A Pilgrimage To Beethoven Microform
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| Author | : Richard Wagner |
| Publisher | : Sagwan Press |
| Total Pages | : 52 |
| Release | : 2015-08-20 |
| Genre | : |
| ISBN | : 9781296875428 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Richard Wagner |
| Publisher | : Scholar's Choice |
| Total Pages | : 52 |
| Release | : 2015-02-20 |
| Genre | : |
| ISBN | : 9781298435057 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : New York Public Library. Music Division |
| Publisher | : |
| Total Pages | : 814 |
| Release | : 1994 |
| Genre | : Music |
| ISBN | : |
| Author | : Julian (of Norwich) |
| Publisher | : Liturgical Press |
| Total Pages | : 172 |
| Release | : 2003 |
| Genre | : Religion |
| ISBN | : 9780814651698 |
In Showing of Love, Julia Bolton Holloway provides a complete translation of Julian of Norwich's ground-breaking text, opening windows of insight into her medieval world. As a female mystic and theologian who was uniquely recognized (in a time when most women were not) for her holiness, Julian of Norwich also came to be known as a catechist, prophet, and spiritual director. Showing of Love records her own healing encounter with divine love and has for many centuries been a source of healing and inspiration for others. Readers of Julian's work find her belief that God sits in our soul as a fair city to be of profound value. That city is every city, Mary its queen, Christ its king. Julian offers these layers in rich text and variant readings. Julian dedicated years of her life to shaping Showing of Love, at the end rewriting it to preserve it from censorship. The anchoress lived in St. Julian's churchyard in Norwich. Her text was saved from destruction by nuns in Brigittine and Benedictine convents, first in England, then in exile after the Reformation. Julian's writings were later published by the Benedictines in 1670. They reveal her strong links with Benedict that continue to have lasting value for readers today. Includes two-color ink on inside pages. Julia Bolton Holloway, PhD, is a vowed hermit living in Florence, Italy. She has published seventeen other works on important historical figures.
| Author | : |
| Publisher | : |
| Total Pages | : 460 |
| Release | : 1876 |
| Genre | : Philosophy |
| ISBN | : |
| Author | : McKenzie Wark |
| Publisher | : Harvard University Press |
| Total Pages | : 209 |
| Release | : 2009-06-30 |
| Genre | : Computers |
| ISBN | : 0674044843 |
A double is haunting the world--the double of abstraction, the virtual reality of information, programming or poetry, math or music, curves or colorings upon which the fortunes of states and armies, companies and communities now depend. The bold aim of this book is to make manifest the origins, purpose, and interests of the emerging class responsible for making this new world--for producing the new concepts, new perceptions, and new sensations out of the stuff of raw data. "A Hacker Manifesto" deftly defines the fraught territory between the ever more strident demands by drug and media companies for protection of their patents and copyrights and the pervasive popular culture of file sharing and pirating. This vexed ground, the realm of so-called "intellectual property," gives rise to a whole new kind of class conflict, one that pits the creators of information--the hacker class of researchers and authors, artists and biologists, chemists and musicians, philosophers and programmers--against a possessing class who would monopolize what the hacker produces. Drawing in equal measure on Guy Debord and Gilles Deleuze, "A Hacker Manifesto" offers a systematic restatement of Marxist thought for the age of cyberspace and globalization. In the widespread revolt against commodified information, McKenzie Wark sees a utopian promise, beyond the property form, and a new progressive class, the hacker class, who voice a shared interest in a new information commons.
| Author | : |
| Publisher | : |
| Total Pages | : 1070 |
| Release | : 1989 |
| Genre | : Canada |
| ISBN | : |
| Author | : Jane Magrath |
| Publisher | : Alfred Music |
| Total Pages | : 588 |
| Release | : 1995 |
| Genre | : Music |
| ISBN | : 9781457438974 |
This reference book is an invaluable resource for teachers, students and performers for evaluating and selecting piano solo literature. Concise and thoroughly researched, thousands of works, from the Baroque through the Contemporary periods, have been graded and evaluated in detail. Includes an alphabetical list of composers, explanations of works and much more.
| Author | : Max Ernst |
| Publisher | : George Braziller |
| Total Pages | : 184 |
| Release | : 1982 |
| Genre | : Art |
| ISBN | : |
| Author | : Emily Petermann |
| Publisher | : Boydell & Brewer |
| Total Pages | : 252 |
| Release | : 2014 |
| Genre | : Literary Criticism |
| ISBN | : 1571135928 |
Analyzes two groups of "musical novels" -- novels that take music as a model for their construction -- including jazz novels by Toni Morrison and Michael Ondaatje, and novels based on Bach's Goldberg Variations. What is a "musical novel"? This book defines the genre as musical not primarily in terms of its content, but in its form. The musical novel crosses medial boundaries, aspiring to techniques, structures, and impressions similar tothose of music. It takes music as a model for its own construction, borrowing techniques and forms that range from immediately perceptible, essential aspects of music (rhythm, timbre, the simultaneity of multiple voices) to microstructural (jazz riffs, call and response, leitmotifs) and macrostructural elements (themes and variations, symphonies, albums). The musical novel also evokes the performance context by imitating elements of spontaneity that characterize improvised jazz or audience interaction. The Musical Novel builds upon theories of intermediality and semiotics to analyze the musical structures, forms, and techniques in two groups of musical novels, which serve as case studies. The first group imitates an entire musical genre and consists of jazz novels by Toni Morrison, Albert Murray, Xam Wilson Cartiér, Stanley Crouch, Jack Fuller, Michael Ondaatje, and Christian Gailly. The secondgroup of novels, by Richard Powers, Gabriel Josipovici, Rachel Cusk, Nancy Huston, and Thomas Bernhard, imitates a single piece of music, J. S. Bach's Goldberg Variations. Emily Petermann is Assistant Professor of American Literature at the University of Konstanz.
