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| Author | : Daniel R. Woolf |
| Publisher | : Oxford University Press |
| Total Pages | : 673 |
| Release | : 2011-02-17 |
| Genre | : History |
| ISBN | : 0199218153 |
A chronological scholarly survey of the history of historical writing in five volumes. Each volume covers a particular period of time, from the beginning of writing to the present day, and from all over the world.
| Author | : James Westfall Thompson |
| Publisher | : |
| Total Pages | : 718 |
| Release | : 1967 |
| Genre | : Historiography |
| ISBN | : |
| Author | : Lisa Kasmer |
| Publisher | : Fairleigh Dickinson |
| Total Pages | : 199 |
| Release | : 2012-01-16 |
| Genre | : History |
| ISBN | : 1611474965 |
Novel Histories: British Women Writing History, 1760–1830 argues that British women’s history and historical fiction in the late eighteenth and early nineteenth centuries changed not only the shape but also the political significance of women’s writing. At a time when women’s participation in the republic of letters was both celebrated and reviled, these authors took cues from developments that revolutionized British history writing to push the limits of narrated history to respond to contemporary national politics. Through an examination of the conventions of historical and literary genres; historiography during the period; and the gendering of civic and literary roles, this study shows not only a social, political, and literary lineage among women’s history writing and fiction but also among women’s writing and the writing of history.
| Author | : Stephen G. Hall |
| Publisher | : ReadHowYouWant.com |
| Total Pages | : 710 |
| Release | : 2010-05-07 |
| Genre | : History |
| ISBN | : 1458755568 |
The civil rights and black power movements expanded popular awareness of the history and culture of African Americans. But, as Stephen Hall observes, African American authors, intellectuals, ministers, and abolitionists had been writing the history of the black experience since the 1800s. With this book, Hall recaptures and reconstructs a rich but largely overlooked tradition of historical writing by African Americans. Hall charts the origins, meanings, methods, evolution, and maturation of African American historical writing from the period of the Early Republic to the twentieth-century professionalization of the larger field of historical study. He demonstrates how these works borrowed from and engaged with ideological and intellectual constructs from mainstream intellectual movements including the Enlightenment, Romanticism, Realism, and Modernism. Hall also explores the creation of discursive spaces that simultaneously reinforced and offered counter narratives to more mainstream historical discourse. He sheds fresh light on the influence of the African diaspora on the development of historical study. In so doing, he provides a holistic portrait of African American history informed by developments within and outside the African American community.
| Author | : Chad V. Meister |
| Publisher | : History of Evil |
| Total Pages | : 1996 |
| Release | : 2018-06-19 |
| Genre | : Good and evil |
| ISBN | : 9781138237162 |
Volume I. The history of evil in antiquity : 2000 BCD-450 CE -- volume II. The history of evil in the medieval age : 450-1450 -- volume III. The history of evil in the early modern age : 1450-1700 -- volume IV. The history of evil in the 18th and 19th centuries : 1700-1900 -- volume V. The history of evil in the early twentieth century : 1900-1950 -- volume VI. The history of evil from the mid-twentieth century to today : 1950-2018
| Author | : Douglas Hedley |
| Publisher | : Routledge |
| Total Pages | : 375 |
| Release | : 2018-06-14 |
| Genre | : Religion |
| ISBN | : 1351138383 |
The fourth volume of The History of Evil explores the key thinkers and themes relating to the question of evil in eighteenth and nineteenth centuries. The very idea of "evil" is highly contentious in modern thought and this period was one in which the concept was intensely debated and criticized. The persistence of the idea of evil is a testament to the abiding significance of theology in the period, not least in Germany. Comprising twenty-two chapters by international scholars, some of the topics explored include: Berkeley on evil, Voltaire and the Philosophes, John Wesley on the origins of evil, Immanuel Kant on evil, autonomy and grace, the deliverance of evil: utopia and evil, utilitarianism and evil, evil in Schelling and Schopenhauer, Friedrich Nietzsche and the genealogy of evil, and evil and the nineteenth-century idealists. This volume also explores a number of other key thinkers and topics within the period. This outstanding treatment of the history of evil at the crucial and determinative inception of its key concepts will appeal to those with particular interests in the ideas of evil and good.
