A History of Tennessee Arts

A History of Tennessee Arts
Author: Carroll Van West
Publisher: Univ Tennessee Press
Total Pages: 520
Release: 2004
Genre: Art
ISBN:

"This illustrated book, cosponsored by the Tennessee Arts Commission and the Tennessee Historical Society, covers the varieties of art in Tennessee in five parts. The visual arts and architecture section includes chapters on vernacular and high style architecture, sculpture, painting and photography, while the section on craft arts celebrates folk arts such as woodcraft, silversmithing, pottery, and textiles. The section on Tennessee's rich literary history includes such writers as James Agee, Robert Penn Warren, and Evelyn Scott, while the performing arts are represented by a wealth of storytellers along with two centuries of stage history. Finally, Tennessee is home to - and originator of - much of the music that we know as distinctively American. Contributors to the music section examine gospel, blues, rock, soul, and, of course, country music."--BOOK JACKET.

The Art and Mystery of Tennessee Furniture and Its Makers Through 1850

The Art and Mystery of Tennessee Furniture and Its Makers Through 1850
Author: Derita Coleman Williams
Publisher: University Press of America
Total Pages: 344
Release: 1988
Genre: Cabinetmakers
ISBN: 9780961596620

This pioneering study has been meticulously assembled through extensive fieldwork throughout Tennessee. Lifestyles of Tennesseans prior to 1850 ranged from mountain cabins to plantation mansions and the furnishings were designed to accommodate either setting. Here is a variety of desks, bookcases, and secretaries; sideboards, presses, cupboards, dressers, wardrobes, bureaus and bedsteads; sugar chests and cellarets; candlestands and shaving stands and washstands; cradles, bed steps, chairs, benches, sofas, and tables in dozens of sizes, uses, and names. Featuring many pieces from private collections never before documented, The Art and Mystery of Tennessee Furniture chronicles the originality of design and decoration, the choices of woods, and the simplicity and sophistication that signifies "made in Tennessee." The authors consider sources of labor, location of shops, volume of production, and marketing techniques. Just as important, the authors have conducted exhaustive research into the identities of Tennessee artisans and the furniture industry, and the book includes a checklist of 1,400 furniture makers working in Tennessee prior to 1850. This will be the definitive study for years to come.

Continuum--

Continuum--
Author: University of Tennessee, Knoxville. Department of Art
Publisher:
Total Pages:
Release: 1994
Genre:
ISBN:

Art of Tennessee

Art of Tennessee
Author: Benjamin Hubbard Caldwell
Publisher: Frist Ctr for the Visual Arts
Total Pages: 375
Release: 2003
Genre: Art
ISBN: 9780972577915

Surveying the history of aesthetic expressions from the earliest Native American populations to the most significant artists of our own times, the Art of Tennessee exhibit, running from September 13, 2003, through January 18, 2004, at the Frist Center for the Visual Arts in Nashville, includes approximately 250 of the most extraordinary examples of paintings, sculptures, furniture, quilts, pottery, silver, maps, and other forms of art created throughout Tennessee or that relate to Tennessee. Contributors to the exhibition catalog: Chase Rynd, Ben Caldwell, Robert Hicks, Mark Scala, Jefferson Chapman, Wendell Garrett, Ann Wells, Jonathan Fairbanks, Tracey Parks, Rick Warwick, Samuel Smith, Steven Rogers, Elizabeth Ramsey, Candace Adelson, Jim Hoobler, Estill Curtis Pennington, James Kelly, Marsha Mullin, Dan Pomeroy, Jack Becker, Celia Walker, John Wood, Michael Hall, Leslie King-Hammond, Susan Knowles, Amy Kirschke, and Lynn Ennis.

History of Tennessee, Its People and Its Institutions (Classic Reprint)

History of Tennessee, Its People and Its Institutions (Classic Reprint)
Author: William Robertson Garrett
Publisher: Forgotten Books
Total Pages: 358
Release: 2017-11-13
Genre:
ISBN: 9780260992802

Excerpt from History of Tennessee, Its People and Its Institutions The competent teacher of history demands of the text-book two essential qualities: Firsf. The text-book must contain a clear statement of all mate rial facts, and an adequate discussion of all important topics, arranged in such consecutive order as to cover the subject completely, and to connect all the parts in logical sequence. There must be no missing link in the chain of events. The author of the text-book does not share in the licen>e accorded to the general writer. He has no right to dilate on favorite or sensational topics to the omission or exclusion of essential links in the chain of history. In order to cover the subject in all its parts, it is necessary that the style be concise and the scope be comprehensive. If the text-book be defective in this first essential quality, no rhetorical excellence or charm of style can cure the defect. Second. In connection with the statement of each important fact, and the discussion of each important topic, the text-book must supply carefully selected page references to the sources of information, and to the best authorities in which the subject is treated more in detail than the restrictions of a school-book will permit. The skillful teacher makes this demand of the text-book, because he needs it as an aid to himself and a guide to the pupil, in order to accomplish the best results. He knows that the limitations of the school-term will not permit him to do more than lay the foundation upon which the pupil, himself, in future years must build the superstructure. If the teacher is ambitious that his teaching shall live in the future lives of his pupils, he looks beyond the school-room, and is not content to prepare his pupils only for the next recitation, or the next examination. If he aims to train lovers Of history, or readers of history, or writers of history, he must give his pupils, at least, a glimpse of the rich and varied field of historical literature, with some training towards forming the habit of historical research, and some practice in the methods of historical investigation. The text-book should aid in this work by supplying references. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Art of Tennessee Loveless

