A History of the Proceedings in the City of New Orleans
Author | : New Orleans (La.) |
Publisher | : |
Total Pages | : 122 |
Release | : 1853 |
Genre | : Funeral orations |
ISBN | : |
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Author | : New Orleans (La.) |
Publisher | : |
Total Pages | : 122 |
Release | : 1853 |
Genre | : Funeral orations |
ISBN | : |
Author | : Anonymous |
Publisher | : BoD – Books on Demand |
Total Pages | : 266 |
Release | : 2024-02-25 |
Genre | : Fiction |
ISBN | : 3368860488 |
Reprint of the original, first published in 1881.
Author | : Pennsylvania |
Publisher | : |
Total Pages | : 1038 |
Release | : 1894 |
Genre | : Legislative journals |
ISBN | : |
Author | : Pennsylvania State Library |
Publisher | : |
Total Pages | : 158 |
Release | : 1895 |
Genre | : Pennsylvania |
ISBN | : |
Includes catalogs of accessions and special bibliographical supplements.
Author | : Pennsylvania State Library |
Publisher | : |
Total Pages | : 158 |
Release | : 1895 |
Genre | : Bibliography, National |
ISBN | : |
Author | : Pennsylvania State Library and Museum (Harrisburg) |
Publisher | : |
Total Pages | : 158 |
Release | : 1895 |
Genre | : |
ISBN | : |
Author | : Shane Lief |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 172 |
Release | : 2019-10-25 |
Genre | : Music |
ISBN | : 1496825926 |
Jockomo: The Native Roots of Mardi Gras Indians celebrates the transcendent experience of Mardi Gras, encompassing both ancient and current traditions of New Orleans. The Mardi Gras Indians are a renowned and beloved fixture of New Orleans public culture. Yet very little is known about the indigenous roots of their cultural practices. For the first time, this book explores the Native American ceremonial traditions that influenced the development of the Mardi Gras Indian cultural system. Jockomo reveals the complex story of exchanges that have taken place over the past three centuries, generating new ways of singing and speaking, with many languages mixing as people’s lives overlapped. Contemporary photographs by John McCusker and archival images combine to offer a complementary narrative to the text. From the depictions of eighteenth-century Native American musical processions to the first known photo of Mardi Gras Indians, Jockomo is a visual feast, displaying the evolution of cultural traditions throughout the history of New Orleans. By the beginning of the twentieth century, Mardi Gras Indians had become a recognized local tradition. Over the course of the next one hundred years, their unique practices would move from the periphery to the very center of public consciousness as a quintessentially New Orleanian form of music and performance, even while retaining some of the most ancient features of Native American culture and language. Jockomo offers a new way of seeing and hearing the blended legacies of New Orleans.
Author | : Omar H. Ali |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 263 |
Release | : 2011-02-03 |
Genre | : Social Science |
ISBN | : 1604737808 |
Following the collapse of Reconstruction in 1877, African Americans organized a movement—distinct from the white Populist movement—in the South and parts of the Midwest for economic and political reform: Black Populism. Between 1886 and 1898, tens of thousands of black farmers, sharecroppers, and agrarian workers created their own organizations and tactics primarily under black leadership. As Black Populism grew as a regional force, it met fierce resistance from the Southern Democrats and constituent white planters and local merchants. African Americans carried out a wide range of activities in this hostile environment. They established farming exchanges and cooperatives; raised money for schools; published newspapers; lobbied for better agrarian legislation; mounted boycotts against agricultural trusts and business monopolies; carried out strikes for better wages; protested the convict lease system, segregated coach boxes, and lynching; demanded black jurors in cases involving black defendants; promoted local political reforms and federal supervision of elections; and ran independent and fusion campaigns. Growing out of the networks established by black churches and fraternal organizations, Black Populism found further expression in the Colored Agricultural Wheels, the southern branch of the Knights of Labor, the Cooperative Workers of America, the Farmers Union, and the Colored Farmers Alliance. In the early 1890s African Americans, together with their white counterparts, launched the People's Party and ran fusion campaigns with the Republican Party. By the turn of the century, Black Populism had been crushed by relentless attack, hostile propaganda, and targeted assassinations of leaders and foot soldiers of the movement. The movement's legacy remains, though, as the largest independent black political movement until the rise of the modern civil rights movement.
Author | : Ann Ostendorf |
Publisher | : University of Georgia Press |
Total Pages | : 273 |
Release | : 2011-09-15 |
Genre | : History |
ISBN | : 0820341363 |
Sounds American provides new perspectives on the relationship between nationalism and cultural production by examining how Americans grappled with musical diversity in the early national and antebellum eras. During this period a resounding call to create a distinctively American music culture emerged as a way to bind together the varied, changing, and uncertain components of the new nation. This played out with particular intensity in the lower Mississippi River valley, and New Orleans especially. Ann Ostendorf argues that this region, often considered an exception to the nation—with its distance from the center of power, its non-British colonial past, and its varied population—actually shared characteristics of many other places eventually incorporated into the country, thus making it a useful case study for the creation of American culture. Ostendorf conjures the territory’s phenomenally diverse “music ways” including grand operas and balls, performances by church choirs and militia bands, and itinerant violin instructors. Music was often associated with “foreigners,” in particular Germans, French, Irish, and Africans. For these outsiders, music helped preserve collective identity. But for critics concerned with developing a national culture, this multitude of influences presented a dilemma that led to an obsessive categorization of music with racial, ethnic, or national markers. Ultimately, the shared experience of categorizing difference and consuming this music became a unifying national phenomenon. Experiencing the unknown became a shared part of the American experience.
Author | : Judicial Conference of the United States. Bicentennial Committee |
Publisher | : |
Total Pages | : 580 |
Release | : 1978 |
Genre | : Government publications |
ISBN | : |