A Kentucky Cardinal Aftermath
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Author | : James Lane Allen |
Publisher | : Rowman & Littlefield |
Total Pages | : 196 |
Release | : 1967 |
Genre | : Literary Criticism |
ISBN | : 9780808402015 |
A Kentucky Cardinal, set in 1850, features a romance between a naturalist and a society girl. Its release established Allen's reputation as a writer with both readers and critics. Aftermath is Allen's sequel to A Kentucky Cardinal.
Author | : James Lane Allen |
Publisher | : |
Total Pages | : 326 |
Release | : 1900 |
Genre | : Kentucky |
ISBN | : |
Author | : James Lane Allen |
Publisher | : |
Total Pages | : 330 |
Release | : 1901 |
Genre | : Fore-edge painting |
ISBN | : |
Author | : James Lane Allen |
Publisher | : |
Total Pages | : 0 |
Release | : 1900 |
Genre | : |
ISBN | : |
Author | : James Lane Allen |
Publisher | : |
Total Pages | : 0 |
Release | : 1897 |
Genre | : |
ISBN | : |
Author | : James Lane Allen |
Publisher | : Serenity Publishers, LLC |
Total Pages | : 176 |
Release | : 2013-04 |
Genre | : Fiction |
ISBN | : 9781612428444 |
Large print edition, with easy-to-read text, of Allen's classic work.
Author | : James Lane Allen |
Publisher | : |
Total Pages | : 276 |
Release | : 1916 |
Genre | : |
ISBN | : |
Author | : James Lane Allen |
Publisher | : |
Total Pages | : 160 |
Release | : 1895 |
Genre | : Authors, American |
ISBN | : |
Author | : James Lane Allen |
Publisher | : |
Total Pages | : |
Release | : 1911 |
Genre | : |
ISBN | : |
Author | : James Lane Allen |
Publisher | : Library of Alexandria |
Total Pages | : 90 |
Release | : 1898-01-01 |
Genre | : Fiction |
ISBN | : 1465504796 |
In the afternoon I was cutting stakes at the wood-pile for my butterbeans, and a bright idea struck me. During my engagement to Georgiana I cannot always be darting in and out of Mrs. Cobb's front door like a swallow through a barn. Neither can I talk freely to Georgiana—with her up at the window and me down on the ground—when I wish to breathe into her ear the things that I must utter or die. Besides, the sewing-girl whom Georgiana has engaged is nearly always there. So that as I was in the act of trimming a long slender stick, it occurred to me that I might make use of this to elevate any little notes that I might wish to write over the garden fence up to Georgiana's window. I was greatly taken with the thought, and, dropping my hand-axe, hurried into the house and wrote a note to her at once, which I thereupon tied to the end of the pole by a short string. But as I started for the garden this arrangement looked too much like catching Georgiana with a bait. Therefore, happening to remember, I stopped at my tool-house, where I keep a little of everything, and took from a peg a fine old specimen of a goldfinch's nest. This I fastened to the end of the pole, and hiding my note in it, now felt better satisfied. No one but Georgiana herself would ever be able to tell what it was that I might wish to lift up to her at any time; and in case of its being not a note, but a plum—a berry—a peach—it would be as safe as it was unseen. This old house of a pair of goldfinches would thus become the home of our fledgling hopes: every day a new brood of vows would take flight across its rim into our bosoms.