The Art of Tennessee Loveless
Author: David A. Bossert
Publisher: Disney Editions
Total Pages: 0
Release: 2017-10-31
Genre: Art
ISBN: 9781484746899

This stunning, colorful, and vastly diverse art collection showcases 100 paintings of Walt Disney's Mickey Mouse by contemporary pop artist Tennessee Loveless. Explore Tennessee's fascinating methodology: a story about the power of art, overcoming obstacles, and following your dreams. When he was growing up in the southern United States, Tennessee Loveless didn't know that he was so different from other children in his grade school class. Then one day, he and his classmates were asked to choose a purple object in the room. Everyone else seemed to find this an easy task, while Tennessee slumped down, paralyzed with fear. He couldn't do it. His teacher picked him up, at which point he started crying. Tennessee's parents were called; tests were done; and Tennessee was diagnosed with limited achromatopsia, which is the state of being almost completely color-blind. Tennessee's inability to distinguish most hues has, if anything, made him obsessed with the formation of patterns, objects, and shapes. Early on, he became attracted to the destruction of white space and captivated with the idea of filling in anything lacking in form with a pattern. Later, he learned in color-theory books what hues complemented or contrasted each other appropriately and went on to develop his own numerically based color indexing system. In creating his Mickey Mouse art collection, Tennessee uses bold colors and patterns to evoke an immediate visual impact. He is driven by his passion for painting people, iconic images, and his own visual iconography in a way that strikes an emotional and nostalgic connection through command over the one thing he is blind to: color.

Art of Tennessee

Art of Tennessee
Author: Benjamin Hubbard Caldwell
Publisher: Frist Center for Visual Arts
Total Pages: 384
Release: 2003
Genre: Architecture
ISBN:

Surveying the history of aesthetic expressions from the earliest Native American populations to the most significant artists of our own times, the Art of Tennessee exhibit, running from September 13, 2003, through January 18, 2004, at the Frist Center for the Visual Arts in Nashville, includes approximately 250 of the most extraordinary examples of paintings, sculptures, furniture, quilts, pottery, silver, maps, and other forms of art created throughout Tennessee or that relate to Tennessee. Contributors to the exhibition catalog: Chase Rynd, Ben Caldwell, Robert Hicks, Mark Scala, Jefferson Chapman, Wendell Garrett, Ann Wells, Jonathan Fairbanks, Tracey Parks, Rick Warwick, Samuel Smith, Steven Rogers, Elizabeth Ramsey, Candace Adelson, Jim Hoobler, Estill Curtis Pennington, James Kelly, Marsha Mullin, Dan Pomeroy, Jack Becker, Celia Walker, John Wood, Michael Hall, Leslie King-Hammond, Susan Knowles, Amy Kirschke, and Lynn Ennis.

Backcountry Makers

Backcountry Makers
Author: Betsy K. White
Publisher:
Total Pages: 183
Release: 2013
Genre: Art
ISBN: 9781572338760

This new book brings to life the material-culture heritage of southwest Virginia and northeast Tennessee. In Backcountry Makers, Betsy K. White expands on her previous study of the region's rich decorative arts legacy, Great Road Style, to offer a closer look at the individual artisans responsible for the diverse works that constitute that legacy. Beautifully illustrated with some 230 photographs, most of them in color, this volume includes biographical sketches of seventy-five makers—potters, weavers, spinners, quilters, embroiderers, cabinetmakers, metalsmiths, clocksmiths, gunsmiths, and artists—who worked in the region from the earliest eighteenth-century settlement days to the late twentieth century. The entry for each artisan is accompanied by one or more images of a signed or marked work, or, in a number of instances, an unmarked work with certain provenance. These vignettes offer a fascinating glimpse of the people behind the various pieces, describing their background, family life, and where they learned their trade. Using census records and other documentary evidence, White has traced the earliest of these artisans from their origins in such places as Europe and Philadelphia down through the Great Valley of Virginia to their ultimate destinations in southwest Virginia and northeast Tennessee. Along with the photos displaying the products of their craftsmanship, the book also includes a number of evocative images of the artists and their homes and towns, thus giving the reader a fuller sense of the region where these gifted people lived and worked. One of the few studies to addresses handmade objects in this locale—and one of the even fewer works to focus on the artisans themselves— Backcountry Makers will be of great value not only to scholars of material culture and the arts in Appalachia but also to those who collect regional antiques and crafts and want to know more about the individuals who made them.