A Greek Ballad
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| Author | : Michális Ganás |
| Publisher | : Yale University Press |
| Total Pages | : 328 |
| Release | : 2019-09-24 |
| Genre | : Literary Criticism |
| ISBN | : 0300233345 |
A stunning collection that draws from four decades of verse by one of modern Greece's most lauded poets This is the first English-language collection of work by the renowned Greek poet Michális Ganás. Originally from a remote village on the northwest border of Greece, Ganás witnessed the Greek Civil War as a young child, and was taken into enforced exile in Eastern Europe with his family. Weaving together subtle references to the events and places that have defined his life's story, Ganás's terse and technically accomplished poems are a combination of folklore, autobiography, and recent history. Whether describing the mountains of his youth or the difficulties of acclimation in Athens of the 1960s and 1970s, Ganás's writing is infused with striking and original imagery inspired by love, memory, and loss. Featuring expert translations--made in collaboration with Ganás himself--by David Connolly and Joshua Barley, this volume also includes a scholarly introduction to the poet's life and work.
| Author | : Michalis Ganas |
| Publisher | : Yale University Press |
| Total Pages | : 328 |
| Release | : 2019-09-24 |
| Genre | : Poetry |
| ISBN | : 0300249357 |
A stunning collection that draws from four decades of verse by one of modern Greece’s most lauded poets This is the first English-language collection of work by the renowned Greek poet Michális Ganás. Originally from a remote village on the northwest border of Greece, Ganás witnessed the Greek Civil War as a young child, and was taken into enforced exile in Eastern Europe with his family. Weaving together subtle references to the events and places that have defined his life’s story, Ganás’s terse and technically accomplished poems are a combination of folklore, autobiography, and recent history. Whether describing the mountains of his youth or the difficulties of acclimation in Athens of the 1960s and 1970s, Ganás’s writing is infused with striking and original imagery inspired by love, memory, and loss. Featuring expert translations—made in collaboration with Ganás himself—by David Connolly and Joshua Barley, this volume also includes a scholarly introduction to the poet’s life and work.
| Author | : Tina Bucuvalas |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 481 |
| Release | : 2018-11-26 |
| Genre | : Music |
| ISBN | : 1496819748 |
Winner of the 2019 Vasiliki Karagiannaki Prize for the Best Edited Volume in Modern Greek Studies Contributions by Tina Bucuvalas, Anna Caraveli, Aydin Chaloupka, Sotirios (Sam) Chianis, Frank Desby, Stavros K. Frangos, Stathis Gauntlett, Joseph G. Graziosi, Gail Holst-Warhaft, Michael G. Kaloyanides, Panayotis League, Roderick Conway Morris, National Endowment for the Arts/National Heritage Fellows, Nick Pappas, Meletios Pouliopoulos, Anthony Shay, David Soffa, Dick Spottswood, Jim Stoynoff, and Anna Lomax Wood Despite a substantial artistic legacy, there has never been a book devoted to Greek music in America until now. Those seeking to learn about this vibrant and exciting music were forced to seek out individual essays, often published in obscure or ephemeral sources. This volume provides a singular platform for understanding the scope, practice, and development of Greek music in America through essays and profiles written by principal scholars in the field. Greece developed a rich variety of traditional, popular, and art music that diasporic Greeks brought with them to America. In Greek American communities, music was and continues to be an essential component of most social activities. Music links the past to the present, the distant to the near, and bonds the community with an embrace of memories and narrative. From 1896 to 1942, more than a thousand Greek recordings in many genres were made in the United States, and thousands more have appeared since then. These encompass not only Greek traditional music from all regions, but also emerging urban genres, stylistic changes, and new songs of social commentary. Greek Music in America includes essays on all of these topics as well as history and genre, places and venues, the recording business, and profiles of individual musicians. This book is required reading for anyone who cares about Greek music in America, whether scholar, fan, or performer.
| Author | : Anne Lingard Klinck |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 309 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : 0773534482 |
The author shows that understanding of femininity in ancient Greece can be expanded by going beyond poetry composed by women poets like Sappho to explore girls' and women's choral songs from the archaic period, songs for female choruses and characters in tragedy, and lyrical representations of women's rituals and cults. The book discusses poetry as performance, relevant kinds and genres of poetry, the definition and scope of "woman's song" as a mode, partheneia (maidens' songs) and the girls' chorus, lyric in the drama, echoes and imitations of archaic woman's song in Hellenistic poetry, and inferences about the differences between male and female authors. It demonstrates that woman's song is ultimately best understood as the product of a male-dominated culture but that feminine stereotypes, while refined by male poets, are interrogated and shifted by female poets. The book traces the evolution of female-voice lyric from 600 to 100 BCE and includes Alcman, Sappho, Corinna, Pindar, other lyric poets, lyric in the drama, and the Hellenistic poets Nossis, Theocritus, and Bion.
| Author | : Stefan Hagel |
| Publisher | : Cambridge University Press |
| Total Pages | : 505 |
| Release | : 2009-12-17 |
| Genre | : History |
| ISBN | : 1139479814 |
This book endeavours to pinpoint the relations between musical, and especially instrumental, practice and the evolving conceptions of pitch systems. It traces the development of ancient melodic notation from reconstructed origins, through various adaptations necessitated by changing musical styles and newly invented instruments, to its final canonical form. It thus emerges how closely ancient harmonic theory depended on the culturally dominant instruments, the lyre and the aulos. These threads are followed down to late antiquity, when details recorded by Ptolemy permit an exceptionally clear view. Dr Hagel discusses the textual and pictorial evidence, introducing mathematical approaches wherever feasible, but also contributes to the interpretation of instruments in the archaeological record and occasionally is able to outline the general features of instruments not directly attested. The book will be indispensable to all those interested in Greek music, technology and performance culture and the general history of musicology.
