Painter's Handbook

Painter's Handbook
Author: Mark David Gottsegen
Publisher: Watson-Guptill
Total Pages: 366
Release: 2006-04-01
Genre: Art
ISBN: 9780823034963

Much more than just another guide to artists’ materials, The Painter’s Handbook is an amazingly useful resource, with information on everything from the canvas up: the canvas itself, plus paper, sizes and grounds, pigments and binders, solvents and thinners, varnishes and preservatives. Dozens of step-by-step recipes for make-it-yourself paints, pastels, varnishes, gessoes, sizes, supports, and equipment take this indispensable guide way beyond the competition. Authoritatively written by Mark David Gottsegen, chair of the federal government’s ASTM committee on artist’s materials, the revised Painter’s Handbook considers the enormous changes in the art-materials world since the first edition was published in 1993. New materials, new health issues, new information on outmoded and even harmful supplies and practices mean that every painter needs a copy of The Painter’s Handbook.

The Figurative Artist's Handbook

The Figurative Artist's Handbook
Author: Robert Zeller
Publisher: The Monacelli Press, LLC
Total Pages: 305
Release: 2017-03-28
Genre: Art
ISBN: 1580934528

An Authoritative, Comprehensive Guide for Contemporary Figurative Artists At a time when renewed interest in figurative art is surging throughout the art world, author Robert Zeller presents The Figurative Artist’s Handbook—the first comprehensive guide to figure drawing and painting to appear in decades. Illustrated with Zeller’s own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew Loomis, Andrew Wyeth, Lucian Freud, Odd Nerdrum, Eric Fischl, Bo Bartlett, Steven Assael, John Currin, and many others. Original and thoroughly modern in his approach, Zeller brings together three figure-drawing methods long thought to be at odds, synthesizing these seemingly incompatible techniques to achieve a cohesive and complete understanding of the human figure. Although all three methods underlie contemporary fine-arts practice and education, no artist’s handbook has ever combined them before: The Study of Gesture (Disegno): Rooted in the Italian Mannerist style of the 16th and 17th centuries, the gestural method emphasizes life, rhythm, and movement in the human body. The Structural Approach: A mainstay of 20th- and 21st-century art instruction, this method applies an architectural perspective to the body, using a block conception for anatomically sound, solid figures. The Atelier Method: Based on the training provided by 18th- and 19th-century art academies, the atelier approach creates sensual, smooth renderings based on meticulous study of the figure’s surface morphology in light and shadow. Covering all the basics as well as many advanced techniques, The Figurative Artist’s Handbook is aimed at both students and experienced artists. A practical, how-to guide, it provides in-depth step-by-step instruction and—rare among figure-drawing books—features sections on composition, portraiture, and painting. Chapters on creativity and on using a sketchbook help readers hone their artistic vision and evolve ideas from the initial inspiration to the fully developed work. Also included is an extensive section highlighting the great movements in figurative art throughout history—from ancient Egypt and Greece to the present.

A Hand-Book for Young Painters (Classic Reprint)

A Hand-Book for Young Painters (Classic Reprint)
Author: Charles Robert Leslie
Publisher:
Total Pages: 414
Release: 2017-07-13
Genre: Art
ISBN: 9780259843450

Excerpt from A Hand-Book for Young PaintersThe great difficulty of instruction will be found in attempting to analyze the things that are most ad dressed to the taste and the feelings. Here the teacher must rely on his own impressions; impres sions liable to be biassed by a thousand accidental associations, and by peculiarities of temperament that may well lead him to mistrust himself; and he can only be sure that his guidance will be safe to others in as far as he finds his opinions confirmed by the most generally-received authorities.If, with respect to one most important element of Art, and that too colour, I dissent from so great a painter as Reynolds, I do but follow Opie, whose opinion has carried with it that of every succeeding artist of eminence.The Lectures I delivered at the Royal Academy form the greater part of this volume. They have been carefully revised, and re-cast into other forms; and with such additional matter as I venture to hope may render it worthy of the attention, not only of young artists, but, in some degree, of painters past the period of pupilage, and also of that now large and increasing class of lovers of Art who adorn their houses with pictures.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A Book About Color

A Book About Color
Author: Mark Gonyea
Publisher: Macmillan
Total Pages: 100
Release: 2010-04-13
Genre: Young Adult Nonfiction
ISBN: 080509055X

"A clear and simple guide for young artists"--Cover.