A History of Mediaeval Christianity and Sacred Art in Italy
Author | : Charles Isidore Hemans |
Publisher | : |
Total Pages | : 680 |
Release | : 1872 |
Genre | : Christian art and symbolism |
ISBN | : |
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Author | : Charles Isidore Hemans |
Publisher | : |
Total Pages | : 680 |
Release | : 1872 |
Genre | : Christian art and symbolism |
ISBN | : |
Author | : Charles Isidore Hemans |
Publisher | : |
Total Pages | : 642 |
Release | : 1869 |
Genre | : Christian art and symbolism |
ISBN | : |
Author | : Charles Isidore Hemans |
Publisher | : |
Total Pages | : 688 |
Release | : 1872 |
Genre | : Christian art and symbolism |
ISBN | : |
Author | : James Morton |
Publisher | : Oxford University Press, USA |
Total Pages | : 337 |
Release | : 2021-03-04 |
Genre | : History |
ISBN | : 0198861141 |
Byzantine Religious Law in Medieval Italy is a historical study of manuscripts containing Byzantine canon law produced after the Norman conquest of southern Italy, exploring how and why the Greek Christians of the region persisted in using them so long after the end of Byzantine rule.
Author | : Lawrence Nees |
Publisher | : Oxford University Press, USA |
Total Pages | : 274 |
Release | : 2002 |
Genre | : Art |
ISBN | : 9780192842435 |
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Author | : Hans Belting |
Publisher | : University of Chicago Press |
Total Pages | : 692 |
Release | : 1994 |
Genre | : Art |
ISBN | : 9780226042152 |
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover