A History Of Womens Writing In France
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| Author | : Sonya Stephens |
| Publisher | : Cambridge University Press |
| Total Pages | : 332 |
| Release | : 2000-05-22 |
| Genre | : Literary Criticism |
| ISBN | : 9780521581677 |
This volume was the first historical introduction to women's writing in France from the sixth century to the present day. Specially-commissioned essays by leading scholars provide an introduction in English to the wealth and diversity of French women writers, offering fascinating readings and perspectives. The volume as a whole offers a cohesive history of women's writing which has sometimes been obscured by the canonisation of a small feminine elite. Each chapter focuses on a given period and a range of writers, taking account of prevailing sexual ideologies and women's activities in, or their relation to, the social, political, economic and cultural surroundings. Complemented by an extensive bibliography of primary and secondary works and a biographical guide to more than one hundred and fifty women writers, it represents an invaluable resource for those wishing to discover or extend their knowledge of French literature written by women.
| Author | : Gill Rye |
| Publisher | : University of Wales Press |
| Total Pages | : 330 |
| Release | : 2013-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 1783160411 |
Women’s Writing in Twenty-First Century France is a collection of critical essays on recent women-authored literature in France. It takes stock of the themes, issues and trends in women’s writing of the first decade of the twenty-first century, and it engages critically with the work of individual authors through close textual readings. Authors covered include major prizewinners, best-selling authors, established and new writers whose work attracts scholarly attention, including those whose texts have been translated into English such as Christine Angot, Nina Bouraoui, Marie Darrieussecq as Chloé Delaume, Claudie Gallay and Anna Gavalda. Themes include translation, popular fiction, society, history, war, family relations, violence, trauma, the body, racial identity, sexual identity, feminism, life-writing and textual/aesthetic experiments.
| Author | : Alison Finch |
| Publisher | : Cambridge University Press |
| Total Pages | : 342 |
| Release | : 2000-08-10 |
| Genre | : Literary Criticism |
| ISBN | : 9780521631860 |
This is the most complete critical survey to date of women's literature in nineteenth-century France. Alison Finch's wide-ranging analysis of some 60 writers reflects the rich diversity of a century that begins with Mme de Staël's cosmopolitanism and ends with Rachilde's perverse eroticism. Finch's study brings out the contribution not only of major figures like George Sand but also of many other talented and important writers who have been unjustly rejected, including Flora Tristan, Claire de Duras and Delphine de Girardin. Her account opens new perspectives on the interchange between male and female authors and on women's literary traditions during the period. She discusses popular and serious writing: fiction, verse, drama, memoirs, journalism, feminist polemic, historiography, travelogues, children's tales, religious and political thought - often brave, innovative texts linked to women's social and legal status in an oppressive society. Extensive reference features include bibliographical guides to texts and writers.
| Author | : Domna C. Stanton |
| Publisher | : Routledge |
| Total Pages | : 266 |
| Release | : 2016-03-23 |
| Genre | : Literary Criticism |
| ISBN | : 1317035119 |
In its six case studies, The Dynamics of Gender in Early Modern France works out a model for (early modern) gender, which is articulated in the introduction. The book comprises essays on the construction of women: three in texts by male and three by female writers, including Racine, Fénelon, Poulain de la Barre, in the first part; La Guette, La Fayette and Sévigné, in the second. These studies thus also take up different genres: satire, tragedy and treatise; memoir, novella and letter-writing. Since gender is a relational construct, each chapter considers as well specific textual and contextual representations of men. In every instance, Stanton looks for signs of conformity to-and deviations from-normative gender scripts. The Dynamics of Gender adds a new dimension to early modern French literary and cultural studies: it incorporates a dynamic (shifting) theory of gender, and it engages both contemporary critical theory and literary historical readings of primary texts and established concepts in the field. This book emphasizes the central importance of historical context and close reading from a feminist perspective, which it also interrogates as a practice. The Afterword examines some of the meanings of reading-as-a-feminist.
| Author | : Susan Broomhall |
| Publisher | : Routledge |
| Total Pages | : 262 |
| Release | : 2018-11-07 |
| Genre | : Literary Criticism |
| ISBN | : 1351872230 |
Focusing on the vastly understudied area of how women participated in the book trades, not just as authors, but also as patrons, copyists, illuminators, publishers, editors and readers, Women and the Book Trade in Sixteenth-Century France foregrounds contributions made by women during a period of profound transformation in the modes and understanding of publication. Broomhall asks whether women's experiences as authors changed when manuscript circulation gave way to the printed book as a standard form of publication. Innovatively, she broadens the concept of publication to include methods of scribal publication, through the circulation and presentation of manuscripts, and expands notions of authorship to incorporate a wide sample group of female writers and publishing experiences. She challenges the existing view that manuscript offered a "safe" means of semi-public exposure for female authors and explores its continuing presence after the introduction of print. The study introduces a wide and rich range of unexamined sources on early modern women, using an extensive range of manuscripts and the entire corpus of women's printed texts in sixteenth-century France. Most of the original texts, uncovered during the author's own extensive archival and bibliographical research, have never been re-published in modern French. Most of the citations from them are here translated into English for the first time. The work presents the only checklist of all known women's writings in printed texts, from prefaces and laudatory verse to editions of prose and poetry, between 1488 and 1599. Women and the Book Trade in Sixteenth-Century France constitutes the most comprehensive assessment of women's contribution to contemporary publishing yet available. Broomhall's innovative approach and her conclusions have relevance not only for book historians and French historians, but for a broad range of scholars who work with other European literatures and histories, as well as women's studies.
