A Modern Venus And Adonis By Howard Hall
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A Modern Venus and Adonis
Author | : Howard. [from old catalog] Hall |
Publisher | : |
Total Pages | : 8 |
Release | : 1897 |
Genre | : |
ISBN | : |
The National Union Catalog, Pre-1956 Imprints
Author | : Library of Congress |
Publisher | : |
Total Pages | : 712 |
Release | : 1972 |
Genre | : Catalogs, Union |
ISBN | : |
Titian Remade
Author | : Maria H. Loh |
Publisher | : Getty Publications |
Total Pages | : 220 |
Release | : 2007 |
Genre | : Imitation in art |
ISBN | : 9780892368730 |
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
Giovan Pietro Bellori: The Lives of the Modern Painters, Sculptors and Architects
Author | : Giovanni Pietro Bellori |
Publisher | : Cambridge University Press |
Total Pages | : 532 |
Release | : 2005-11-21 |
Genre | : Art |
ISBN | : 9780521781879 |
This is the first complete translation of the biographies of fifteen artists, including Annibale Carracci, Carvaggio, Rubens, Van Dyck, and Poussin, written by the seventeenth-century antiquarian Giovan Pietro Bellori. Originally conceived as a continuation of Vasari's famous Lives, it is a fundamental source for seventeenth-century Italian art and artistic theory, providing detailed descriptions of extant and lost works of art, while casting light on the cultural politics of contemporary Rome and the relations between Rome and France. The importance of Bellori's Lives lies in the scrupulous documentation of artists, many of whom he knew personally; the author's detailed descriptions of their works; and his exposition of the classicist theory of art in the introductory lecture, the Idea. This volume contains the twelve Lives published in the original edition of 1672 and three Lives (Guido Reni, Andrea Sacchi, and Carlo Maratti) that survive in manuscript form and that were published for the first time in 1942.
Narrating the Visual in Shakespeare
Author | : Richard Meek |
Publisher | : Routledge |
Total Pages | : 227 |
Release | : 2017-03-02 |
Genre | : Literary Criticism |
ISBN | : 1351915940 |
This book examines Shakespeare's fascination with the art of narrative and the visuality of language. Richard Meek complicates our conception of Shakespeare as either a 'man of the theatre' or a 'literary dramatist', suggesting ways in which his works themselves debate the question of text versus performance. Beginning with an exploration of the pictorialism of Shakespeare's narrative poems, the book goes on to examine several moments in Shakespeare's dramatic works when characters break off the action to describe an absent, 'offstage' event, place or work of art. Meek argues that Shakespeare does not simply prioritise drama over other forms of representation, but rather that he repeatedly exploits the interplay between different types of mimesis - narrative, dramatic and pictorial - in order to beguile his audiences and readers. Setting Shakespeare's works in their literary and rhetorical contexts, and engaging with contemporary literary theory, the book offers new readings of Venus and Adonis, The Rape of Lucrece, Hamlet, King Lear and The Winter's Tale. The book will be of particular relevance to readers interested in the relationship between verbal and visual art, theories of representation and mimesis, Renaissance literary and rhetorical culture, and debates regarding Shakespeare's status as a literary dramatist.
Masterpieces of the J. Paul Getty Museum: Decorative Arts
Author | : Charissa Bremer-David |
Publisher | : Getty Publications |
Total Pages | : 130 |
Release | : 1997-11-13 |
Genre | : Art |
ISBN | : 0892364556 |
This beautifully illustrated work brings together more than one hundred objects from the J. Paul Getty Museum’s collection of European decorative arts. Included here is a generous selection of French and Italian furniture from the mid-sixteenth to the early nineteenth century. Masterpieces by André-Charles Boulle, Bernard (II) van Risenburgh, and others reveal the virtuoso craftsmanship that makes these objects such compelling examples of the furniture maker’s art. Many of the Museum’s finest pieces of porcelain, glass, and tin-glazed earthenware are also represented. Tapestries from Gobelins and Beauvais, bronze firedogs from Fontainebleau, and a lathe-turned ivory goblet of astonishing complexity from Saxony are among the other highlights of this handsome volume.