourgeois" value: universalism, humanism, progress, natural rights, and equality. Thus, as Sternhell shows, the fascists adopted the economic aspect of liberalism but completely denied its philosophical principles and the intellectual and moral heritage of modernity.
| Author | : Paul Gottfried |
| Publisher | : Cornell University Press |
| Total Pages | : 247 |
| Release | : 2016-02-08 |
| Genre | : Political Science |
| ISBN | : 1609091833 |
"For historians, [Fascism] offers clear and provocative insights and arguments, and the very detailed notes are especially helpful.... Recommended."― Choice What does it mean to label someone a fascist? Today, it is equated with denouncing him or her as a Nazi. But as intellectual historian Paul E. Gottfried writes in this provocative yet even-handed study, the term's meaning has evolved over the years. Gottfried examines the semantic twists and turns the term has endured since the 1930s and traces the word's polemical function within the context of present ideological struggles. Like "conservatism," "liberalism," and other words whose meanings have changed with time, "fascism" has been used arbitrarily over the years and now stands for a host of iniquities that progressives, multiculturalists, and libertarians oppose, even if they offer no single, coherent account of the historic evil they condemn. Certain factors have contributed to the term's imprecise usage, Gottfried writes, including the equation of all fascisms with Nazism and Hitler, as well as the rise of a post-Marxist left that expresses predominantly cultural opposition to bourgeois society and its Christian and/or national components. Those who stand in the way of social change are dismissed as "fascist," he contends, an epithet that is no longer associated with state corporatism and other features of fascism that were once essential but are now widely ignored. Gottfried outlines the specific historical meaning of the term and argues that it should not be used indiscriminately to describe those who hold unpopular opinions. His important study will appeal to political scientists, intellectual historians, and general readers interested in politics and history.
| Author | : Francesca Billiani |
| Publisher | : Springer Nature |
| Total Pages | : 238 |
| Release | : 2019-09-14 |
| Genre | : Social Science |
| ISBN | : 3030194280 |
Architecture and the Novel under the Italian Fascist Regime discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated “revolution” of the novel form (realism) and that of architecture (rationalism). The book is divided into seven chapters, which in turn analyze the interconnections between the novel and architecture in theory and in practice. The first six chapters cover debates on State art, on the novel and on architecture, as well as their historical development and their unfolding in key journals of the period. The last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes.
| Author | : Anthony James Gregor |
| Publisher | : |
| Total Pages | : 282 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9780691120096 |
Fascism has traditionally been characterized as irrational and anti-intellectual, finding expression exclusively as a cluster of myths, emotions, instincts, and hatreds. This intellectual history of Italian Fascism--the product of four decades of work by one of the leading experts on the subject in the English-speaking world--provides an alternative account. A. James Gregor argues that Italian Fascism may have been a flawed system of belief, but it was neither more nor less irrational than other revolutionary ideologies of the twentieth century. Gregor makes this case by presenting for the first time a chronological account of the major intellectual figures of Italian Fascism, tracing how the movement's ideas evolved in response to social and political developments inside and outside of Italy. Gregor follows Fascist thought from its beginnings in socialist ideology about the time of the First World War--when Mussolini himself was a leader of revolutionary socialism--through its evolution into a separate body of thought and to its destruction in the Second World War. Along the way, Gregor offers extended accounts of some of Italian Fascism's major thinkers, including Sergio Panunzio and Ugo Spirito, Alfredo Rocco (Mussolini's Minister of Justice), and Julius Evola, a bizarre and sinister figure who has inspired much contemporary "neofascism." Gregor's account reveals the flaws and tensions that dogged Fascist thought from the beginning, but shows that if we want to come to grips with one of the most important political movements of the twentieth century, we nevertheless need to understand that Fascism had serious intellectual as well as visceral roots.
| Author | : Robert O. Paxton |
| Publisher | : Vintage |
| Total Pages | : 338 |
| Release | : 2007-12-18 |
| Genre | : Political Science |
| ISBN | : 0307428125 |
What is fascism? By focusing on the concrete: what the fascists did, rather than what they said, the esteemed historian Robert O. Paxton answers this question. From the first violent uniformed bands beating up “enemies of the state,” through Mussolini’s rise to power, to Germany’s fascist radicalization in World War II, Paxton shows clearly why fascists came to power in some countries and not others, and explores whether fascism could exist outside the early-twentieth-century European setting in which it emerged. "A deeply intelligent and very readable book. . . . Historical analysis at its best." –The Economist The Anatomy of Fascism will have a lasting impact on our understanding of modern European history, just as Paxton’s classic Vichy France redefined our vision of World War II. Based on a lifetime of research, this compelling and important book transforms our knowledge of fascism–“the major political innovation of the twentieth century, and the source of much of its pain.”
