A "pile"

A
Author:
Publisher:
Total Pages: 20
Release: 1851
Genre: California
ISBN:

A Pile

A Pile
Author:
Publisher:
Total Pages: 15
Release: 1851
Genre: Capitalists and financiers
ISBN:

The Blind Boss and His City

The Blind Boss and His City
Author: William A. Bullough
Publisher: Univ of California Press
Total Pages: 364
Release: 2023-11-10
Genre: Political Science
ISBN: 0520322274

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.

Taming the Elephant

Taming the Elephant
Author: John F. Burns
Publisher: Univ of California Press
Total Pages: 302
Release: 2003-04-30
Genre: History
ISBN: 0520936485

Taming the Elephant is the last of four volumes in the distinguished California History Sesquicentennial Series, an outstanding compilation of original essays by leading historians and writers. These topical, interrelated volumes reexamine the meaning of the founding of modern California during the state's pioneer period. General themes run through all four volumes: the interplay of traditional cultures and frontier innovation in the creation of a distinctive California society; the dynamic interaction of people and nature and the beginnings of massive environmental change; the impact of the California experience on the nation and the world; the influence of pioneer patterns on modern California; and the legacy of ethnic and cultural diversity as a major influence on the state's history. This fourth volume treats the role of post–Gold Rush California government, politics, and law in the building of a dynamic state, with influences that persist today. Provocative essays investigate the creation of constitutional foundations, law and jurisprudence, the formation of government agencies, and the development of public policy. Authors chart the roles played by diverse groups—criminals and peace officers, entrepreneurs and miners, farmers and public officials, defenders of discrimination and female and African American activists. The essays also explore subjects largely overlooked in the past, such as the significance of local and federal government in pioneer California and early struggles to secure civil rights for women and racial minorities.

The Letters of Henry Wadsworth Longfellow, 1814-1843

The Letters of Henry Wadsworth Longfellow, 1814-1843
Author: Henry Wadsworth Longfellow
Publisher: Harvard University Press
Total Pages: 600
Release: 1990-07
Genre: Biography & Autobiography
ISBN: 9780674527256

Most of the letters, which are of prime importance in America's cultural history, have never before been published. The remainder that have appeared in print frequently did so in emasculated form and in a wide variety of books and journals. Here, scrupulous annotations supply relevant identifications of individuals, explain allusions, and present information regarding the addresses of letters, endorsements, postmarks, and the location of manuscripts.

This is the Sound of Irony: Music, Politics and Popular Culture

This is the Sound of Irony: Music, Politics and Popular Culture
Author: Katherine L. Turner
Publisher: Routledge
Total Pages: 300
Release: 2016-03-03
Genre: Music
ISBN: 1317010531

The use of irony in music is just beginning to be defined and critiqued, although it has been used, implied and decried by composers, performers, listeners and critics for centuries. Irony in popular music is especially worthy of study because it is pervasive, even fundamental to the music, the business of making music and the politics of messaging. Contributors to this collection address a variety of musical ironies found in the ’notes themselves,’ in the text or subtext, and through performance, reception and criticism. The chapters explore the linkages between irony and the comic, the tragic, the remembered, the forgotten, the co-opted, and the resistant. From the nineteenth to twenty-first centuries, through America, Europe and Asia, this provocative range of ironies course through issues of race, religion, class, the political left and right, country, punk, hip hop, folk, rock, easy listening, opera and the technologies that make possible our pop music experience. This interdisciplinary volume creates new methodologies and applies existing theories of irony to musical works that have made a cultural or political impact through the use of this most multifaceted of devices.