| Author | : Kay Moss |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Cooking |
| ISBN | : 9781611172591 |
"A guide to historical cooking techniques from eighteenth- and nineteenth-century receipt (recipe) books and an examination of how those methods can be used in kitches today"--Dust jacket.
| Author | : Susan Schulten |
| Publisher | : University of Chicago Press |
| Total Pages | : 260 |
| Release | : 2012-06-29 |
| Genre | : Technology & Engineering |
| ISBN | : 0226740706 |
“A compelling read” that reveals how maps became informational tools charting everything from epidemics to slavery (Journal of American History). In the nineteenth century, Americans began to use maps in radically new ways. For the first time, medical men mapped diseases to understand and prevent epidemics, natural scientists mapped climate and rainfall to uncover weather patterns, educators mapped the past to foster national loyalty among students, and Northerners mapped slavery to assess the power of the South. After the Civil War, federal agencies embraced statistical and thematic mapping in order to profile the ethnic, racial, economic, moral, and physical attributes of a reunified nation. By the end of the century, Congress had authorized a national archive of maps, an explicit recognition that old maps were not relics to be discarded but unique records of the nation’s past. All of these experiments involved the realization that maps were not just illustrations of data, but visual tools that were uniquely equipped to convey complex ideas and information. In Mapping the Nation, Susan Schulten charts how maps of epidemic disease, slavery, census statistics, the environment, and the past demonstrated the analytical potential of cartography, and in the process transformed the very meaning of a map. Today, statistical and thematic maps are so ubiquitous that we take for granted that data will be arranged cartographically. Whether for urban planning, public health, marketing, or political strategy, maps have become everyday tools of social organization, governance, and economics. The world we inhabit—saturated with maps and graphic information—grew out of this sea change in spatial thought and representation in the nineteenth century, when Americans learned to see themselves and their nation in new dimensions.
| Author | : Brandon R. Byrd |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 313 |
| Release | : 2019-10-11 |
| Genre | : History |
| ISBN | : 0812296540 |
In The Black Republic, Brandon R. Byrd explores the ambivalent attitudes that African American leaders in the post-Civil War era held toward Haiti, the first and only black republic in the Western Hemisphere. Following emancipation, African American leaders of all kinds—politicians, journalists, ministers, writers, educators, artists, and diplomats—identified new and urgent connections with Haiti, a nation long understood as an example of black self-determination. They celebrated not only its diplomatic recognition by the United States but also the renewed relevance of the Haitian Revolution. While a number of African American leaders defended the sovereignty of a black republic whose fate they saw as intertwined with their own, others expressed concern over Haiti's fitness as a model black republic, scrutinizing whether the nation truly reflected the "civilized" progress of the black race. Influenced by the imperialist rhetoric of their day, many African Americans across the political spectrum espoused a politics of racial uplift, taking responsibility for the "improvement" of Haitian education, politics, culture, and society. They considered Haiti an uncertain experiment in black self-governance: it might succeed and vindicate the capabilities of African Americans demanding their own right to self-determination or it might fail and condemn the black diasporic population to second-class status for the foreseeable future. When the United States military occupied Haiti in 1915, it created a crisis for W. E. B. Du Bois and other black activists and intellectuals who had long grappled with the meaning of Haitian independence. The resulting demand for and idea of a liberated Haiti became a cornerstone of the anticapitalist, anticolonial, and antiracist radical black internationalism that flourished between World War I and World War II. Spanning the Reconstruction, post-Reconstruction, and Jim Crow eras, The Black Republic recovers a crucial and overlooked chapter of African American internationalism and political thought.
| Author | : Robin Mitchell |
| Publisher | : University of Georgia Press |
| Total Pages | : 209 |
| Release | : 2020-02-15 |
| Genre | : History |
| ISBN | : 0820354333 |
Even though there were relatively few people of color in postrevolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country’s postrevolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. Vénus Noire explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harbored by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewelry fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman. Finally, Mitchell shows how demonization of Jeanne Duval, longtime lover of the poet Charles Baudelaire, expressed France’s need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.
