A Plea for Africa
Author | : Frederick Freeman |
Publisher | : |
Total Pages | : 364 |
Release | : 1837 |
Genre | : African Americans |
ISBN | : |
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Author | : Frederick Freeman |
Publisher | : |
Total Pages | : 364 |
Release | : 1837 |
Genre | : African Americans |
ISBN | : |
Author | : Frederick Freeman |
Publisher | : BoD – Books on Demand |
Total Pages | : 362 |
Release | : 2024-09-24 |
Genre | : Fiction |
ISBN | : 3385610591 |
Reprint of the original, first published in 1837.
Author | : Frederick Freeman |
Publisher | : |
Total Pages | : 376 |
Release | : 1836 |
Genre | : African Americans |
ISBN | : |
Author | : Leonard BACON (Pastor of the First Church in New Haven, Connecticut.) |
Publisher | : |
Total Pages | : 24 |
Release | : 1825 |
Genre | : |
ISBN | : |
Author | : Robert Fraser |
Publisher | : Cambridge University Press |
Total Pages | : 368 |
Release | : 1986-09-04 |
Genre | : Literary Criticism |
ISBN | : 9780521312233 |
Previous studies of African poetry have tended to concentrate either on its political content or on its relationship to various European schools. This book examines West African poetry in English and French against the background of oral poetry in the vernacular. Do the roots of such poetry lie in Africa or in Europe? In committing their work to writing, do poets lose more than they gain? Can the immediacy of oral performance ever be recovered? Robert Fraser's account of two centuries of West African verse examines its subjugation to a succession of international styles: from the heroic couplet to the austerity of experimental Modernism. Successive chapters take us through the Négritude movement and the emergence of anglophone free verse in the 1950s to the rediscovery in recent years of the neglected springs of orality, which is the subject of the concluding chapter.
Author | : Mbaye Lo |
Publisher | : UNC Press Books |
Total Pages | : 233 |
Release | : 2023-08-10 |
Genre | : Social Science |
ISBN | : 1469674688 |
Omar ibn Said (1770–1863) was a Muslim scholar from West Africa who spent more than fifty years enslaved in the North Carolina household of James Owen, brother of Governor John Owen. In 1831 Omar composed a brief autobiography, the only known narrative written in Arabic by an enslaved person in North America, and he became famous for his Arabic writings. His enslavers also provided him with an Arabic Bible and claimed Omar as a convert to Christianity, prompting wonder and speculation among amateur scholars of Islam, white slave owners, and missionaries. But these self-proclaimed experts were unable or unwilling to understand Omar's writings, and his voice was suppressed for two centuries. Mbaye Lo and Carl W. Ernst here weave fresh and accurate translations of Omar's eighteen surviving writings, for the first time identifying his quotations from Islamic theological texts, correcting many distortions, and providing the fullest possible account of his life and significance. Placing Omar at the center of a broader network of the era's literary and religious thought, Lo and Ernst restore Omar's voice, his sophisticated engagement with Islamic and Christian theologies, his Arabic skills, and his extraordinary efforts to express himself and exert agency despite his enslavement.
Author | : Paul Carlucci |
Publisher | : House of Anansi |
Total Pages | : 198 |
Release | : 2017-01-21 |
Genre | : Fiction |
ISBN | : 148700012X |
Quietly atmospheric and darkly foreboding, A Plea for Constant Motion is an ominous, and occasionally unnerving, new work of fiction by award-winning author Paul Carlucci Penetrating and visceral, yet always offset by small moments of tenderness and humour, A Plea for Constant Motion is a powerful examination of the innate desire in everyone to change their lives and strive for something better. Two couples share a disastrous dinner after their children are killed in a botched kidnapping overseas. A teacher with a passion for cartography orchestrates a bizarre apology after intentionally hitting a student. Desperate to be friends, a man ignores his neighbour’s strange behaviour to the peril of himself and others. A young girl babysits for a family friend, dimly aware that her presence is required for more than just childcare. Dexterously divided into two parts and a surreal intermission, the characters in these stories find themselves confronted by situations that leave them either struggling to escape or firmly rooted in place. Paul Carlucci’s formidable work is by turns familiar and disquieting, sober and surreal, a stark and carefully crafted examination of the human condition.