A Northrop Frye Chrestomathy
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Author | : Robert D. Denham |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 325 |
Release | : 2015-01-12 |
Genre | : Poetry |
ISBN | : 1443873055 |
This chrestomathy is a selection of passages from the previously unpublished writings of Northrop Frye, much of it coming from his notebooks and diaries, which are now a part of his Collected Works (1996–2012). The passages, arranged alphabetically, form a discontinuous series of reflections on diverse topics that are worthy of extracting from their original source. The passages gathered here are aphoristic, insightful, clever, startling, amusing, contrarian, curious, powerful, salty, irreverent, unguarded, or otherwise noteworthy in the way they reveal Frye’s fertile mind at work. Frye is Canada’s greatest literary critic, and a good argument can be made that he is the greatest critical presence internationally of the last century. This book showcases the seeds of the ideas he often developed in his books and essays. The passages range widely across Frye’s sixty-year writing career, extending from the early 1930s until just before his death in 1991.
Author | : |
Publisher | : University of Toronto Press |
Total Pages | : 735 |
Release | : 2021-08-31 |
Genre | : Literary Criticism |
ISBN | : 1487537751 |
The widespread opinion is that Northrop Frye’s influence reached its zenith in the 1960s and 1970s, after which point he became obsolete, his work buried in obscurity. This almost universal opinion is summed up in Terry Eagleton’s 1983 rhetorical question, "Who now reads Frye?" In The Reception of Northrop Frye, Robert D. Denham catalogues what has been written about Frye – books, articles, translations, dissertations and theses, and reviews – in order to demonstrate that the attention Frye’s work has received from the beginning has progressed at a geomantic rate. Denham also explores what we can discover once we have a fairly complete record of Frye’s reception in front of us – such as Hayden White’s theory of emplotments applied to historical writing and Byron Almén’s theory of musical narrative. The sheer quantity of what has been written about Frye reveals that the only valid response to Eagleton’s rhetorical question is "a very large and growing number," the growth being not incremental but exponential.
Author | : Robert D. Denham |
Publisher | : University of Ottawa Press |
Total Pages | : 406 |
Release | : 2017-08-16 |
Genre | : Literary Criticism |
ISBN | : 0776625454 |
This book, based on extensive archival and historical work, identifies and brings to light additional and littlerecognized intellectual influences on Frye, and analyzes how they informed his thought. These are variously major thinkers, sets of texts, and intellectual traditions: the Mahayana Sutras, Machiavelli, Rabelais, Boehme, Hegel, Coleridge, Carlyle, Mill, Jane Ellen Harrison and Elizabeth Fraser. In each chapter, dedicated to Frye’s connection to a specific influence, Denham describes how Frye became acquainted with each, and how he interpreted and adapted certain ideas from them to help work out his own conceptual systems. Denham offers insights on Frye’s relationship with his historical and intellectual contexts, provides valuable additional context for understanding the work of one of the 20th century’s leading scholars of literature and culture. Includes over 20 photos, tables and figures, as well as a chapter on Frye’s personal relationship with Elizabeth Fraser.
Author | : Northrop Frye |
Publisher | : University of Toronto Press |
Total Pages | : 810 |
Release | : 2003-01-01 |
Genre | : Literary Collections |
ISBN | : 9780802037107 |
Brings together all of the writings of Northrop Frye, both published and unpublished, on the subject of Canadian literature and culture, from his early book reviews of the 1930s and 1940s through his cultural commentaries of the 60s, 70s, and 80s.
Author | : Northrop Frye |
Publisher | : University of Toronto Press |
Total Pages | : 586 |
Release | : 2004-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780802039477 |
Romance was a theme that ran through much of Northrop Frye's corpus, and his notebooks and typed notes on the subject are plentiful. This unpublished material, written between 1944 and 1989, traces a remarkable re-evaluation in his thinking over the course of time. As a young scholar, Frye insisted that romance was an expression of cultural decadence; however, in his later years, he thought of it as "the structural core of all fiction." The unpublished material Michael Dolzani has gathered for Northrop Frye's Notebooks on Romance shows how the pattern and conventions of romance inform the writing of history, anthropology, psychology, philosophy, and theology. While Frye is best known for his writing on myth and biblical scholarship, he himself eventually conceived of romance as the true and equal contrary to myth and scripture, a "secular scripture" whose message is de te fabula, "this story is about you." Given the current popular revival of romance in fiction and film, the appearance of Frye's unpublished work on romance is of profound importance.
Author | : John Ayre |
Publisher | : Random House Canada |
Total Pages | : 496 |
Release | : 1989 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : English Institute |
Publisher | : New York : Columbia University Press |
Total Pages | : 228 |
Release | : 1966 |
Genre | : Criticism |
ISBN | : |
Author | : Northrop Frye |
Publisher | : Indiana University Press |
Total Pages | : 162 |
Release | : 1964-01-22 |
Genre | : Education |
ISBN | : 9780253200884 |
Explores the value and uses of literature in our time. Dr. Frye offers ideas for the teaching of literature at lower school levels, designed both to promote an early interest and to lead the student to the knowledge and experience found in the study of literature.
Author | : Vijay Mishra |
Publisher | : Taylor & Francis |
Total Pages | : 389 |
Release | : 2018-05-20 |
Genre | : Literary Criticism |
ISBN | : 1351006568 |
How does one read a foundational postcolonial writer in English with declared Indian subcontinent roots? This book looks at ways of reading, and uncovering and recovering meanings, in postcolonial writing in English through the works of Salman Rushdie. It uses textual criticism and applied literary theory to resurrect the underlying literary architecture of one of the world’s most controversial, celebrated and enigmatic authors. It sheds light upon key aspects of Rushdie’s craft and the literary influences that contribute to his celebrated hybridity. It analyses how Rushdie uses his exceptional mastery of European, Anglo-American, Indian, Arabic and Persian literary and cultural forms to cultivate a fresh register of English that expands Western literary traditions. It also investigates an archival modernism that characterizes the writings of Rushdie. Drawing on the hitherto unexplored Rushdie Emory Archive, this book will be essential reading for students of literature, especially South Asian writing, postcolonial studies, cultural studies, linguistics and history.
Author | : Robert J. Bertholf |
Publisher | : State University of New York Press |
Total Pages | : 314 |
Release | : 1983-06-30 |
Genre | : Biography & Autobiography |
ISBN | : 9780791496640 |
Robert Bertholf and Annette Levitt have assembled thirteen essays that establish Blake as a "central voice molding modern literature and thought." The essays in this volume examine Blake's influence on modern poetry, the modern novel, and modern thought from various critical approaches. This collection maps out the lines of direct literary influences and indirect intellectual affinities that make up the tradition of enacted form. Through the use of various aspects of Blake's form and ideas, this book reasserts the idea of continuity, the drive for wholeness, and the arrival of new poetic forms. Blake is considered one of the major and most modern of Romantics. This collection positions him as a precursor of the modern, using his vision and poetry as a base for discussing a central issue in literary theory today—influence and the literary tradition—just how is the legacy of a literary artist passed on, and how is it resurrected in the works of subsequent generations.