This book focuses on a class of single-channel noise reduction methods that are performed in the frequency domain via the short-time Fourier transform (STFT). The simplicity and relative effectiveness of this class of approaches make them the dominant choice in practical systems. Even though many popular algorithms have been proposed through more than four decades of continuous research, there are a number of critical areas where our understanding and capabilities still remain quite rudimentary, especially with respect to the relationship between noise reduction and speech distortion. All existing frequency-domain algorithms, no matter how they are developed, have one feature in common: the solution is eventually expressed as a gain function applied to the STFT of the noisy signal only in the current frame. As a result, the narrowband signal-to-noise ratio (SNR) cannot be improved, and any gains achieved in noise reduction on the fullband basis come with a price to pay, which is speech distortion. In this book, we present a new perspective on the problem by exploiting the difference between speech and typical noise in circularity and interframe self-correlation, which were ignored in the past. By gathering the STFT of the microphone signal of the current frame, its complex conjugate, and the STFTs in the previous frames, we construct several new, multiple-observation signal models similar to a microphone array system: there are multiple noisy speech observations, and their speech components are correlated but not completely coherent while their noise components are presumably uncorrelated. Therefore, the multichannel Wiener filter and the minimum variance distortionless response (MVDR) filter that were usually associated with microphone arrays will be developed for single-channel noise reduction in this book. This might instigate a paradigm shift geared toward speech distortionless noise reduction techniques. Table of Contents: Introduction / Problem Formulation / Performance Measures / Linear and Widely Linear Models / Optimal Filters with Model 1 / Optimal Filters with Model 2 / Optimal Filters with Model 3 / Optimal Filters with Model 4 / Experimental Study

Digital measurement of the analog acoustical parameters of a music performance hall is difficult. The aim of such work is to create a digital acoustical derivation that is an accurate numerical representation of the complex analog characteristics of the hall. The present study describes the exponential sine sweep (ESS) measurement process in the derivation of an acoustical impulse response function (AIRF) of three music performance halls in Canada. It examines specific difficulties of the process, such as preventing the external effects of the measurement transducers from corrupting the derivation, and provides solutions, such as the use of filtering techniques in order to remove such unwanted effects. In addition, the book presents a novel method of numerical verification through mean-squared error (MSE) analysis in order to determine how accurately the derived AIRF represents the acoustical behavior of the actual hall.

This book addresses the problem of articulatory speech synthesis based on computed vocal tract geometries and the basic physics of sound production in it. Unlike conventional methods based on analysis/synthesis using the well-known source filter model, which assumes the independence of the excitation and filter, we treat the entire vocal apparatus as one mechanical system that produces sound by means of fluid dynamics. The vocal apparatus is represented as a three-dimensional time-varying mechanism and the sound propagation inside it is due to the non-planar propagation of acoustic waves through a viscous, compressible fluid described by the Navier-Stokes equations. We propose a combined minimum energy and minimum jerk criterion to compute the dynamics of the vocal tract during articulation. Theoretical error bounds and experimental results show that this method obtains a close match to the phonetic target positions while avoiding abrupt changes in the articulatory trajectory. The vocal folds are set into aerodynamic oscillation by the flow of air from the lungs. The modulated air stream then excites the moving vocal tract. This method shows strong evidence for source-filter interaction. Based on our results, we propose that the articulatory speech production model has the potential to synthesize speech and provide a compact parameterization of the speech signal that can be useful in a wide variety of speech signal processing problems. Table of Contents: Introduction / Literature Review / Estimation of Dynamic Articulatory Parameters / Construction of Articulatory Model Based on MRI Data / Vocal Fold Excitation Models / Experimental Results of Articulatory Synthesis / Conclusion