Download A History Of Theory And Method In The Study Of Religion And Dance full books in PDF, epub, and Kindle. Read online free A History Of Theory And Method In The Study Of Religion And Dance ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Kimerer L. LaMothe |
| Publisher | : BRILL |
| Total Pages | : 122 |
| Release | : 2018-10-22 |
| Genre | : Religion |
| ISBN | : 9004390006 |
LaMothe paves the way for new theories and methods in the study of religion and dance by critiquing and displacing a conceptual dichotomy between “religion” and “dance” forged in the colonial era that justified western Christian hostility towards dance traditions across six continents over six centuries.
| Author | : Sam Gill |
| Publisher | : Oxford University Press |
| Total Pages | : 320 |
| Release | : 2020-08-11 |
| Genre | : Education |
| ISBN | : 019752723X |
The first generation of the proper academic study of religion might be said to span the half century from 1963 to 2013. Supreme Court Justice Clark's 1963 opinion clarifying that any liberal "education is not complete without a study of comparative religion or the history of religion and its relationship to the advancement of civilization" allowed the legal teaching of religion in secular universities. The end of the first generation might be marked by the 2013 retirement of Professor Jonathan Z. Smith (1938-2017) from the University of Chicago where he had taught since 1968. Arguably no scholar has made a greater contribution than did Smith to establishing a proper academic study of religion. In The Proper Study of Religion, Sam Gill charts an innovative course of development for the academic study of religion by creatively engaging the legacy of Jonathan Z. Smith, Gill's teacher and mentor for fifty years. Their careers coincided with the explosive expansion of the study of religion in secular universities in the US that began in the mid-1960s. Using an engaging narrative style, Gill builds on Smith's work exploring an extensive range of absorbing and foundational topics including: comparison as essential to academic technique and to human knowledge itself; the important role of experience, richly understood, both to academic studies of religion and to religions as lived; play, philosophically understood, as a core dynamic of Smith's entire program; the relationship of academic document-based studies to the sensory-rich real world of religions; and self-moving as providing a biological and philosophical foundation on which to develop and expand upon a proper academic study of religion. The foregrounding of human self-movement, new to the study of religion, is informed by Gill's experience as a dancer and student of dancing in cultures around the world. This book honors the work of an unforgettable giant of a man while also offering critical assessments and innovative ideas in the effort to advance the remarkable legacy of Jonathan Z. Smith.
| Author | : Kimerer L. LaMothe |
| Publisher | : Fordham Univ Press |
| Total Pages | : 332 |
| Release | : 2004 |
| Genre | : Performing Arts |
| ISBN | : 9780823224036 |
This book provides philosophical grounds for an emerging area of scholarship: the study of religion and dance. In the first part, LaMothe investigates why scholars in religious studies have tended to overlook dance, or rhythmic bodily movement, in favor of textual expressions of religious life. In close readings of Descartes, Kant, Schleiermacher, Hegel, and Kierkegaard, LaMothe traces this attitude to formative moments of the field in which philosophers relied upon the practice of writing to mediate between the study of religion, on the one hand, and theology, on the other.In the second part, LaMothe revives the work of theologian, phenomenologist, and historian of religion Gerardus van der Leeuw for help in interpreting how dancing can serve as a medium of religious experience and expression. In so doing, LaMothe opens new perspectives on the role of bodily being in religious life, and on the place of theology in the study of religio
| Author | : Douglas G. Adams |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 239 |
| Release | : 2001-04-05 |
| Genre | : Religion |
| ISBN | : 1579106315 |
"Dance as religious studies" reveals resources for the "art of liturgical dance" in terms of both performance and scholarly interpretation. This collection of methodological essays has been arranged to suggest the wide spectrum and the underlying unity of these diverse and varied approaches to understanding dance as religious studies. Part I concentrates on the relationship between liturgical dance and the scriptural traditions of Judaism and Christianity. Part II indicates the feminist possibilities for liturgical and modern dance. Part III presents a spectrum of the contemporary theory and practice of liturgical dance. The book concludes with a bibliographic survey of sources and resources available to both liturgical dancers and students of dance as religious studies.
| Author | : Weston La Barre |
| Publisher | : New York : Dell Publishing Company |
| Total Pages | : 756 |
| Release | : 1970 |
| Genre | : Religion |
| ISBN | : |
A psychological and anthropological study of religion.
