A history of the reformation of the Church of England. 3 vols. [in 6]. [on large paper] cm.27
| Author | : Gilbert Burnet (bp. of Salisbury.) |
| Publisher | : |
| Total Pages | : 564 |
| Release | : 1816 |
| Genre | : |
| ISBN | : |
A History Of The Reformation Of The Church Of England 3 Vols In 6 On Large Paper Cm27
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American Book Publishing Record Cumulative, 1876-1949: Non-Dewey decimal classified titles
| Author | : R.R. Bowker Company. Department of Bibliography |
| Publisher | : |
| Total Pages | : 2200 |
| Release | : 1980 |
| Genre | : United States |
| ISBN | : |
Disciples of Light
| Author | : Graham Smith |
| Publisher | : Getty Publications |
| Total Pages | : 173 |
| Release | : 1990-08-09 |
| Genre | : Art |
| ISBN | : 0892361581 |
Disciples of Light contains almost two hundred of the earliest known English and Scottish photographs, most of which have never been published. The volume includes all the significant photographs in the album, compiled by Sir David Brewster, an important early patron of photography. Photographs by William Henry Fox Talbot, the inventor of negative-positive paper photography, are included, as well as works by other photographers who improved upon Talbot's invention. The text discusses the context in which the album was compiled, the personalities of the photographers, and the groups of specific images that it contains. Numerous comparative illustrations are included, as well as a checklist of all photographic images, a bibliography, and an index of all proper names and place names.
European Drawings
| Author | : J. Paul Getty Museum |
| Publisher | : |
| Total Pages | : 380 |
| Release | : 1988 |
| Genre | : Drawing |
| ISBN | : |
Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts
| Author | : Thomas Kren |
| Publisher | : Getty Publications |
| Total Pages | : 130 |
| Release | : 1997-11-13 |
| Genre | : Art |
| ISBN | : 0892364467 |
The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.
The J. Paul Getty Museum Journal
| Author | : The J. Paul Getty Museum |
| Publisher | : Getty Publications |
| Total Pages | : 214 |
| Release | : 1993-02-11 |
| Genre | : Art |
| ISBN | : 0892362286 |
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.
Pieter de Hooch
| Author | : Wayne E. Franits |
| Publisher | : Getty Publications |
| Total Pages | : 94 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 0892368446 |
In the hush of early morning, a dutiful mother butters bread for her young son, who patiently stands at her side. This splendid painting captures a trivial moment in a family's daily routine and makes it almost sacrosanct. A Woman Preparing Bread and Butter for a Boy was executed by the Dutch painter Pieter de Hooch (1629-1684) between 1661 and 1663. The J. Paul Getty Museum's canvas is one of the artist's many pictures depicting women and children engaged in daily activities. This book examines the painting in relation to the artist's life and work, exploring his stylistic development and his complex relationship to other painters in the Dutch Republic. The author places the subject matter of the painting within the broader context of seventeenth-century Dutch concepts of domesticity and child rearing and ties it to social and cultural developments in the Netherlands during the second half of the seventeenth century.
Animated Sculptures of the Crucified Christ in the Religious Culture of the Latin Middle Ages
| Author | : Kamil Kopania |
| Publisher | : Wydawn. "Neriton" |
| Total Pages | : 354 |
| Release | : 2010-01-01 |
| Genre | : Church history |
| ISBN | : 9788375431674 |
The J. Paul Getty Museum Journal
| Author | : The J. Paul Getty Museum |
| Publisher | : Getty Publications |
| Total Pages | : 126 |
| Release | : 1976-01-01 |
| Genre | : Art |
| ISBN | : 0892360054 |
The J. Paul Getty Museum Journal III is a compendium of articles and notes pertaining to the Museum’s permanent collection of paintings. This volume includes an introduction by Burton B. Fredericksen and an illustrated essay of recent acquisitions of paintings. Volume III includes essays on paintings written by Burton Fredericksen, Eric Young, Jean-Luc Bordeaux, with a principal article on Raphael’s Madonna di Loreto by Burton Fredericksen. This is also the first volume to be issued since the recent and much regretted passing of J. Paul Getty, the Museum’s founder. The principal article of this volume, the one on Raphael’s Madonna di Loreto, was one that he was especially concerned with and interested in. The Raphael was always a subject close to his heart. He was an eager student of Raphael and everything that touched on his favorite picture, and it is only appropriate that the article, which is a summary discussion of the picture’s provenance, be dedicated to him.
Opera in Seventeenth-Century Venice
| Author | : Ellen Rosand |
| Publisher | : Univ of California Press |
| Total Pages | : 712 |
| Release | : 2007-10-09 |
| Genre | : Art |
| ISBN | : 0520254260 |
"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
