A Philosophy Of Textile
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| Author | : Catherine Dormor |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 160 |
| Release | : 2020-12-10 |
| Genre | : Design |
| ISBN | : 147258726X |
Textile is at once a language, a concept and a material thing. Philosophers such as Plato, Deleuze and Derrida have notably drawn on weaving processes to illustrate their ideas, and artists such as Ann Hamilton, Louise Bourgeois and Chiharu Shiota explore matters such as the seam, the needle and thread, and the flow of viscous materials in their work. Yet thinking about textile and making textile are often treated as separate and distinct practices, rather than parallel modes. This beautifully illustrated book brings together for the first time the language and materiality of textile to develop new models of thinking, writing and making. Through the work of thinkers such as Roland Barthes, Hélène Cixous and Luce Irigaray, and international artists like Eva Hesse and Helen Chadwick, textile practitioner, theorist and writer Catherine Dormor puts forward a new philosophy of textile. Exploring the material behaviours and philosophical language of folding, shimmering, seaming, viscosity, fraying and caressing, Dormor demonstrates how textile practice and theory are intricately woven together.
| Author | : Catherine Dormor |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 172 |
| Release | : 2020-12-10 |
| Genre | : Design |
| ISBN | : 1472587251 |
Textile is at once a language, a concept and a material thing. Philosophers such as Plato, Deleuze and Derrida have notably drawn on weaving processes to illustrate their ideas, and artists such as Ann Hamilton, Louise Bourgeois and Chiharu Shiota explore matters such as the seam, the needle and thread, and the flow of viscous materials in their work. Yet thinking about textile and making textile are often treated as separate and distinct practices, rather than parallel modes. This beautifully illustrated book brings together for the first time the language and materiality of textile to develop new models of thinking, writing and making. Through the work of thinkers such as Roland Barthes, Hélène Cixous and Luce Irigaray, and international artists like Eva Hesse and Helen Chadwick, textile practitioner, theorist and writer Catherine Dormor puts forward a new philosophy of textile. Exploring the material behaviours and philosophical language of folding, shimmering, seaming, viscosity, fraying and caressing, Dormor demonstrates how textile practice and theory are intricately woven together.
| Author | : Elaine Igoe |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 261 |
| Release | : 2021-07-15 |
| Genre | : Design |
| ISBN | : 1350061581 |
Textile design inhabits a liminal space spanning art, design and craft. This book explores how textile design bridges the decorative and the functional, and takes us from handcrafting to industrial manufacture. In doing so, it distinguishes textiles as a distinctive design discipline, against the backdrop of today's emerging design issues. With commentaries from a range of international design scholars, the book demonstrates how design theory is now being employed in diverse scenarios to encourage innovation beyond the field of design itself. Positioning textiles within contemporary design research, Textile Design Theory in the Making reveals how the theory and practice of textile design exist in a synergistic, creative relationship. Drawing on qualitative research methods, including auto-ethnography and feminist critique, the book provides a theoretical underpinning for textile designers working in interdisciplinary scenarios, uniting theory and texts from the fields of anthropology, philosophy, literature and material design.
| Author | : Virginia Postrel |
| Publisher | : Basic Books |
| Total Pages | : 320 |
| Release | : 2020-11-10 |
| Genre | : History |
| ISBN | : 1541617614 |
From Paleolithic flax to 3D knitting, explore the global history of textiles and the world they weave together in this enthralling and educational guide. The story of humanity is the story of textiles -- as old as civilization itself. Since the first thread was spun, the need for textiles has driven technology, business, politics, and culture. In The Fabric of Civilization, Virginia Postrel synthesizes groundbreaking research from archaeology, economics, and science to reveal a surprising history. From Minoans exporting wool colored with precious purple dye to Egypt, to Romans arrayed in costly Chinese silk, the cloth trade paved the crossroads of the ancient world. Textiles funded the Renaissance and the Mughal Empire; they gave us banks and bookkeeping, Michelangelo's David and the Taj Mahal. The cloth business spread the alphabet and arithmetic, propelled chemical research, and taught people to think in binary code. Assiduously researched and deftly narrated, The Fabric of Civilization tells the story of the world's most influential commodity.
