A Landscape For Modern Sculpture
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| Author | : John Beardsley |
| Publisher | : |
| Total Pages | : 120 |
| Release | : 1996 |
| Genre | : Outdoor sculpture |
| ISBN | : |
This handsome volume captures the many pleasures of a visit to one of the world's finest outdoor collections of twentieth-century sculpture. Using multiple views and details, as well as spectacular aerial shots, photographer David Finn reveals a great deal about these works that casual viewers might otherwise miss. The thoroughly engaging text by John Beardsley conveys the distinctive spirit of Storm King and provides an enlightening look at the development of both the collection and the landscape over the past twenty-five years.
| Author | : Museum of Modern Art (New York, N.Y.) |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2007 |
| Genre | : Outdoor sculpture |
| ISBN | : |
| Author | : John Beardsley |
| Publisher | : |
| Total Pages | : 184 |
| Release | : 1989 |
| Genre | : Art |
| ISBN | : |
| Author | : John Beardsley |
| Publisher | : Abbeville Publishing Group |
| Total Pages | : 258 |
| Release | : 2006-06 |
| Genre | : Architecture |
| ISBN | : |
This volume now includes the most recent and most interesting efforts by artists--often in collaboration with architects and city planners--to transform ravaged landscapes and desolate cityscapes into pleasure-giving parks and artworks. After an introduction tracing the historical roots of art in the landscape, the opening chapter deals with such innovative artists as Robert Smithson, Nancy Holt, and Christo, who in the 1960s began to free their art from the confines of tradition by constructing monumental sculptures in the environment. The following chapters discuss their predecessors, peers, and successors, including Constantin Brancusi, James Turrell, and many others. The final three chapters explore the increasing involvement of artists in land reclamation and urban design, featuring projects by Mel Chin, Maya Lin, Martin Puryear, and others.
| Author | : Malcolm Andrews |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 260 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780192842336 |
This book explores many issues raised by the range of ideas and images of the natural world in Western art since the Renaissance. The whole concept of landscape is examined as a representation of the relationship between the human and natural worlds. Featured artists include Claude, Freidrich, Turner, Cole and Ruisdael, and many different forms of landscape art are addressed, such as land art, painting, photography, garden design, panorama and cartography.
| Author | : Malcolm Goldstein |
| Publisher | : Oxford University Press |
| Total Pages | : 584 |
| Release | : 2000-11-30 |
| Genre | : Art |
| ISBN | : 0190285869 |
How did the United States become not only the leading contemporary art scene in the world, but also the leading market for art? The answer has to do not only with the talents of American artists or even the size of the American economy, but also--and especially--the skills and entrepreneurship of American art dealers. Their story has not been told...until now. Landscape with Figures is the first history of art dealing in the United States, following the profession from eighteenth-century portrait and picture salesmen in the colonies to the high-profile, jet-set gallery owners of today. Providing anecdotal and carefully researched biographies of the prominent dealers from more than two centuries of trade, author Malcolm Goldstein shows how magnanimous personalities and social networking helped to shape the way Americans have bought and valued art. These dealers range from Michael Paff, whose enthusiasm often overshadowed his expertise but nonetheless helped him sell faux Old Master paintings to major collectors in the early nineteenth century; to the imperious Joseph Duveen, dealer to magnates like Henry Clay Frick; to visionary Leo Castelli, who helped to usher in a revolution in modern art during the 1960s by showing such avant-garde artists as Jasper Johns, Robert Rauschenberg, and Andy Warhol. Goldstein also shows that the American art trade, while male-dominated, has been galvanized by female dealers, including the inimitable Edith Gregor Halpert, Peggy Guggenheim, and Mary Boone. Their fascinating stories unfold in the context of world art history, the rise of major art institutions like the Museum of Modern Art and the Whitney Museum, and the growing zeal of art collectors who would eventually pay millions for individual works of art. Unprecedented and critical to understanding today's art world, Landscape with Figures is a must for artists, art history students, and art lovers.
| Author | : Jane Amidon |
| Publisher | : Princeton Architectural Press |
| Total Pages | : 150 |
| Release | : 2006-07-06 |
| Genre | : Architecture |
| ISBN | : 9781568985671 |
One of America's leading landscape architects, Peter Walker has created a variety of significant landscapes worldwide, including joint projects with architects I. M. Pei, Norman Foster, and Renzo Piano. Walker's broad field of practice includes urban design and planning and the creation of landscapes ranging in size from parks and university campuses to corporate headquarters, plazas, and private gardens. Peter Walker and Partners / Nasher Sculpture Center Garden focuses on his garden in Dallas, Texas, a set of "outdoor galleries" showcasing the Nasher collection of modern and contemporary sculpture. A museum without a roof, the garden, with its subtle balance of art and nature, is also a serene urban park, whose beauty perfectly complements Renzo Piano's design for the center. Peter Walker's informative sketches, drawings, and plans, along with photographs of the final design, reveal the delicate balance between art, culture, and context at the heart of the Nasher Foundation Sculpture Garden. Source Books in Landscape Architecture, produced in collaboration with the Knowlton School of Architecture at Ohio State University, provide detailed documentation of important new projects.
| Author | : John Beardsley |
| Publisher | : New York : Abbeville Press |
| Total Pages | : 152 |
| Release | : 1984 |
| Genre | : Architecture |
| ISBN | : |
Earthworks-landscape rich with man made forms-prehistoric remains.
| Author | : |
| Publisher | : Getty Publications |
| Total Pages | : 158 |
| Release | : 2006 |
| Genre | : Landscape in art |
| ISBN | : 0892368365 |
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
| Author | : Kate Morris |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Art |
| ISBN | : 9780295745367 |
A distinctly Indigenous form of landscape representation is emerging in the creations of contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers--and settlers--into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expanding, reconceptualizing, and remaking the forms of the genre still further, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works are rarely if ever primarily visual representations, but instead evoke all five senses: from the overt sensuality of Kay WalkingStick's tactile paintings to the eerie soundscapes of Alan Michelson's videos and Postcommodity's installations to the immersive environments of Kent Monkman's dioramas, this landscape art resonates with a fully embodied and embedded subjectivity. In the works of these and many other Native artists, Shifting Grounds explores themes of presence and absence, connection and dislocation, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists' sustained engagement not only with land and landscape but also with the history of representation itself. A Helen Marie Ryan Wyman Book Art History Publication Initiative. For more information, visit http: //arthistorypi.org/books/shifting-grounds
