A Handbook for Television Teachers at the University of Minnesota
Author | : Arnold W. Walker |
Publisher | : |
Total Pages | : 158 |
Release | : 1967 |
Genre | : Television in education |
ISBN | : |
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Author | : Arnold W. Walker |
Publisher | : |
Total Pages | : 158 |
Release | : 1967 |
Genre | : Television in education |
ISBN | : |
Author | : Billie V. Strand |
Publisher | : |
Total Pages | : |
Release | : 1996 |
Genre | : Television in education |
ISBN | : |
Author | : Susan Murray |
Publisher | : NYU Press |
Total Pages | : 387 |
Release | : 2009 |
Genre | : Performing Arts |
ISBN | : 0814757340 |
A collection of essays, which provide a comprehensive picture of how and why the genre of reality television emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals.
Author | : University of Minnesota. College of Education |
Publisher | : |
Total Pages | : 154 |
Release | : 1957 |
Genre | : Closed-circuit television |
ISBN | : |
Author | : Glen Creeber |
Publisher | : Bloomsbury Publishing |
Total Pages | : 256 |
Release | : 2015-08-16 |
Genre | : Performing Arts |
ISBN | : 1844578984 |
Genre is central to understanding the industrial context and visual form of television. This new edition of the key textbook on television genre brings together leading international scholars to provide an accessible and comprehensive introduction to the debates, issues and concerns of the field. Structured in eleven sections, The Television Genre Book introduces the concept of 'genre' itself and how it has been understood in television studies, and then addresses the main televisual genres in turn: drama, soap opera, comedy, news, documentary, reality television, children's television, animation and popular entertainment. This third edition is illustrated throughout with case studies of classic and contemporary programming from each genre, ranging from The Simpsons to Buffy the Vampire Slayer and from Monty Python's Flying Circus to Who Wants to be a Millionaire?. It also features new case studies on contemporary shows, including The Only Way Is Essex, Homeland, Game of Thrones, Downton Abbey, Planet Earth, Grey's Anatomy and QVC, and new chapters covering topics such as constructed reality, travelogues, telefantasy, stand-up comedy, the panel show, 24-hour news, Netflix and video on demand.
Author | : Mary L. Rice |
Publisher | : |
Total Pages | : 72 |
Release | : 1958 |
Genre | : Books and reading |
ISBN | : |
Author | : Patricia Beall Hamill |
Publisher | : |
Total Pages | : 52 |
Release | : 1960 |
Genre | : Radio in education |
ISBN | : |
Sixteen-year-old Tabitha, the daughter of a preacher who believes science is Satan's work, longs to study at a university and dig for dinosaur bones, but in South Dakota at the end of the nineteenth century such ambitions are discouraged.
Author | : Michele Hilmes |
Publisher | : Bloomsbury Publishing |
Total Pages | : 176 |
Release | : 2021-03-11 |
Genre | : Performing Arts |
ISBN | : 1839024674 |
Traces the history of broadcasting and the infludence developments in broadcasting have had over our social, cultural and economic practices. Examining the broadcasting traditions of the UK and USA, 'The Television History Book' make connections between events and tendencies that both unite and differentiate these national broadcasting traditions.
Author | : Vinciane Despret |
Publisher | : U of Minnesota Press |
Total Pages | : 182 |
Release | : 2021-09-21 |
Genre | : Social Science |
ISBN | : 1452965935 |
An award-winning exploration of the presence of the dead in the lives of the living A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead. Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss. Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.