| Author | : Heike Walz |
| Publisher | : Vandenhoeck & Ruprecht |
| Total Pages | : 421 |
| Release | : 2021-12-06 |
| Genre | : Religion |
| ISBN | : 3647568546 |
Dance plays an important role in many religious traditions, in rites of passage, processions, healing rituals or festivals. But it is also controversial, especially in Christianity. Colonial European Christian discourses tend to separate dance from religion(s) and spirituality. This volume explores dance as "Third Space", following Homi Bhabha's postcolonial metaphor. The "Inter-Dance approach" combines interdisciplinary theoretical considerations with case studies. International experts examine dance controversies and discourses from the early church to World Christianity, as well as in Hasidic Judaism, Greek mysteries, Islamic Sufism, West African Togolese religions, and Afro-Brazilian Umbanda. Christian dance theologies are unfolded and the boundary-crossing potential of dance in interreligious and intercultural encounters is explored. The volume breaks new ground in how dance as ephemeral performative art, embodied thought and gendered discourse can transform studies of religion.
| Author | : Guy L. Beck |
| Publisher | : State University of New York Press |
| Total Pages | : 466 |
| Release | : 2023-05-01 |
| Genre | : Music |
| ISBN | : 1438493096 |
For generations, religion and music have been regarded as "universals," yet despite the fact that they have been frequently linked throughout history and topography, and despite the importance of music in the early stages of religious studies, their combined presence has not until now been considered a separate area of study and research. While there are well-developed fields of anthropology of religion, psychology of religion, and philosophy of religion, the widely recognized connections between religion and sound, chant, and music warrant comparable study. Drawing upon theories and methods in the study of both religion and music, referencing examples from world religious traditions, and addressing challenges posed by critics, this book envisions a unified field for religion and music: musicology of religion. Grounded in the scope and methods of phenomenology and comparative analysis, musicology of religion represents an innovative direction in interdisciplinary study, enriched by the social sciences, ethnomusicology, philosophy, theology, liturgical studies, and cognitive studies. As conceived, musicology of religion will spearhead new and creative paths in the study of religion.
| Author | : Karen Bray |
| Publisher | : Fordham Univ Press |
| Total Pages | : 264 |
| Release | : 2023-10-03 |
| Genre | : Religion |
| ISBN | : 1531503071 |
Globalization and climate weirding are two of the leading phenomena that challenge and change the way we need to think and act within the planetary community. Modern Western understandings of human beings, animals, and the rest of the natural world and the subsequent technologies built on those understandings have thrown us into an array of social and ecological crises with planetary implications. Earthly Things: Immanence, New Materialisms, and Planetary Thinking, argues that more immanent or planetary ways of thinking and acting have great potential for re-thinking human-technology-animal-Earth relationships and for addressing problems of global climate weirding and other forms of ecological degradation. Older and often-marginalized forms of thought from animisms, shamanisms, and other religious traditions are joined by more recent forms of thinking with immanence such as the universe story, process thought, emergence theory, the new materialisms (NM’s), object-oriented ontologies (OOO’s), affect theory, and queer theory. This book maps out some of the connections and differences between immanent frameworks to provide some eco-intellectual commons for thinking within the planetary community, with a particular emphasis on making connections between more recent theories and older ideas of immanence found in many of the world’s religious traditions. The authors in this volume met and worked together over five years, so the resulting volume reveals sustained and multifaceted perspectives on “thinking and acting with the planet.”
| Author | : 'H' Patten |
| Publisher | : Routledge |
| Total Pages | : 316 |
| Release | : 2022-03-30 |
| Genre | : Performing Arts |
| ISBN | : 100054642X |
This book explores the genealogy of Jamaican dancehall while questioning whether dancehall has a spiritual underscoring, foregrounding dance, and cultural expression. This study identifies the performance and performative (behavioural actions) that may be considered as representing spiritual ritual practices within the reggae/dancehall dance phenomenon. It does so by juxtaposing reggae/dancehall against Jamaican African/neo-African spiritual practices such as Jonkonnu masquerade, Revivalism and Kumina, alongside Christianity and post-modern holistic spiritual approaches. This book will be of great interest to students and scholars in performance studies, popular culture, music, theology, cultural studies, Jamaican/Caribbean culture, and dance specialists.
| Author | : Felicia Hughes-Freeland |
| Publisher | : Berghahn Books |
| Total Pages | : 306 |
| Release | : 2008 |
| Genre | : Performing Arts |
| ISBN | : 9781845455217 |
Court dance in Java has changed from a colonial ceremonial tradition into a national artistic classicism. Central to this general transformation has been dance's role in personal transformation, developing appropriate forms of everyday behaviour and strengthening the powers of persuasion that come from the skillful manipulation of both physical and verbal forms of politeness. This account of dance's significance in performance and in everyday life draws on extensive research, including dance training in Java, and builds on how practitioners interpret and explain the repertoire. The Javanese case is contextualized in relation to social values, religion, philosophy, and commoditization arising from tourism. It also raises fundamental questions about the theorization of culture, society and the body during a period of radical change.