| Author | : Margarita Alexandrou |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 404 |
| Release | : 2022-01-19 |
| Genre | : History |
| ISBN | : 3110711001 |
Apart from relatively few exceptions of texts which survive intact, what we have of Ancient Greek literature remains, to a great degree, fragmentary. As a result it is often misread, overlooked or mined not for its own sake but to support the investigation of texts which survive in their entirety. This collection of chapters addresses a range of poetic fragments, with a strong (though not exclusive) focus on Archaic epic and lyric, and an emphasis on the papyrological tradition. Its main purpose is to showcase effective methodologies through case studies, through a “hands-on” approach assisted by a robust theoretical underpinning. The topics covered include textual criticism, the editing of fragmentary corpora, the role of palaeography and the physical features of writing materials, the study of ancient editions, annotations and paraliterary texts, matters of indirect or mixed tradition, and fragment placement and attribution. This volume will certainly be a rewarding read, intended equally for new researchers who wish to acquire or improve the skills needed to deal with fragmentary texts and for established scholars who may draw on the authors’ insights to navigate the field improving their experience and enriching their knowledge.
| Author | : Margaret Foster |
| Publisher | : Mnemosyne, Supplements |
| Total Pages | : 408 |
| Release | : 2020 |
| Genre | : Literary Criticism |
| ISBN | : 9789004411425 |
Genre in Archaic and Classical Greek Poetryforegrounds innovative approaches to the question of genre, what it means, and how to think about it for ancient Greek poetry and performance. Embracing multiple definitions of genre and lyric, the volume pushes beyond current dominant trends within the field of Classics to engage with a variety of other disciplines, theories, and models. Eleven papers by leading scholars of ancient Greek culture cover a wide range of media, from Sappho's songs to elegiac inscriptions to classical tragedy. Collectively, they develop a more holistic understanding of the concept of lyric genre, its relevance to the study of ancient texts, and its relation to subsequent ideas about lyric.
| Author | : Christopher C. King |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 322 |
| Release | : 2018-05-29 |
| Genre | : Music |
| ISBN | : 039324900X |
A Wall Street Journal Best Book of 2018 In the tradition of Patrick Leigh Fermor and Geoff Dyer, a Grammy-winning producer discovers a powerful and ancient folk music tradition. In a gramophone shop in Istanbul, renowned record collector Christopher C. King uncovered some of the strangest—and most hypnotic—sounds he had ever heard. The 78s were immensely moving, seeming to tap into a primal well of emotion inaccessible through contemporary music. The songs, King learned, were from Epirus, an area straddling southern Albania and northwestern Greece and boasting a folk tradition extending back to the pre-Homeric era. To hear this music is to hear the past. Lament from Epirus is an unforgettable journey into a musical obsession, which traces a unique genre back to the roots of song itself. As King hunts for two long-lost virtuosos—one of whom may have committed a murder—he also tells the story of the Roma people who pioneered Epirotic folk music and their descendants who continue the tradition today. King discovers clues to his most profound questions about the function of music in the history of humanity: What is the relationship between music and language? Why do we organize sound as music? Is music superfluous, a mere form of entertainment, or could it be a tool for survival? King’s journey becomes an investigation into song and dance’s role as a means of spiritual healing—and what that may reveal about music’s evolutionary origins.
| Author | : Andromache Karanika |
| Publisher | : JHU Press |
| Total Pages | : 317 |
| Release | : 2014-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 142141256X |
The songs of working women are reflected in Greek poetry and poetics. In ancient Greece, women's daily lives were occupied by various forms of labor. These experiences of work have largely been forgotten. Andromache Karanika has examined Greek poetry for depictions of women working and has discovered evidence of their lamentations and work songs. Voices at Work explores the complex relationships between ancient Greek poetry, the female poetic voice, and the practices and rituals surrounding women’s labor in the ancient world. The poetic voice is closely tied to women’s domestic and agricultural labor. Weaving, for example, was both a common form of female labor and a practice referred to for understanding the craft of poetry. Textile and agricultural production involved storytelling, singing, and poetry. Everyday labor employed—beyond its socioeconomic function—the power of poetic creation. Karanika starts with the assumption that there are certain forms of poetic expression and performance in the ancient world which are distinctively female. She considers these to be markers of a female “voice” in ancient Greek poetry and presents a number of case studies: Calypso and Circe sing while they weave; in Odyssey 6 a washing scene captures female performances. Both of these instances are examples of the female voice filtered into the fabric of the epic. Karanika brings to the surface the words of women who informed the oral tradition from which Greek epic poetry emerged. In other words, she gives a voice to silence.
| Author | : Madeline Miller |
| Publisher | : A&C Black |
| Total Pages | : 370 |
| Release | : 2012-04-12 |
| Genre | : Fiction |
| ISBN | : 1408826135 |
WINNER OF THE ORANGE PRIZE FOR FICTION 2012 Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something deeper - despite the displeasure of Achilles's mother Thetis, a cruel sea goddess. But when word comes that Helen of Sparta has been kidnapped, Achilles must go to war in distant Troy and fulfill his destiny. Torn between love and fear for his friend, Patroclus goes with him, little knowing that the years that follow will test everything they hold dear.
