A History Of East African Theatre Volume 2
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| Author | : Jane Plastow |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 0 |
| Release | : 2022-11-17 |
| Genre | : Performing Arts |
| ISBN | : 9783030877330 |
This second volume of A History of East African Theatre focuses on central East Africa; on Burundi, Kenya, Rwanda, Tanzania and Uganda. The first chapter is concerned with francophone theatres, comparatively studying work coming out of Burundi and Rwanda alongside a focus on French language theatre in Djibouti. The chapter is particularly concerned to explore how French and Belgian cultural policies impacted theatre during the colonial period and how the French ideas of Francafrique and promotion of elite, French language art have continued to resonate in the post-colonial present. Chapters Two and Three look comparatively at the rich theatre histories of Kenya, Tanzania and Uganda, and are divided between a study of British East African colonial impact and an analysis of the post-colonial period illustrating how divergent political thought and societal make-up led to exponential differentiation in national theatres. The final chapter, on Theatre for Development and related social action theatre, covers the whole East African region, offering the first ever historicised analysis of this mode of theatre making which, since the 1980s, has come to dominate funding and opportunity in performance arts.
| Author | : Jane Plastow |
| Publisher | : Springer Nature |
| Total Pages | : 333 |
| Release | : 2021-11-02 |
| Genre | : Performing Arts |
| ISBN | : 3030877310 |
This second volume of A History of East African Theatre focuses on central East Africa; on Burundi, Kenya, Rwanda, Tanzania and Uganda. The first chapter is concerned with francophone theatres, comparatively studying work coming out of Burundi and Rwanda alongside a focus on French language theatre in Djibouti. The chapter is particularly concerned to explore how French and Belgian cultural policies impacted theatre during the colonial period and how the French ideas of Francafrique and promotion of elite, French language art have continued to resonate in the post-colonial present. Chapters Two and Three look comparatively at the rich theatre histories of Kenya, Tanzania and Uganda, and are divided between a study of British East African colonial impact and an analysis of the post-colonial period illustrating how divergent political thought and societal make-up led to exponential differentiation in national theatres. The final chapter, on Theatre for Development and related social action theatre, covers the whole East African region, offering the first ever historicised analysis of this mode of theatre making which, since the 1980s, has come to dominate funding and opportunity in performance arts.
| Author | : Jane Plastow |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2021 |
| Genre | : Africa |
| ISBN | : |
| Author | : Jane Plastow |
| Publisher | : Springer Nature |
| Total Pages | : 315 |
| Release | : 2020-10-29 |
| Genre | : Performing Arts |
| ISBN | : 3030472728 |
This book is the first ever transnational theatre study of an African region. Covering nine nations in two volumes, the project covers a hundred years of theatre making across Burundi, Djibouti, Eritrea, Ethiopia, Kenya, Rwanda, Somalia, Tanzania, and Uganda. This volume focuses on the theatre of the Horn of Africa. The book shows how the theatres of Djibouti, Eritrea, Ethiopia, and Somalia, little known in the outside world, have been among the continent's most politically important, commercially successful, and widely popular; making work almost exclusively in local languages and utilizing hybrid forms that have privileged local cultural modes of production. A History of African Theatre is relevant to all who have interests in African cultures and their relationship to the history and politics of the East African region.
| Author | : Martin Banham |
| Publisher | : Cambridge University Press |
| Total Pages | : 498 |
| Release | : 2004-05-13 |
| Genre | : Drama |
| ISBN | : 1139451499 |
This book aims to offer a broad history of theatre in Africa. The roots of African theatre are ancient and complex and lie in areas of community festival, seasonal rhythm and religious ritual, as well as in the work of popular entertainers and storytellers. Since the 1950s, in a movement that has paralleled the political emancipation of so much of the continent, there has also grown a theatre that comments back from the colonized world to the world of the colonists and explores its own cultural, political and linguistic identity. A History of Theatre in Africa offers a comprehensive, yet accessible, account of this long and varied chronicle, written by a team of scholars in the field. Chapters include an examination of the concepts of 'history' and 'theatre'; North Africa; Francophone theatre; Anglophone West Africa; East Africa; Southern Africa; Lusophone African theatre; Mauritius and Reunion; and the African diaspora.