| Author | : Shahidha Bari |
| Publisher | : Basic Books |
| Total Pages | : 290 |
| Release | : 2020-03-17 |
| Genre | : Art |
| ISBN | : 1541645995 |
Perfect for readers of Women in Clothes, this beautifully designed philosophical guide to fashion explores art, literature, and film to uncover the hidden meaning of a well-chosen wardrobe. We all get dressed. But how often do we pause to think about what our clothes say? When we dress ourselves, we are presenting to the world an essence of who we are, who we want to be. Dressed ranges freely from suits to suitcases, from Marx's coat to Madame X's gown. Through art and literature, film and philosophy, philosopher Shahidha Bari unveils the surprising personal implications of what we choose to wear. The impeccable cut of Cary Grant's suit projects masculine confidence, just as Madonna's oversized denim jacket and her armful of orange bangles loudly announces big ambition. How others dress tells us something fundamental about them -- we can better understand how people live and what they think through their garments. Clothes tell our stories. Dressed is the thinking person's fashion book. In baring the hidden power of clothes in our culture and our daily lives, Bari reveals how our outfits not only cover our bodies but also reflect our minds.
| Author | : T’ai Smith |
| Publisher | : U of Minnesota Press |
| Total Pages | : 290 |
| Release | : 2014-11-01 |
| Genre | : Art |
| ISBN | : 1452943222 |
The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school’s weaving workshop. In Bauhaus Weaving Theory, T’ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop’s innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts.
| Author | : Jane Milburn |
| Publisher | : |
| Total Pages | : 192 |
| Release | : 2017 |
| Genre | : Crafts & Hobbies |
| ISBN | : 9780648181705 |
Slow Clothing presents a compelling case for why we need to change the way we dress, to live lightly on Earth through the everyday practice of how we wear and care for our clothes. In an era dominated by passive consumption of cheap and synthetic fashion, Jane Milburn arrived at the Slow Clothing philosophy by refashioning garments in her wardrobe to provide meaning and story. Jane tells her journey to Slow Clothing and provides ideas for you to easily implement. Slow Clothing reflects our own style and spirit, independent of fashion cycles. We buy thoughtfully, gain skills, and care for what we wear as an embodiment of ourselves. We - the wearers - become original, authentic and resourceful. We believe secondhand is the new organic and mending is good for the soul. In return, we are liberated and satisfied. Slow Clothing brings wholeness through living simply, creatively and fairly.
| Author | : Geoffrey Rayner |
| Publisher | : Antique Collector's Club |
| Total Pages | : 303 |
| Release | : 2012 |
| Genre | : Design |
| ISBN | : 9781851496297 |
"This stunning book offers a unique perspective on textile designs... a beautiful document of the partnership between artists and manufacturers. Those interested in textiles as well as students of design will find it refreshing and inspirational." Librar
| Author | : Mary M. Brooks |
| Publisher | : Getty Publications |
| Total Pages | : 682 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 1606060481 |
"Recognizing conservation as a dynamic social force, the eighty-one readings in this volume draw attention to the cultural significance of textiles and dress, illustrating the intellectual foundations as well as important changes in conservation practice." -- Back cover.
| Author | : Thomas Murray |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2019-01-29 |
| Genre | : Design |
| ISBN | : 3791385208 |
From rugged Japanese firemen's ceremonial robes and austere rural work-wear to colorful, delicately-patterned cotton kimonos, this lavishly illustrated volume explores Japan's rich tradition of textiles. Textiles are an eloquent form of cultural expression and of great importance in the daily life of a people, as well as in their rituals and ceremonies. The traditional clothing and fabrics featured in this book were made and used in the islands of the Japanese archipelago between the late 18th and the mid 20th century. The Thomas Murray collection featured in this book includes daily dress, work-wear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernization would leave behind traditional art forms such as the hand-made textiles used by country people, farmers, and fisherman. It presents subtly patterned cotton fabrics, often indigo dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fiber, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly colored cotton kimonos of Okinawa to the far south. Numerous examples of these fabrics, photographed in exquisite detail, offer insight into Japan's complex textile history as well as inspiration for today's designers and artists. This volume explores the range and artistry of the country's tradition of fiber arts and is an essential resource for anyone captivated by the Japanese aesthetic.