| Author | : Rachel Mesch |
| Publisher | : Vanderbilt University Press |
| Total Pages | : 284 |
| Release | : 2006 |
| Genre | : Literary Criticism |
| ISBN | : 9780826515315 |
Brings into relief a critical relationship between the female mind and body that is essential to understanding the discursive position of the turn-of-the-century woman writer. This book includes novels that confront this mind/body problem through a wide variety of styles and genres that challenge conventional fin-de-siecle notions of femininity.
| Author | : Shirley Ann Jordan |
| Publisher | : Peter Lang |
| Total Pages | : 312 |
| Release | : 2004 |
| Genre | : Literary Collections |
| ISBN | : 9783039103157 |
In the 1990s the French literary arena was enlivened by the emergence of a new generation of women writers. This book selects six of its most distinctive voices and addresses important questions about the very new in French women's writing. What are young women choosing to write about? What do they tell us about changing perceptions of feminine identities? What does it mean to write (and to read) as women at the start of the new millennium? An introductory chapter explores key issues such as the woman writer in the public imagination and continuity and change within French women's writing since the 1970s. It also highlights thematic threads which recur across the work of the authors studied: history and time, wandering and exile, self and other, the body and sexuality and writing and telling. The remaining chapters propose productive approaches to the fictional worlds of Marie Darrieussecq, Virginie Despentes, Marie Ndiaye, Agnès Desarthe, Lorette Nobécourt and Amélie Nothomb through close readings of their most challenging, popular or telling texts. They focus on perennial preoccupations in women's writing which are given new treatment by these writers and discuss important developments such as uses of the pornographic, myth and fairy tale and parody and irony in new women's writing.
| Author | : William Burgwinkle |
| Publisher | : Cambridge University Press |
| Total Pages | : 823 |
| Release | : 2011-02-24 |
| Genre | : Literary Criticism |
| ISBN | : 0521897866 |
The most comprehensive history of literature written in French ever produced in English.
| Author | : Kate Averis |
| Publisher | : Brill |
| Total Pages | : 276 |
| Release | : 2020-11-05 |
| Genre | : Literary Criticism |
| ISBN | : 9789004435698 |
"Transgression(s) in Twenty-First-Century Women's Writing in French analyses the literary transgressions of women's writing in French since the turn of the twenty-first century in the works of major figures, such as Annie Ernaux and Véronique Tadjo, of the now established writers of the 'nouvelle génération', such as Marie Darrieussecq and Virginie Despentes, and in some of the most exciting and innovative authors from across the francosphère, from Nine Antico to Maïssa Bey and Chloé Delaume. Pushing the boundaries of current thinking about normative and queer identities, local and global communities, family and kinship structures, bodies and sexualities, creativity and the literary canon, these authors pose the potential of reading and writing to also effectuate change in the world beyond the text"--
| Author | : Diane Watt |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 253 |
| Release | : 2019-12-12 |
| Genre | : History |
| ISBN | : 1474270646 |
Women's literary histories usually start in the later Middle Ages, but recent scholarship has shown that actually women were at the heart of the emergence of the English literary tradition. Women, Writing and Religion in England and Beyond, 650–1100 focuses on the period before the so-called 'Barking Renaissance' of women's writing in the 12th century. By examining the surviving evidence of women's authorship, as well as the evidence of women's engagement with literary culture more widely, Diane Watt argues that early women's writing was often lost, suppressed, or deliberately destroyed. In particular she considers the different forms of male 'overwriting', to which she ascribes the multiple connotations of 'destruction', 'preservation', 'control' and 'suppression'. She uses the term to describe the complex relationship between male authors and their female subjects to capture the ways in which texts can attempt to control and circumscribe female autonomy. Written by one of the leading experts in medieval women's writing, Women, Writing and Religion in England and Beyond, 650–1100 examines women's literary engagement in monasteries such as Ely, Whitby, Barking and Wilton Abbey, as well as letters and hagiographies from the 8th and 9th centuries. Diane Watt provides a much-needed look at women's writing in the early medieval period that is crucial to understanding women's literary history more broadly.