| Author | : Kene Igweonu |
| Publisher | : Taylor & Francis |
| Total Pages | : 811 |
| Release | : 2024-06-10 |
| Genre | : Drama |
| ISBN | : 1040019919 |
The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African theatre and performance practice. Contributors aim to answer some of the big questions about the content (nature, form) and context (processes, practice) of theatre, whilst also painting a pluralistic and complex picture of the diversity of cultural, political and artistic exigencies across the continent. Covering a broad range of themes including postcolonialism, transnationalism, interculturalism, Afropolitanism, development and the diaspora, the handbook concludes by projecting possible future directions for African theatre and performance as we continue to advance into the 21st century and beyond. This ground-breaking new handbook will be essential reading for students and researchers studying theatre and performance practices across Africa and the diaspora. Kene Igweonu is Professor of Creative Education at University of the Arts London, where he is also Pro Vice-Chancellor and Head of London College of Communication. An interdisciplinary researcher, Professor Igweonu has extensive experience of senior academic leadership in immersive and interactive practices and performance practice. His practice research and publication interests are in storytelling, theatre, and performance in Africa and its Diaspora, as well as the Feldenkrais Method in health, wellbeing, and performance training. A champion for arts and creative industries, Professor Igweonu is Chair of DramaHE, Council Member for Creative UK, and until August 2023, President of the African Theatre Association.
| Author | : Taiwo Afolabi |
| Publisher | : Taylor & Francis |
| Total Pages | : 224 |
| Release | : 2024-09-23 |
| Genre | : Performing Arts |
| ISBN | : 1040144322 |
This book is the first definitive publication to consider the intersections of applied theatre and the Sustainable Development Goals (SDGs) – a series of goals which have shaped development and social justice initiatives from 2015 to 2030. It brings together emerging and leading scholars and practitioners engaged in creative and community contexts globally. In so doing, the book offers critical insights to explore the convergences, complexities, and tensions of working within development frameworks, through theatre. Divided into three thematic areas, it maps out the ways in which applied theatre has related to the SDGs, examines issues with global collaborations, and, as 2030 approaches and the SDG era draws to a close, interrogates such practices, envisioning what the role of applied theatre might be in the post-SDG era. The book provokes reflection about this specific era of applied theatre and global development, as well as discussion regarding what comes next. This volume will be of importance to students, artists, scholars, practitioners, and policymakers working in applied theatre and the field of development.
| Author | : Bobby Smith |
| Publisher | : Springer Nature |
| Total Pages | : 249 |
| Release | : |
| Genre | : |
| ISBN | : 3031557255 |
| Author | : Amitayu Chakraborty |
| Publisher | : Taylor & Francis |
| Total Pages | : 223 |
| Release | : 2024-03-13 |
| Genre | : Literary Criticism |
| ISBN | : 1003854885 |
As a part of Routledge Research in Postcolonial Literature, the book explores the complex of ways in which Ngugi wa Thiong’o wrestles with issues of nationalism and ethnicity through his politically subversive and creatively intense literary texts. His novels and plays are fraught with his anxiety, resistance, and defiance concerning Gikuyu ethnicity, Kenyan nationalism, and a curious, globalectic imaginary. In this way, the book re- appreciates Ngugi offering scholarly insights into the present debates over identity politics as well as aesthetics that animate contemporary research in postcolonial studies, world literature, and African studies across the globe.
| Author | : Howard Schwartz |
| Publisher | : Routledge |
| Total Pages | : 239 |
| Release | : 2017-07-05 |
| Genre | : Social Science |
| ISBN | : 1351475053 |
Robert G. Gregory challenges the apparent assumption that non-Western peoples lack a significant indigenous philanthropic culture. Focusing on the large South Asian community in East Africa, he relates how, over a century, they built a philanthropic culture of great magnitude, and how it finally collapsed under the ascendency of increasing state regulation and policies directed against non-African communities.Compelled by poverty to seek better oppurtunities overseas, most Asians arrived in East Africa as peasant farmers. Denied access to productive land and sensing economic opportunity, they turned to business. Despite severe forms of racial discrimination in the colonial society, they suffered few restrictions on their business enterprises and some became very wealthy. Gregory's historical analysis shows philanthropy as an important contribution, one that stemmed from deep roots in Hindu, Muslim, and Buddhist culture. The sense of nonracial social responsibility cultivated social, medical, and educational facilities designed for all.This age of philanthropy terminated with the Asian exodus. The socialist and racial policies adopted by East African governments over the past few decades have virtually destroyed the foundation necessary for philanthropy as well as the distinct Asian cultural identity. Gregory's account of the East Asian's role in philanthropy deserves great attention and sober reflection.
