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Love Spells and Lost Treasure
Author | : Tabitha Stanmore |
Publisher | : Cambridge University Press |
Total Pages | : 323 |
Release | : 2022-12-31 |
Genre | : History |
ISBN | : 1009286730 |
Magic is ubiquitous across the world and throughout history. Yet if witchcraft is acknowledged as a persistent presence in the medieval and early modern eras, practical magic by contrast – performed to a useful end for payment, and actually more common than malign spellcasting – has been overlooked. Exploring many hundred instances of daily magical usage, and setting these alongside a range of imaginative and didactic literatures, Tabitha Stanmore demonstrates the entrenched nature of 'service' magic in premodern English society. This, she shows, was a type of spellcraft for needs that nothing else could address: one well established by the time of the infamous witch trials. The book explores perceptions of magical practitioners by clients and neighbours, and the way such magic was utilised by everyone: from lowliest labourer to highest lord. Stanmore reveals that – even if technically illicit – magic was for most people an accepted, even welcome, aspect of everyday life.
A Catalogue of the Library of George Hibbert, Esq. of Portland Place; which Will be Sold by Auction, on Monday, March 16, and Seventeen Following Days; on Monday, May 4, and Eleven Following Days; and on Monday, May 25, and Eleven Following Days, (Sundays Excepted,) by Mr. Evans, at His House, No. 93, Pall-Mall
Author | : George Hibbert |
Publisher | : |
Total Pages | : 514 |
Release | : 1829 |
Genre | : Book auctions |
ISBN | : |
A List of English Plays Written Before 1643 and Printed Before 1700
Author | : Walter Wilson Greg |
Publisher | : |
Total Pages | : 180 |
Release | : 1900 |
Genre | : English drama |
ISBN | : |
English Renaissance Scenes
Author | : Paola Pugliatti |
Publisher | : Peter Lang |
Total Pages | : 366 |
Release | : 2008 |
Genre | : Drama |
ISBN | : 9783039110797 |
This book throws new light on the complexity and variety of practices which may be defined as 'theatrical' in a broad sense in sixteenth- and seventeenth-century English drama. The volume deals first with the mainstream of dramatic production, starting from the anti-theatrical debate which characterized the whole period and increased in intensity as it went on. Here Shakespeare and Ben Jonson come on stage with their rejoinders to this issue. At the same time, while the universities were offering a kind of theatre workshop importing Latin and Italian models, popular performances were being staged in non-theatrical spaces. Tournaments, and their aristocratic codes, are explored as well as more popular and 'marginal' spectacles - such as those of conny-catching improvisers, jugglers, gypsy dancers and fortune-tellers, clowns and prophetesses.